Cradled

This, this right here, right now.

This face on the concrete, cool and rough, this tucked away under dried leaves, this attempt at shelter.

And yes the woodlice come but they don’t mind, they’ve seen me here before. Ants carry on regardless, always did, always will, while I curl up tight.

It’s ok, they nod as they pass by, shifting crumbs and sticks and broken things. But I can’t answer, not right now. I watch the woodlice trundle, legs rippling as if to say, there is movement, there is flow, although I can’t feel it.

And if I keep still long enough, my breathing will settle, will slow and the leaves will tremble on my back, will shudder just enough to show someone that I’m there.

And if I hold on, they might find me and lift me up and know I still belong. They might pluck me from the cracks in the patio and take me home, take me back indoors again.

And I would give my blessings to the woodlice as I leave them. And in someone’s hands I would be whole.

Place Value

Of course, if it were nearing the end of April she couldn’t be anywhere else but striding out towards the gate, at the end of the path, at the top of their alpine village. And her arms flew wide and wild, hair at every corner as the shutter smiled and caught her.

It held her face through the years, such that in times when she reduced in size, she would recall herself and the way she beamed. Trees blurred out behind her and his SLR bounced alongside them like a giddy Jack Russell, sniffing and rooting around for the next great shot. And they walked, for the rest of their lives it seemed, they walked up the winding path away from their alpine village which only existed for them.

It didn’t matter that her kitchen was still somewhat cold and although she seemed to sit on a hard wooden chair, she wasn’t there. She was upright on a plush train seat, looking right, as the mountains softened and the land lapped up to the side of them, in their double-deckered, pristine ride. And it would be the Wednesday, maybe Thursday but she’d be beaming, heading south, face up against the window like a child as the fields fled, as they sat side by side.

And it didn’t matter that her heating had just creaked on or the scarf around her shoulders kept her warm. She wasn’t there. She was, of course, on the low wall by the lakeside, kicking her feet and grinning, one hand holding the sunhat to her head, the other on the ubiquitous Diet Coke, in the days when all she needed was her small red rucksack and a first-aid kit to make her day. And if she paused, her wooden kitchen chair gave way to stone and the welcome seep of coolness reached her thighs despite her jeans.

Someone painted the lake for them, or so it seemed and everything was tinged azure and cobalt and they wandered. And the town was deserted or maybe not, maybe all she could see was their feet in unison, climbing the stairs up the tower and round and around and round and around to a platform where they peered out. The more she travelled the younger she became somehow as she clambered up the short steps to the very top, while he humoured her and waved from the opposite window. And she was there clutching the cobbled wall, perched on the window ledge looking down and her white cotton shirt billowed out like her hair.

And her heating rattled and complained, she needed to get the boiler serviced but not right now, now she was counting turrets and burnt sienna tiles and he was helping her back down the staircase in the secret places that they’d found.

Then the pier rose up, lakeside and people bustled but she didn’t care, she wanted to call home. And from a phone box (imagine that, a phone box) she pressed in the coins and waited for connection. Distant sounds came and crackled and then her voice burst out, like a child, like the youngest of girls. I’m in Italy, I’m in Italy and she laughed and gushed while they stood there. Cloudless, edgeless, sun waving streaks of speckled white on a lake to call their own.

And was it later or the next day, she wasn’t sure but the end of April held her close. She borrowed his shirt to protect her from the sun and while he packed or read or slept, she felt it flap around, over her t-shirt as she walked by herself in Zermatt. Not far but far enough, back up the winding path and out of town and every hanging basket sang out and called her name, colours cranked to full saturation, people on bikes and she strode. She walked out and up and away for a while, exploring by herself (a skill that would become vital years from then) but then there was no weight, no weight at all. Just herself and the village path and the drifts of snow, six-cornered starlets melting in the warmth. And could it be real, was it possible at all, that there she was, the smallest of creatures on the planet, yet her tiny frame expanded in the sun and the more she walked, the more she grew and she swung her arms and smiled, smiled liked she did on their first holiday, smiled as though there could be no pain.

She learnt to walk by herself, in his shirt to protect her and every snowflake saw her joy, every flower waved and cheered her on. It would always be the end of April and they walked the winding paths that led to now. At the start, at their start and Murano glass beads jingled round her wrist, throwing rainbows of Millefiori round her heart.

Boundary Conditions

It’s so still out there, so waiting. That sense of shh, don’t worry, it will come. It’s there in the way the sunlight holds the branches, in the faint call of a hidden bird.

And I pause, breathe, that’s all. And it passes by my window, up to the left with the sparrow wings and he watches me, watching him, watching them all. We slow down, the birds and I, pause to think of sunlight.

And there they are, my creatures in the trees, pecking and singing, ruffling new feathers in this spring. And I wonder do they sense their descendants, the ones I knew, the ones who gave me feathers years ago.

