Tag Archives: Food

by

From Where the Birds had Flown

I wonder if the tree is still there in the churchyard where I took the pine needles in my hand while we walked? I wonder about the soft threads in my velvet leggings and whether they’re still on the planet somewhere or if they’ve biodegraded by now. And 7 Seconds played on the car radio, in a car that by now will have turned to nuts and bolts.

I think about the bench in Bruton Park and if it still exists or has it been chopped up and turned to firewood and the metal smelted down. I wonder what happened to the the cages in the nature reserve where we wandered, how even now I can taste the still air and hear the leaves under our feet, in the strangeness, in the almost stagnant places from where the birds had flown.

And what happened to the white ceramic bowl with the first of the chicken salads, did it break years ago, is it fragmented in soil, mixed with mulch, feeding roses somewhere I’ll never know? And what about the settee with its soft green Fleur De Lys pattern, with the nap I felt under my hands when my eyes closed, have those fibres disintegrated by now?

I still hear the reliable tick of my parent’s mantle piece clock, marking time, stroking the moments as though they never ended and though that mechanism has long since been deconstructed, the echo of it fills my ears now.

Of course, I wore red socks and my silk waistcoat was shimmering black. I wonder if its small buttons are sewn onto something else now or if they sit in someone’s sewing box, someone unaware of the role that they played in my life.

I wonder about the birds that had flown, whether they had chicks, and whether generations of them later, they fly over me in a different town, dropping feathers onto the new pathways that I make now.

I look out for them. It’s March 26th, I’m not bothered, it’s only time.

Advertisement
by

For Safe Keeping

Find her by the canal in her black and white skirt with bells. Find her navigating it all as she jingled, as she smiled.

And there under the August sky, find her leaning up the old Orion, in her black Mary Jane’s and her silk waistcoat.

Later, after chicken salad, no doubt, find her by her candlewick bedspread, chartreuse and tattered but perfect. The only way to end the day.

And in the morning, in the same skirt, find her smile at the bedroom door and make plans to carry her home.

Just find her. Over and over and over again. Always in August, to keep her safe.

by

To Bring Us into Being

And the front door always sticks a little, heavy to the pull. But down goes the brass handle and I bring it in towards me as you appear. You bob in from the left, all jokes and eyes and jumpers, grey and white Fair Isle. And I’m just there, holding the door handle, looking at you, looking back at me.

And then handshakes and the laughter comes and whispers in the kitchen all rush back. And there is ham salad, of course, tea and apple pie while my little cat fusses around my legs.

Later we are out and I’m in red and black but not the velvet hat, not in those days. I keep it in the drawer instead and the Mason’s Arms appears with the younger me at college, sitting somewhere out of sight. But we walk past her, walk into their lounge and in the ancient arm chairs we drift in and out, you on the death penalty, no doubt and me on Klee and Kandinsky. I flit, topic-hopping from thought to thought like a delirious bee craving pollen. And it winds you up at the start.

Until replete, hours later, we wander down to Brueton Park and through the metal gates to the bird cages where nothing but their perches remain. We crush weeds on the abandoned path, aimless chatting in the stillness, amongst lost feathers and the sense of flight.

And then the bench. There was always the bench and I’m on the left as if to anchor me to the place where I would remain. Then walking back across the dips and hillocks, (with low clouds just like now) you take my hand.

Evening arrives at The Fat Cat Restaurant where we loiter with red wine. And we sit round the back somewhere, hugging white stone walls while their ceramic bowls of chicken fill me up. The spotlights throw up dots from high gloss glaze.

Till later, a little later, kettle boiling in the kitchen with your hand on my hip and then we sit. And so the settee rises, green and soft, with little tufts around the edge, little frayings while the tea cools down.

You in your favourite jumper and me my black waistcoat with thicker hair. You brush it away under the soft certainty, under the tick-tick-tick of my parent’s mantle clock.

by

Teoría de Ondas #7

The cloud cover broke a little just beyond her trees and blue peeped through. She followed it, she let herself be swept along and up and through to Valencia.

And she dropped down, she landed like a curled up leaf and then unfurled. Stretching out, warming in the Spanish sun.

