A Womb of My Own

I grew a seed,

embedded and safe,

charged with potential to be.

I swelled like a spring fruit,

nascent and sun-blushed,

full of juice and tender flesh.

I stretched and sustained,

moulded and flowed,

an insistent present tense.

I blossomed into autumn,

round and lumbering,

a pulsing pod of blood.

I reshaped as the shell, the outer husk,

fierce and ferocious,

fighting tooth and claw, protect my form.

Until I became,

I separated, split in two,

into us, our necessary cells,

an ecstasy of emergence,

bleeding and bonded and whole.

I flooded into his immaculate mouth

as lilies opened in my heart.

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Pigments

Sit down beside me, here on the floor and bring your palette and your paint.

Take my feet and cover them in sap green so that they merge with the undergrowth, with the things that spread out and take root. So that my toes wriggle in the earth and feel the soil seep in-between them.

Take my legs and cover them in opera rose, let the paint coat my limbs like a small girl’s tights. And she doesn’t care about the luminous colour because she’s bright and loud and free. Colour my legs until they run helter-skelter down the road with no concerns.

Take my abdomen and cover it in alizarin crimson, remind it of when it would flow, when blood signalled life, when it held and it pulsed and became.

Take my breasts and cover them in cerulean, calming and restful, a soothing blue to feed and sustain, to remind them of the nurturing. Paint them and feel oxytocin flood.

Take my face and cover it in brilliant yellow, let it be vibrant and glow so that it lights up the room, so that rays burst out in sunshine.

Take my hair and coat it in orange lake deep so that I look like a punk, so that I look like I used to when my hair was short and spiked, when I wore a zebra print dress and didn’t care.

And my orange hair will spill out across the floorboards in rivulets, ideas and plans and possibilities tumbling out, soaking the wood with unbounded thoughts and dreams.

Take your palette and your gouache and cover all this grey then wash your brush out in my water and sit beside me on the floor.

Cumulonimbus

I need to find the smallest of words, seek them out and hold them close. I must be careful though, holding them means I must lift my arms and that seems too hard. So I’ll just think about them instead.

I’ll think about stillness and sleep, that’s all. The rain came back today and with its soaking, it washed away part of me, took my feathers and my frills, drenched my ribbons and wet my bows and I’m bedraggled. If I looked up I’d see them, sodden, lying around me but I won’t open my eyes. I still think about them of course, crave them, remember how it felt to move and jingle and shimmer and shine, but not now.

The rain came back today, it saturated me. There’s almost a breeze but not quite. I’ll just sit still for a while and if I breathe soft and slow, if I look down, no-one will know that I am here.

For Safe Keeping

Find her by the canal in her black and white skirt with bells. Find her navigating it all as she jingled, as she smiled.

And there under the August sky, find her leaning up the old Orion, in her black Mary Jane’s and her silk waistcoat.

Later, after chicken salad, no doubt, find her by her candlewick bedspread, chartreuse and tattered but perfect. The only way to end the day.

And in the morning, in the same skirt, find her smile at the bedroom door and make plans to carry her home.

Just find her. Over and over and over again. Always in August, to keep her safe.

Chamber of Stars

And she breathed and unseen beaks opened as if to say, me too. They took in the fresh morning air and remembered what it is to fly. And on her wings she swooped over distant rooves where cars parked up and bins lined up and people did their thing.

She did her thing and she did it well and there she sat on the roof of the house, ruffling feathers and with knowing eyes, she peered inside his room.

And there she sat on the floor with her back to the bed and her lap was filled with books, with the words, with his bright blue biro scrawl and she reached in.

She traced her fingertips over pages and watched as he appeared. Out he came like a thought, floating up towards her, like the curve of a balloon in a hot summer sky and he circled and he led the way.

He led her to his shed at the bottom of the garden and pushed open wide the door. It creaked and eased onto a world she’d come to know. It was as though two small girls had found their way, had dared to creep over the threshold, like a childhood place, like a secret land that called them to come inside.

And inside they looked up in wonder and stared at The Machine.

What is it? What on Earth is it?’ they would ask as though they were characters in a well loved book.

Till the small girls faded and she was stood with him in the dust, in their particle-wave duality. And he would be in his element, in the quiet fug as he set the cogs in motion. Gears moved and wheels turned, firing bits of muck and fluff into the air. Beetles scuttled and woodlice trundled out of sight as the universe in the shed sparked life, shaking the detritus from the gloom.