And while they sang outside that window from back there, in that house then, the hem of the dress caught the light as it lay out on the bed, as if to say look at me, look at me, lift me up into your arms. And later, a little later it would be held up as I clambered inside, as I manoeuvred into my new form, like a butterfly losing meconium, drying out its fresh wet wings.

Until its weight draped round my feet and I breathed out. Birds sang unseen as the hem brushed the dust down the wooden staircase and over new mown grass to rest and pause, where cameras winked and moments froze.

Sparrows darted to the neighbour’s tree, head on one side and down the path the hem of the dress shuffled leaves until it was bundled up into the car. It sat quiet, being, folded in upon itself, cushioned on the plush carpet of the foot-well until blackbirds cut the air, overarching the church gate.

And there with the creak of old hinges, with the warmth of a palm, with the click of heels on old stone, the hem of the dress made its way home. Home, on the short path to the archway, home to the hush of the slate and it dragged feathers and fronds as it swayed, as it made its way past pews to the front.

And there it rested for a while, settled in ivory, calm where it belonged. The hem of the dress over champagne silk boots, near to sharp creases in suits and it paused, waited, just to the left of polished shoes.

And then sunlight came back to stroke it, came to throw light at the door. The hem swept and rippled, caught the coloured flecks, scattered rainbows all around, then hands scooped it back up into soft contours in the car.

Trees moved above it unseen, voices chattered and laughed while it lay crumpled up and then the grass came back, daffodils nodded and bobbed as it moved around. Photons bounced up from the duck pond, white spots and sparkles, before it coated steps and carpet-brushed itself along.

And it swooned, the hem of the dress with the tiny remnants from the day and it danced over polished floors, glided as though it would always flow, would always sway, as though in its moment there was release.

And later it lay, much later it was still, smoothed out again and silent on the protective bag at the bedside, soon to be tucked far away.

And now hydrogen coalesces into helium, firing light and heat, like it did, like it does. How reassuring as it warms up the blackbird’s wings, as it listens to the soil.

And in a different wardrobe now the hem of the the dress sleeps its sleep, cradled and swaddled in plastic, over unused things and bits and bobs. But in its weft and weave it holds the moments when it danced, when it was free, when it could shimmer and it was home.

Sediments

She wondered about the grains of sand, would they still lie there, would they be there, somewhere on the beach where she ran. Or have they been washed out to sea, floating somewhere else or swallowed by fish or washed to a different port, a different country that they visited.

And the steps back up to the top, the winding cliff path with its haphazard stones and rocks. Would they still be in place or would the slate have fallen, helter-skelter down into the heather and gorse. Maybe moss covers it over now so it lies unseen by new passing feet.

And she wondered where the tea cup would be now, the fine bone china with fragile flowers and golden trim and the rose painted plate holding crumbs from the scones.

Were they broken by now, smashed on terracotta tiles, maybe chucked into some landfill. Or chipped and loved, were they cosseted on a shelf somewhere, in a cupboard, unused but cherished even now.

But she knew where the slate slabs were, the ones that smacked into her thigh as she ran, the ones she’d chosen when fluff-deep in parka pockets she charged across the sands.

They were close by even now, catching light despite the bandaged sky, in the basket to her left. And she lived there next to them, on top of them, beside them. There, where the slate remained the same despite the years and if she cradled it in her hand, her hair would whip up in sea gusts and scone crumbs would drop back to the plate. A tea cup would warm her cold hands and grains of sand would scatter and dance delirious as her small feet pushed the beach. The hours washed away, eroded. Rose and fell and rose again and she was running now towards him. Always on this day.

Ps. And she recalled that he rescued a bird.

To Bring Us into Being

And the front door always sticks a little, heavy to the pull. But down goes the brass handle and I bring it in towards me as you appear. You bob in from the left, all jokes and eyes and jumpers, grey and white Fair Isle. And I’m just there, holding the door handle, looking at you, looking back at me.

And then handshakes and the laughter comes and whispers in the kitchen all rush back. And there is ham salad, of course, tea and apple pie while my little cat fusses around my legs.

Later we are out and I’m in red and black but not the velvet hat, not in those days. I keep it in the drawer instead and the Mason’s Arms appears with the younger me at college, sitting somewhere out of sight. But we walk past her, walk into their lounge and in the ancient arm chairs we drift in and out, you on the death penalty, no doubt and me on Klee and Kandinsky. I flit, topic-hopping from thought to thought like a delirious bee craving pollen. And it winds you up at the start.

Until replete, hours later, we wander down to Brueton Park and through the metal gates to the bird cages where nothing but their perches remain. We crush weeds on the abandoned path, aimless chatting in the stillness, amongst lost feathers and the sense of flight.

And then the bench. There was always the bench and I’m on the left as if to anchor me to the place where I would remain. Then walking back across the dips and hillocks, (with low clouds just like now) you take my hand.

