True North

If I could say anything to her, I’d tell her to still wear the Mary-Jane’s, they suited her. Their implied sweetness that belied her strength. In any case she’d never believe the steps she’d take beyond the pub in Wooten Wawen even if I told her.

And yes, the bells jingled on her skirt, noting how their sound hangs in the air, looping around, even now and what is it about the black and white Indian cotton that always comes to mind? Is it the waft against her legs, is it the foreshadowing of the woman in the making? Yes probably.

And if I could take her hand and tell her to choose a different skirt, one with less sense of contrast, would she? I doubt it. Did she buy that skirt and wear it because she had to, because she would think about it now, now when the black and white contrasts had become her life?

She would always choose that skirt and in an August car park it would billow out in the scented summer night. Billow out, like the curve of a balloon in a hot Summer sky. But then, you knew that didn’t you?

If I could say anything to her, I’d say don’t worry. Just wear the shoes, you’ll be alright. Believe me. And she does.

Thirty

Her mother’s best table cloth, the awkward smile over chicken salad or was it ham?

Churchyard trees smelt of Radox, pine crumbled in her hand. 

Closed restaurant, tattered menu through the window reflecting them.

The lager soaked pub carpet, did she mention modern art, and lost her train of thought?

The Mason’s Arms, the slight hill by the Job Centre.

In Brueton Park the aviary was empty, a sense of space, of absence in the caged birdshit and lost feathers.

And from the bench the mowed grass, sap full, fell away from them like rolling years then stopped at the sudden gate. 

Red t-shirt in the evening, pushing chicken round a ceramic bowl. Trying to be elegant. White cold stone, little Bistro walls, The Fat Cat in Solihull, it’s probably a nail bar now or tattoo parlour.

Later. The quiet house. The Fleur de Lys of her parent’s sofa. Running her finger over its edge.

The kettle boiled, she turned to him, she felt the kitchen cupboards up her back before she made the tea. 

The chime of her parent’s mantelpiece clock, the weave on his fair isle jumper.

These things.

She dropped by to watch them as though it wasn’t decades ago. 

Shimmerings

Right now I feel I am hiding from the blossom as it holds onto the branch but I know it’s out there, I feel it waving, bobbing, whispering to me from outside my window. It won’t be long before I look it in the face and I can hear it calling out to me, look up, look up, look up again and I know I will.

My trees know just what to do just like my clouds and I am gentle white and pink and sometime rippling rose. I hear them just beyond the glass, framing the trees, throwing their colours to sky and I breathe out. I breathe out as if for the first time, I breathe out like the morning when I woke and squealed and rushed and laughed.

And women fussed around me, hair was curled in ringlets and my feet secured in ivory silk. They would hold me up and they did, as they do now and I breathed out. And I was bound up in taffeta as I always would be, strapped in and laced with ribbons at the back. And at the front, encasing my heart, I was held in rich wine velvet, the deepest red because I could never wear anything else, soft and strong, the unconditional love around my tiny form.

And it’s ok I tell myself, and it is. I can smell the fabric, hear its rustle, taste the rose pink lipstick on my mouth and I am there.

Ready to be wrapped in blossom, petals on me, decorating my features, tickling my neck like confetti dropping down. And I shuffled, I clicked heels down our pathway and nestled my boots in the footwell of the car and later, not much later, they moved over ancient stone, disturbing the dust of centuries, the remnants of other women who had walked and stopped and spoke and loved.

And in the echo of those before me I stood, silken and shimmering like something waiting to emerge and I did. I raised my bouquet to the sky and petals fell around us, photons warmed us, like they do and sunlight lit red velvet, lit my face and the scent of blossom filled us up, as if to saturate the day in certainty and it did and it does.

I’ve been hiding from the blossom for a while now but today I peered back outside my window, took the deepest breath to drink it in. It’s all ok, it whispered to me and I heard it. It reached me, saved me yet again. The wisdom fluttering down through years, curled and chaotic just like me, but it will settle, rest itself soon and nourish the soil beneath my trees. I’m drenched in petals and confetti yet again. Thank God my flowers know just what to do.