And she was there.

There, in flowing linen, and cream hat, there in the indigo glass reflection, in the white spots of sunlight on polished chrome. Just a split second, as though she viewed it all from here, older, looking back, as though the moment had rippled back and forth through time, throughout the whole course of her life.

And she would be there, limitless in the azure blue and violets. She tried to freeze the moment but it ebbed and dipped, rose and fell, in and out like her breath on the warmth of that day.

Under the startling architecture they wandered as though it had been created just for them.

She was there.

There, in the deep soft cream settee of the of the taxi, low down, buildings blurring as they explored the town.

There, by the bicycle racks finding Tourist Information. And maps were drawn and plans were made as they forged themselves back out.

There, to the left of the Cathedral, then the fountain and that sense of achievement when they found their bearings once again.

There, in that repeating sense of being trained, that she would need these skills just down the line. And then her husband sat, with Guinness while she took their small boy’s hand and walked away.

And she was there in the twenty minutes before the shuttle bus to the docks, striding out to find a souvenir with their son. And the pavements seemed so white and the buildings were warm ochre and in the Spanish sun they were being taught to explore alone.

And there and back and to the cafe meet up with one last photo, one last pose.

She was there and snapped them, husband and son at the fountain, grinning. And the water droplets sprayed up and the photons sparkled down as minutes slowed.

And in the Now she went back there, tired but noting moments on the coach, smiling at the buildings, wide-eyed like a child. And the city shone as though everything was brand new, resplendent, shimmering like themselves.

And the day was white and chrome and violet with an endless sky to call her own. And she clambered back into the feeling, to be there, to be together, to be whole.

If she could have just one day it would be there, it would be then, under the mothering Spanish sun.

by

Teoría de Ondas #6

She would be standing there now, looking up. So much of that time seemed to be about looking up or looking out in that outward expanding world. Not like this, not like this small enclosed tight place.

But that was then and so she looked and listened to the guide. They were taken to a shop selling leather coats, its heavy scent still lingered and here the crowd of strangers stopped just to use the toilets. The owner watched as people drifted in and out to the back of his shop, some stopping to stroke the leather but no-one buying. He nodded to them as they passed by. He was used to it I suppose, an arrangement with the tour guide. Perhaps she was a friend.

Tired feet pushed down on the Piazza di San Giovanni, drifting around a stall of puppets. Pinocchios dangling, hopeful, desperate to feel real again. And back along by the side of the cathedral, soft russets against blue, she looked back up.

Pinocchio swung in the small boy’s hand and they walked on, through medieval alleyways in the footsteps of tourists, capturing moments like you do, like they did.

And later after coaches pulled up in the rain in a Pisa carpark, she bartered with the brolly sellers, a trick she did often and well.

And there they were again, another second, backpacks and cameras, holding up the tower in the rain. At the market stall, the bags and scarfs pulled her close and as their boy learned how to make Pinocchio dance she pottered amongst the gifts.

The tasseled black and red scarf still hangs in her wardrobe but then it was clutched in her hand, then it was her trophy from the day and they rushed back.

And just before the meeting point where her husband waited, she slipped for a second, went over on her right ankle, on the wet cobbled lane and then regained.

Raindrops on coach windows, a greyed out Pisa on their left, throbbing ankle and a new scarf to wrap up the day. But Pinocchio sat on the young boy’s lap to her right, small and wooden, his painted eyes, trying to recall what it felt like to be alive.

Grazie mille, they whispered to the town as they pulled away.

by

Teoría de Ondas #4

There was a time when white sands flanked them on the left as they wandered, when the beach framed the bay, resplendent, calming like a long out breath.

At the end of the road by the market stalls, Matisse’s house stood, elegant and shuttered, perfect angles under the startling sun. And thinking about his paintings, how they seemed to be lit by the same insistent sun, as though the paint itself was lit from within.


And in one breath she lived there, russet skirts brushing the stairs as she came down in the morning. There would be no rush as she chattered with the stall holders. A smile and a joke and then with her basket full of nectarines and oranges she would drift away to the edge of the beach. And staring out to sea she would feel herself ripple and drink in the day.