Evening arrives at The Fat Cat Restaurant where we loiter with red wine. And we sit round the back somewhere, hugging white stone walls while their ceramic bowls of chicken fill me up. The spotlights throw up dots from high gloss glaze.

Till later, a little later, kettle boiling in the kitchen with your hand on my hip and then we sit. And so the settee rises, green and soft, with little tufts around the edge, little frayings while the tea cools down.

You in your favourite jumper and me my black waistcoat with thicker hair. You brush it away under the soft certainty, under the tick-tick-tick of my parent’s mantle clock.

Lullaby

Close the door now, close it well and she soothed herself with its sound. It slammed out the outside and she crept upstairs. And back downstairs, lifting blankets from the beds, taking unused towels from cupboards.

There now, there now, she whispered to the door. Smothered it under fabric now, shoved and draped and stuck with gaffer tape, up to the architrave and over hinges. Push it away. And hide.

Windows next, she rushed. Hurried-scurried against the clock.

Tick loud, tock loud, pulsing, beating at her temples as she climbed. Teetering on kitchen chairs to reach and hang, to black out outside with cardboard torn, with paper. Newspapers empty threats, silenced bleating little black, little shapes shouting Doom but not for her.

She was safe if she rushed, if she scurried far away. And tucked up small and slight behind her fabric plastered doors, behind her tattered papered windows. She was safe.

She stroked the walls and thanked them. Gave a blessing to their strength.

Keep it out, keep it all away now.

And if she slept, her barricades against the clock would calm her, her cardboard shields and curtains would sing her deep to sleep.

There now, there now, stop the hands from turning. And she whispered to the house.

Keep February from my door.

I’m A Little

I’m a little bit leaving.

I’m a little bit car loaded, heading south, Pendle growing smaller to my right.

And if I could, I would stop the car. Bring it to a halt, all of it. The January day. The normality. And I’d run down the side of the M62 and over the crash barrier and I’d fly, as though my bare feet were never made for soil.

And I’d clamber, higher, faster, until the motorway would fade and my raggle-taggle gypsy feet would bleed. Pink rivulets in the frost, cut and blistered in the iced up air, but I’d be there.

My skirts torn, little frayed bits of me on bracken but I would climb. And our car heading south would be a dot. A pinpoint of time that never happened.

And from the top we’d see our helter-skeltered route to where we’d stay.

And I’m a little bit there.

I’m a little bit stop the car.

Please. Please.

I’m a little bit don’t head south.

Teoría de Ondas #4

There was a time when white sands flanked them on the left as they wandered, when the beach framed the bay, resplendent, calming like a long out breath.

At the end of the road by the market stalls, Matisse’s house stood, elegant and shuttered, perfect angles under the startling sun. And thinking about his paintings, how they seemed to be lit by the same insistent sun, as though the paint itself was lit from within.


And in one breath she lived there, russet skirts brushing the stairs as she came down in the morning. There would be no rush as she chattered with the stall holders. A smile and a joke and then with her basket full of nectarines and oranges she would drift away to the edge of the beach. And staring out to sea she would feel herself ripple and drink in the day.

And later back in Cannes the moment was frozen by a passerby, dressed head to toe in baby pink and tripping by her feet was her clipped poodle, dyed pink to match the owner. Woman and dog sparkling in the heat.

Their day was a vibrant palette, bright colours on each brush. It was a painting to stare into on dark chilled autumn mornings. And there, in the South of France she wore white and she seemed to be lit from within.

Thrash

Imagine if you woke up to find you were a crocodile. And it wouldn’t be so bad, not really. You’d lie there untroubled by the day ahead. Waiting for your gut to rumble or prompted by the stench of blood, would slide downstream, to roll and thrash.

It wouldn’t be an infringement on your day to feel the ripple of your muscles, to dip below the waterline, eyes blinking. Silent, then gone.

And just to be. Swathes of flesh flick through papyrus, deep diving to the hollows where your stash of prey lies, soft. The pitch dark night beneath, it’s comfortable for you.

Imagine that. Eighty-five million years of instinct in your jaws and no anxiety. Nothing to bring a tightness to your chest or a dryness to your mouth. No fear to stop you moving far. Just grace in your assault, primal pureness in your heart.

And it wouldn’t be so bad to wake without the sense of dread, without the hyper vigilance, without the threat at every turn.

There’s always tomorrow I suppose. Maybe then I’ll wake to find I am a crocodile.

Hunting

When days opened in the way they used to do, when she had written notes and hidden them, when clues were tucked in cupboards, and car boots, when she’d laboured over words and folded, when mornings opened full of silly ways, there would be smiles.

When days were full of treasure hunts, of simple gifts and cakes were iced and more books bought, always books, always.

Always.

When days opened in the way they used to do and she was right there and not here. When they opened to words inscribed, to squiggles from a small boy’s hand and days were sweeter than the things she baked.

When days opened in the way they used to do, when they were there, when they were young.