My Golden Ratio

I will allow myself to wear red again or so it seems, in this image, on that day over there, in the corner of my mind. But if I’m honest with myself and I do need to be, it’s not in the corner of my mind, it’s in-front of everything I do, it’s loud and daring on my kitchen floor and I have unraveled today.

I’m waiting for the leaves to turn a little more, waiting for the soft ageing to calm me down, let the golds and umbers settle me, let vermilion still my mind. But it’s not yet.

The hawthorn outside my window is hanging on to summer, its leaves are glossed and green but the berries have started to burst through. I can feel the blackbirds watching, grateful for the abundance, for the ease of finding food.

They lived under my eaves through spring and summer, I used to hear them rustling and scratting in the dark above my head. Sometimes at night when I woke, when I couldnt settle myself, I’d hear them move around and I’d call out.

I’d call them birdies and would whisper soft into the darkness, go back to sleep now birdies and they would and I did too.

But now they’ve gone. I just hear silence in my eaves but I know they’re still out there, keeping an eye on my tree, eager for berries, waiting for the lush firm fruit to fill their beaks.

And I wait too.

There’s such a tension, like something humming at my core, some necessary essence waiting for its turn and this morning it burst through.

I have calmed a little now, regained some poise and quietness but this morning I changed my ways.

I charged out through the grey autumn, unfurling and stretching out as though there was no resistance, as though there was only joy.

And in my unraveling I booked tickets to the show and then my mind wandered up the street, past the estate agents, past the army museum and the old red brick walls I knew so well, walls that I knew from an earlier time, when I was chaotic and free. And so this morning I walked that route again, past the Hotel du Vin but then I stopped.

I found myself able to do anything so I paused and went through their doors, I looked at rooms and made choices and in my haze and daze I found a suite. And how perfect it was with patio doors that lead out to its own private garden and that would do nicely I thought.

And there draped in red, in russet maybe, nothing harsh or emboldened but a softened red of ageing, of wisdom, of a maturity to hold myself up to the light. And there in my russet awareness I almost booked the room. And I would have added dinner of course but stopped just short of that.

And then the winds danced at my window and pulled me back inside away from the streets I know so well, away from the memories of purple curtains and the swirling depth of wine. Days merged and frayed, moments hanging like the leaves that need to fall, like words dropping onto grass, like footsteps on cobbles, Italian streets when I wore cream linen and the golden light through their windows which rippled across and stopped time.

And somewhere in autumn, in the fracturing moments of myself, in the scent of the Sistine chapel I burst through, from there to here and out and onwards, upwards, outwards to another day, another time, when I would allow myself to wear red again. To wear russet and flow, to sparkle and drift through streets with no resistance and in the overwhelming colours of possibility I almost booked a room.

I can breathe again now, memory and fantasy have merged and drifted down. I’ll be alright soon. I do think so much of wearing red though, of being delirious autumn trees in sunlight, of not being afraid to shine.

To Bring Us into Being

And the front door always sticks a little, heavy to the pull. But down goes the brass handle and I bring it in towards me as you appear. You bob in from the left, all jokes and eyes and jumpers, grey and white Fair Isle. And I’m just there, holding the door handle, looking at you, looking back at me.

And then handshakes and the laughter comes and whispers in the kitchen all rush back. And there is ham salad, of course, tea and apple pie while my little cat fusses around my legs.

Later we are out and I’m in red and black but not the velvet hat, not in those days. I keep it in the drawer instead and the Mason’s Arms appears with the younger me at college, sitting somewhere out of sight. But we walk past her, walk into their lounge and in the ancient arm chairs we drift in and out, you on the death penalty, no doubt and me on Klee and Kandinsky. I flit, topic-hopping from thought to thought like a delirious bee craving pollen. And it winds you up at the start.