And later back in Cannes the moment was frozen by a passerby, dressed head to toe in baby pink and tripping by her feet was her clipped poodle, dyed pink to match the owner. Woman and dog sparkling in the heat.

Their day was a vibrant palette, bright colours on each brush. It was a painting to stare into on dark chilled autumn mornings. And there, in the South of France she wore white and she seemed to be lit from within.

by

Teoría de Ondas #2

She saw their faces, Florida worn and florid as they bellowed across the starched white breakfast linen. She let it wash across her.

They were a freak show at the table, a curiosity over the crisp hot bacon slice, the entertainment in their morning, while the orange pulp left bits inside her mouth. And she saw themselves stretched out, distorted in the silver coffee pot, elongated versions of themselves, smiling as the table rocked, almost imperceptible with judderings under foot.

The overnight pitch and yaw still rattled in her mind, the slam and crash of metal, tipping, tilting hard. And down the narrow corridors, room service trolleys swayed, clattering into closed doors.

Bay of Biscay batterings until exhaustion beat the waves and by dawn the creaking eased, by dawn the swell had calmed and took them, in gilded lifts, to start the day.

And their morning opened in the background buzz of chattering, of clinking cutlery, of sausage sizzle with its fat dripping on their chins while seasoned travellers just shrugged off the storm.

A gentle rolling with short sleeved strangers in the constant supply of toast.

There were days, months ahead of her when this feeling would be common, when this fragile sense fighting foes, of wrestling waves would be familiar in her day. But not then, then it was just a squall to ride and nothing more.

She was being trained in storms.

by

Thrash

Imagine if you woke up to find you were a crocodile. And it wouldn’t be so bad, not really. You’d lie there untroubled by the day ahead. Waiting for your gut to rumble or prompted by the stench of blood, would slide downstream, to roll and thrash.

It wouldn’t be an infringement on your day to feel the ripple of your muscles, to dip below the waterline, eyes blinking. Silent, then gone.

And just to be. Swathes of flesh flick through papyrus, deep diving to the hollows where your stash of prey lies, soft. The pitch dark night beneath, it’s comfortable for you.

Imagine that. Eighty-five million years of instinct in your jaws and no anxiety. Nothing to bring a tightness to your chest or a dryness to your mouth. No fear to stop you moving far. Just grace in your assault, primal pureness in your heart.

And it wouldn’t be so bad to wake without the sense of dread, without the hyper vigilance, without the threat at every turn.

There’s always tomorrow I suppose. Maybe then I’ll wake to find I am a crocodile.

by

A Certainty Like This

4847ed39092f1ef29720570f3b79718f
The hills came back, they wrapped around her like an old friend, like a mother’s arms and she was safe, more than that, she was free.
Iris folded herself into her coat, it was a heavy, twisted wool with a knitted corsage on the left lapel, chocolate brown and as warm as it looked. It would be alright, she insisted to herself.
The platform was cruel. It hollered, ripping bits off people, tearing steel and diesel smashed through air, but she didn’t mind. To be fair, she thought, nothing can get through to me now, nothing can scrape or stab me and she let the trains do their worst. Her hair was thrown upwards like a beacon, her coat billowed out behind, filling her form until she swelled, bigger than her shape, her smallness hidden from the world and then she stepped.

Iris climbed onto the 10:17 to Wolverhampton.

Familiar towns whipped and passed. She watched reflections of people staring into laptops, intent on their day as she gripped the seat beneath her, scrubbed the nap backwards and forwards in her small hand. Yes, she was still there.
And changing for another train she felt the air she needed getting nearer and on and up through cities she used to know, places they’d visited when cars were hired and journeys made. Now it was a screech of a platform and cold strangers looking in beyond her, searching out seats by her side.
Tiredness pulled her down through another change of station and she wondered about her sanity, whether she’d really left home at all and if she had, what would she do when she got there?
She dozed. The weight of the hours closed her eyelids and the rocking of the carriage carried her away. She saw mountains and pine trees, how they framed themselves in one moment. The stream was drawn down through the image like a child’s artwork and it jumbled and glinted over rocks. She was there in the old train. Their train, warmed and wrapped from the Alps, stuffed full of chocolate and memories. The bowl of baked cream, the wicker chickens and the sky. How clear it had been, how far away but its light lit their rooms and their beginnings.