And there they stood in the photons, as he burbled through his ideas and concepts and his thoughts danced around her like a flutter of butterflies, their fresh fragile wings entangling her hair.

They flew up from the contraption and out through spacetime, released into the universe, like a tensor, like a field equation of their life to come.

And she observed it all, sat high upon the shed roof, ruffling her feathers and watching herself take form.

There was a shed and The Machine, there was a bookcase and a girl. And everything rippled and reverberated out. Irrepressible, on that day, in the embryo of their world.

And she breathed out as unseen birds sang and beaks opened loud and glorious, as if to say all’s well.

Residue Theorem

Let me feel your bristles, firm against my form. Insistent, purposeful as though they’d never lived a day without motion.

Brush me from my hiding place, my quiet soft decay. Gather me up into your arms and lift me from my chill. Smother me in your hands and then release me.

But first stop. Pause.

Bring me to your face, your nose and mouth and breath me in. Long cool limitless breaths which remember me with calm, with the intricate scents of my form, with my rich bracken twisted broken core.

And inhale me deep, fill your gaps and crevices with my wisdom, my stench of a year gone by.

And then look up. Turn your face into the softened dusk, up to where the night moves in.

And then hurl.

Scatter me to the soil, to the dark places under the shrubs where the robin picks and pecks. And leave me warm, leave me replete with the hours, with the moments which slip away.

Like your hands as you release me.

And I sigh and rest my form, feel my edges crumble where your fingers traced. Feel the gladness of the earth and I will rostle and rustle into place and wait for the cold to take me home. Into my welcoming loam, mulched down soothings till the spring returns.

And it will.

And your fingers will find me once more as I dare to go around again, as I summon my courage and strength to raise my form up from the soil.

And you’ll be waiting.

Standing stoic, through the cutting winter until the light comes, until the hope will lead me back into your hands.

Ephemeris

I have been avoiding myself for a while, she thought, but the leaves rushed in and said don’t worry. Watch us dither on the bluster, see how we don’t care.

And she strained her head to the sky, to the spaces where she used to be and watched. They maundered like old thoughts which caught her out in the night, like missed moments, like the regrets which crumbled at her door, twisted and fragile, the haphazard seconds of her life.

But the leaves taught her well. They cried out as they tumbled into her, thither-zither, helter-skelter to her palms. And for those which remained on the trees, she poured her love up to them. They were weary, clumped and battered on the undressed branch. They knew not to resist.

Clouds moved in, cumulus caressed her mind and she didn’t care, not really. Not now. Somehow the day was still gentle.

Listen to the leaves, she said. It’s only spacetime. It’s only 9,192,631,770 periods in the hyperfine transitions of the ground state of the caesium 133 atom. One second after another falling to her soil.

There was nothing to worry about after all.

Me in Amber

Near the top of Three Maid’s Hill, in the din of russet pavements, light pierced like a diamond, caught the edge of purposeless leaves.

Whipped them, wild. Clattering up in eddies, delirious, absent-minded in the disturbed air between cars.

And it was my eyes which soothed them, which held them as we passed by. As though I were unique, as though the retina stain from a low flying sun could only belong to me.

The hill smiled, outlived me and everyone else, until all that remained were my thoughts, thinking. And may I be a memory of this place.

Our wheels were long gone. Leaves settled in the drains, they bunched up, held on tight to each other.

They knew what to do.

Falling Teacup White Robe

Cushion pushing tight into the twists,

the rumbles. Shh, time to sleep

I said before ears came.

The night, perched on the bed edge,

minutes like breaths, squeezing me.

My foreign body. Pulsing.

Weight of silence, an endless open mouth.

Yawning, howling.

Wait in darkness.

Shoe-horned into the car

under my tree, its soft reassurance,

resolve. Battered power

of an injured tiger.

Here, take my body,

it’s yours now.

Pummel me with

your ice cold faceless faces.

Watch me like a cat pawing bird

as I jolt, ricochets up my spine.

I don’t recognise myself

as they trolley me to the new room

with endless breasts which smother me.

Suffocate me in starched white.

I lay still in-between judders

with their walls and wires, lights that beep.

Daylight, hopeful smile on a wheeled-in tray.

Entonox is my friend, it brings me echoes,

fractured words and giggles

as her fingers inch.

Searching for news

but there is none.

Try again tomorrow, they say.

And I search the ceiling for a way out.