Until replete, hours later, we wander down to Brueton Park and through the metal gates to the bird cages where nothing but their perches remain. We crush weeds on the abandoned path, aimless chatting in the stillness, amongst lost feathers and the sense of flight.

And then the bench. There was always the bench and I’m on the left as if to anchor me to the place where I would remain. Then walking back across the dips and hillocks, (with low clouds just like now) you take my hand.

Evening arrives at The Fat Cat Restaurant where we loiter with red wine. And we sit round the back somewhere, hugging white stone walls while their ceramic bowls of chicken fill me up. The spotlights throw up dots from high gloss glaze.

Till later, a little later, kettle boiling in the kitchen with your hand on my hip and then we sit. And so the settee rises, green and soft, with little tufts around the edge, little frayings while the tea cools down.

You in your favourite jumper and me my black waistcoat with thicker hair. You brush it away under the soft certainty, under the tick-tick-tick of my parent’s mantle clock.

Teoría de Ondas #7

The cloud cover broke a little just beyond her trees and blue peeped through. She followed it, she let herself be swept along and up and through to Valencia.

And she dropped down, she landed like a curled up leaf and then unfurled. Stretching out, warming in the Spanish sun.

And she was there.

There, in flowing linen, and cream hat, there in the indigo glass reflection, in the white spots of sunlight on polished chrome. Just a split second, as though she viewed it all from here, older, looking back, as though the moment had rippled back and forth through time, throughout the whole course of her life.

And she would be there, limitless in the azure blue and violets. She tried to freeze the moment but it ebbed and dipped, rose and fell, in and out like her breath on the warmth of that day.

Under the startling architecture they wandered as though it had been created just for them.

She was there.

There, in the deep soft cream settee of the of the taxi, low down, buildings blurring as they explored the town.

There, by the bicycle racks finding Tourist Information. And maps were drawn and plans were made as they forged themselves back out.

There, to the left of the Cathedral, then the fountain and that sense of achievement when they found their bearings once again.

There, in that repeating sense of being trained, that she would need these skills just down the line. And then her husband sat, with Guinness while she took their small boy’s hand and walked away.

And she was there in the twenty minutes before the shuttle bus to the docks, striding out to find a souvenir with their son. And the pavements seemed so white and the buildings were warm ochre and in the Spanish sun they were being taught to explore alone.

And there and back and to the cafe meet up with one last photo, one last pose.

She was there and snapped them, husband and son at the fountain, grinning. And the water droplets sprayed up and the photons sparkled down as minutes slowed.

And in the Now she went back there, tired but noting moments on the coach, smiling at the buildings, wide-eyed like a child. And the city shone as though everything was brand new, resplendent, shimmering like themselves.

And the day was white and chrome and violet with an endless sky to call her own. And she clambered back into the feeling, to be there, to be together, to be whole.

If she could have just one day it would be there, it would be then, under the mothering Spanish sun.

Teoría de Ondas #5

The mint leaf rested effortless on the hot water’s surface tension, so it had just enough support. And in her morning mug the sky trembled, the trees rippled in their inverted world.

She thought of reflections of the restaurant ceiling, upside down in her wine glass, garnet red and rounded, with its full deep sun warmed taste.

The sun was up in the Now, drying leaves, dropping pale light across her golden browns. But she wasn’t there, she had stood in ancient ruins in the morning and now, back on the coach trip their bellies rumbled from the early start.

Lunch came, with perfect pasta, passing bowls to strangers across a carnival of colours. She drank it all in, at the long wooden table where they sat. She looked right and up to the violet curtains, gold organza fluttering, how they seemed to light up despite the dimness of the candle lit room. And if she took out her small camera she would capture them and have the moment frozen for all time.

But nothing could hold the colours, like jewels against the window and she watched the sunbeams dance amongst the dust as though everything was slowing down. It was as though the moment was calling out to her, look at me, look at me, this is a second to hold. Side by side, in the flickering dim and although her camera could never do justice to the light, she knew her mind would keep it safe. And there they were in that restaurant with high ceilings and wooden walls, sharing food with the strangers of their day.