The train shook her awake into the sunlight dropping shadows, streaming out across the land. Iris blinked herself back into the afternoon, ordered a black coffee because she could and sat, mug hugging as she closed in nearer to her old town.

***

And morning came. Morning, after her tired trudge to the B and B, daylight after the restlessness of lumpen foam, of unfamiliar sounds and scented sheets. But morning came as it did back then, when they slept in spontaneous rooms, when owners smiled and gave them a key to the room on the left of the landing and they were there. It wasn’t just the mountain air that filled her lungs, that sparkled her eyes, it was the touch of herself, it was the sound of her laughter and in narrow streets with no plans, they ran.

Iris walked up alleyways, she walked taller than she was, like a bride to an unseen alter, she traced her steps. And there in the light rolling up the mountains, there in the air that she recalled, she found the pub. She pushed the heavy door and turned left by the coat stand and there she was.
Her hair was dark, long across her shoulders, her fleece jacket, the colour of her cheeks and she looked up. She didn’t see Iris, of course because she was laughing with her boyfriend. His back was towards her so Iris couldn’t see his face but she knew it well. She knew every curve and every furrow and she watched. They pushed the plates to one side, knocked back the remains of their drinks and said ‘let’s go.’
There, on an unplanned adventure with few clothes to their names, there, just north of his mother’s home where they’d travelled to because they could, they laughed and they sneaked out. They left the pub without paying, just once – only once because the staff were unresponsive and they, themselves were young. They were away together for one of the first times and they could run.
He took her hand and they walked straight through Iris standing at the door and how they ran, laughing like children down the cobbled lane until they stopped just beyond her sight, bent double and caught their breath.

Iris left the pub, she followed their trail and held them again in the distance. The girl looked back, saw Iris and stopped. She stood there in the crisp clarity of the mountains, she stretched up tall and wide and flung her arms to the sky. There, in a place Iris remembered, there, with him by her side. The girl squealed out, head back eyes tearing, lungs full and she was free. He photographed her and Dear God, she was so free.

Iris ran, she charged towards the girl and the girl knew. She opened wide her arms and called her home.
‘It’s alright,’ she whispered as Iris sobbed on her shoulder. The girl took her hand and showed her and there in the mountains with the light falling on her greying hair, Iris reached up. She threw her arms up to the clouds and called out his name.
She pulled the air around her, the sense of him, their purpose and how she’d grown. Iris in the mountains, arms wide in celebration of her form. It was yesterday, it was always there. And it was now and freedom was her name.

Lake District 1

by

Navigation

The seagulls are back today, they swoop around, they circle her old home and from their wings she sees the carpet in the lounge, how it turned from spiralled blues to pink. And she sweeps above the kitchen, where the corner chair became a cupboard for the pills, opposite the kettle where she first made him a drink.

And as she looks, the seagulls fill the rooms, their wings waft feathers in her face and carry her upstairs and there they beat the air, there they hover at the edge of her old bed, with its camblewick green cover and in the light that lifts from day to night and day to night again, she sees herself lying, turning, holding thoughts.

The cupboard to the right is silent, where the drawer is stiff, the rich deep wood and a lamp stand of fading brass. She can smell the scented carpet and the polished trinkets, there, on a painted window sill that overlooks that world and as her seagulls settle and fold their wings she smells the coast.

Bedruthan rocks wrap around her and as the sand sneaks in her trainers she pads the beach towards him, laughing, parka flapping in the cut of air, then back.

Seagulls resting on her bedspread, her bed by a bookcase from her youth, crammed with early interests and they whisper. The ivy green curtains are closed, the lamp is off. Her seagulls watch over them, their words and murmurs.

And it’s August. They ruffle feathers around her and lift her up, away from her black and white skirt on the chair, its bells silent and the birds sing out, it’s always August, they call out, we’re always there.