I’ve grown used to their window

though I cannot see outside.

One day there’ll be flowers on that table.

Another face on the end of the nth syringe.

I laugh and cry at the same time.

My turquoise bag reminds me of home,

it jars me.

She’ll be back later

and she drops a smile by the door.

Later the ceiling mocks me,

while they swab me clean

and tidy me away to nothing.

I may watch these walls

for the rest of my life.

You know night, that space

where everything sinks?

It takes me, leaves me shaking

in their hard backed chair,

drunk on spasms, they roll me over

strip me bare.

There, they lock the medicine away.

Tight lipped, they make me wait

till morning.

In daylight, pethidine is my best friend.

I call for surgeons,

but their absent hands upset me.

They sip tea on Sundays

while I rock, ridiculous,

a wretched remnant desperate for a gown.

Somewhere a woman wails,

disembodied hollering.

I wonder if she has flowers in her room.

I have no limbs now,

no head to call my own.

My pupa waits, watches the clock

push the hours, breath by breath,

my shadow up their wall.

Till everything bustles, they rush and prod,

watch over me in their Petri dish.

They tut-tut and poke.

Their needles search and pierce,

severing my pain.

I am numbness on plastic sheets,

chrome glints at my feet,

lights wink at me.

They concentrate and congregate,

explore me until teatime.

I give it my best shot.

Then I concede, consent to them,

give up, give out and give in.

I am aware of my breath,

my lungs expanding and contracting

by their green scrubs.

Their scorching lights and tinkering.

Brush the hair out of my eyes.

And where my abdomen used to be

the world opens, lilies start to bloom.

Loud and excitable, like a new heart beat.

Ceilings come and go under the sheer love.

Boundary Conditions

It’s so still out there, so waiting. That sense of shh, don’t worry, it will come. It’s there in the way the sunlight holds the branches, in the faint call of a hidden bird.

And I pause, breathe, that’s all. And it passes by my window, up to the left with the sparrow wings and he watches me, watching him, watching them all. We slow down, the birds and I, pause to think of sunlight.

And there they are, my creatures in the trees, pecking and singing, ruffling new feathers in this spring. And I wonder do they sense their descendants, the ones I knew, the ones who gave me feathers years ago.

And while they sang outside that window from back there, in that house then, the hem of the dress caught the light as it lay out on the bed, as if to say look at me, look at me, lift me up into your arms. And later, a little later it would be held up as I clambered inside, as I manoeuvred into my new form, like a butterfly losing meconium, drying out its fresh wet wings.

Until its weight draped round my feet and I breathed out. Birds sang unseen as the hem brushed the dust down the wooden staircase and over new mown grass to rest and pause, where cameras winked and moments froze.

Sparrows darted to the neighbour’s tree, head on one side and down the path the hem of the dress shuffled leaves until it was bundled up into the car. It sat quiet, being, folded in upon itself, cushioned on the plush carpet of the foot-well until blackbirds cut the air, overarching the church gate.

And there with the creak of old hinges, with the warmth of a palm, with the click of heels on old stone, the hem of the dress made its way home. Home, on the short path to the archway, home to the hush of the slate and it dragged feathers and fronds as it swayed, as it made its way past pews to the front.

And there it rested for a while, settled in ivory, calm where it belonged. The hem of the dress over champagne silk boots, near to sharp creases in suits and it paused, waited, just to the left of polished shoes.

And then sunlight came back to stroke it, came to throw light at the door. The hem swept and rippled, caught the coloured flecks, scattered rainbows all around, then hands scooped it back up into soft contours in the car.

Trees moved above it unseen, voices chattered and laughed while it lay crumpled up and then the grass came back, daffodils nodded and bobbed as it moved around. Photons bounced up from the duck pond, white spots and sparkles, before it coated steps and carpet-brushed itself along.

And it swooned, the hem of the dress with the tiny remnants from the day and it danced over polished floors, glided as though it would always flow, would always sway, as though in its moment there was release.

And later it lay, much later it was still, smoothed out again and silent on the protective bag at the bedside, soon to be tucked far away.

And now hydrogen coalesces into helium, firing light and heat, like it did, like it does. How reassuring as it warms up the blackbird’s wings, as it listens to the soil.

And in a different wardrobe now the hem of the the dress sleeps its sleep, cradled and swaddled in plastic, over unused things and bits and bobs. But in its weft and weave it holds the moments when it danced, when it was free, when it could shimmer and it was home.