And later, much later, the fountains and bridges faded to a hush, to a crowded, shoulder to shoulder throng looking up. Quiet, neck-straining to take in the paintings up above and how strange it seems now. That oddness in the thought of rubbing shoulders with no fear, and they stood crammed in together, tasting the air, breathing without masks, without hand gel.

She dropped back to the Now and the day that lay ahead of her but it was tinged, it was softened around the edges like the quality of light. And if she breathed in long and deep she was full, she was lost again to the scent of the Sistine Chapel.

Teoría de Ondas #4

There was a time when white sands flanked them on the left as they wandered, when the beach framed the bay, resplendent, calming like a long out breath.

At the end of the road by the market stalls, Matisse’s house stood, elegant and shuttered, perfect angles under the startling sun. And thinking about his paintings, how they seemed to be lit by the same insistent sun, as though the paint itself was lit from within.


And in one breath she lived there, russet skirts brushing the stairs as she came down in the morning. There would be no rush as she chattered with the stall holders. A smile and a joke and then with her basket full of nectarines and oranges she would drift away to the edge of the beach. And staring out to sea she would feel herself ripple and drink in the day.

And later back in Cannes the moment was frozen by a passerby, dressed head to toe in baby pink and tripping by her feet was her clipped poodle, dyed pink to match the owner. Woman and dog sparkling in the heat.

Their day was a vibrant palette, bright colours on each brush. It was a painting to stare into on dark chilled autumn mornings. And there, in the South of France she wore white and she seemed to be lit from within.

Teoría de Ondas #2

She saw their faces, Florida worn and florid as they bellowed across the starched white breakfast linen. She let it wash across her.

They were a freak show at the table, a curiosity over the crisp hot bacon slice, the entertainment in their morning, while the orange pulp left bits inside her mouth. And she saw themselves stretched out, distorted in the silver coffee pot, elongated versions of themselves, smiling as the table rocked, almost imperceptible with judderings under foot.

The overnight pitch and yaw still rattled in her mind, the slam and crash of metal, tipping, tilting hard. And down the narrow corridors, room service trolleys swayed, clattering into closed doors.

Bay of Biscay batterings until exhaustion beat the waves and by dawn the creaking eased, by dawn the swell had calmed and took them, in gilded lifts, to start the day.

And their morning opened in the background buzz of chattering, of clinking cutlery, of sausage sizzle with its fat dripping on their chins while seasoned travellers just shrugged off the storm.

A gentle rolling with short sleeved strangers in the constant supply of toast.

There were days, months ahead of her when this feeling would be common, when this fragile sense fighting foes, of wrestling waves would be familiar in her day. But not then, then it was just a squall to ride and nothing more.

She was being trained in storms.

A Rain Song Called Elegance

The rain moved in, like her eyes opening, like seeing the morning for the first time and it was welcomed, like that dawn, like the gratitude of the day, like eyes locked close and knowing, and it rained.

But it didn’t rain back then, it was quiet, warm, a thought nearing the end of summer and in the tail end of the season, the water rippled up the boats on the canal and their faces were reflected in its soft stroking waves.

And evening would have moved in, like it did, like it does, it drapes the coolness, the calm end of day, like an arm around her shoulder, like the footsteps by her side.

And evening drifted up, traffic sounds gave way to birds and she hitched up her skirts, like she did then, when white washed walls were unfamiliar, not the faded grain of now. And they sat.

Birds watched them then and she watches them from back here, folded in the now, in the smell of wet soil, the kiss of lavender scent and the certainty of August.

Time came with her, her companion on the way, tucked in the pocket of her skirt, vivid, like their moment, translucent, like the wings. And her wings beat out in the evening sky, strong, like the bonds that hold her, glorious, like their day.

August had returned and she could fly. A rainbow swaddled her garden and under its hue and shimmer, they were young. And under its song she was old but she had wings.