I wonder if the tree is still there in the churchyard where I took the pine needles in my hand while we walked? I wonder about the soft threads in my velvet leggings and whether they’re still on the planet somewhere or if they’ve biodegraded by now. And 7 Seconds played on the car radio, in a car that by now will have turned to nuts and bolts.
I think about the bench in Bruton Park and if it still exists or has it been chopped up and turned to firewood and the metal smelted down. I wonder what happened to the the cages in the nature reserve where we wandered, how even now I can taste the still air and hear the leaves under our feet, in the strangeness, in the almost stagnant places from where the birds had flown.
And what happened to the white ceramic bowl with the first of the chicken salads, did it break years ago, is it fragmented in soil, mixed with mulch, feeding roses somewhere I’ll never know? And what about the settee with its soft green Fleur De Lys pattern, with the nap I felt under my hands when my eyes closed, have those fibres disintegrated by now?
I still hear the reliable tick of my parent’s mantle piece clock, marking time, stroking the moments as though they never ended and though that mechanism has long since been deconstructed, the echo of it fills my ears now.
Of course, I wore red socks and my silk waistcoat was shimmering black. I wonder if its small buttons are sewn onto something else now or if they sit in someone’s sewing box, someone unaware of the role that they played in my life.
I wonder about the birds that had flown, whether they had chicks, and whether generations of them later, they fly over me in a different town, dropping feathers onto the new pathways that I make now.
I look out for them. It’s March 26th, I’m not bothered, it’s only time.
I will allow myself to wear red again or so it seems, in this image, on that day over there, in the corner of my mind. But if I’m honest with myself and I do need to be, it’s not in the corner of my mind, it’s in-front of everything I do, it’s loud and daring on my kitchen floor and I have unraveled today.
I’m waiting for the leaves to turn a little more, waiting for the soft ageing to calm me down, let the golds and umbers settle me, let vermilion still my mind. But it’s not yet.
The hawthorn outside my window is hanging on to summer, its leaves are glossed and green but the berries have started to burst through. I can feel the blackbirds watching, grateful for the abundance, for the ease of finding food.
They lived under my eaves through spring and summer, I used to hear them rustling and scratting in the dark above my head. Sometimes at night when I woke, when I couldnt settle myself, I’d hear them move around and I’d call out.
I’d call them birdies and would whisper soft into the darkness, go back to sleep now birdies and they would and I did too.
But now they’ve gone. I just hear silence in my eaves but I know they’re still out there, keeping an eye on my tree, eager for berries, waiting for the lush firm fruit to fill their beaks.
And I wait too.
There’s such a tension, like something humming at my core, some necessary essence waiting for its turn and this morning it burst through.
I have calmed a little now, regained some poise and quietness but this morning I changed my ways.
I charged out through the grey autumn, unfurling and stretching out as though there was no resistance, as though there was only joy.
And in my unraveling I booked tickets to the show and then my mind wandered up the street, past the estate agents, past the army museum and the old red brick walls I knew so well, walls that I knew from an earlier time, when I was chaotic and free. And so this morning I walked that route again, past the Hotel du Vin but then I stopped.
I found myself able to do anything so I paused and went through their doors, I looked at rooms and made choices and in my haze and daze I found a suite. And how perfect it was with patio doors that lead out to its own private garden and that would do nicely I thought.
And there draped in red, in russet maybe, nothing harsh or emboldened but a softened red of ageing, of wisdom, of a maturity to hold myself up to the light. And there in my russet awareness I almost booked the room. And I would have added dinner of course but stopped just short of that.
And then the winds danced at my window and pulled me back inside away from the streets I know so well, away from the memories of purple curtains and the swirling depth of wine. Days merged and frayed, moments hanging like the leaves that need to fall, like words dropping onto grass, like footsteps on cobbles, Italian streets when I wore cream linen and the golden light through their windows which rippled across and stopped time.
And somewhere in autumn, in the fracturing moments of myself, in the scent of the Sistine chapel I burst through, from there to here and out and onwards, upwards, outwards to another day, another time, when I would allow myself to wear red again. To wear russet and flow, to sparkle and drift through streets with no resistance and in the overwhelming colours of possibility I almost booked a room.
I can breathe again now, memory and fantasy have merged and drifted down. I’ll be alright soon. I do think so much of wearing red though, of being delirious autumn trees in sunlight, of not being afraid to shine.
And she breathed and unseen beaks opened as if to say, me too. They took in the fresh morning air and remembered what it is to fly. And on her wings she swooped over distant rooves where cars parked up and bins lined up and people did their thing.
She did her thing and she did it well and there she sat on the roof of the house, ruffling feathers and with knowing eyes, she peered inside his room.
And there she sat on the floor with her back to the bed and her lap was filled with books, with the words, with his bright blue biro scrawl and she reached in.
She traced her fingertips over pages and watched as he appeared. Out he came like a thought, floating up towards her, like the curve of a balloon in a hot summer sky and he circled and he led the way.
He led her to his shed at the bottom of the garden and pushed open wide the door. It creaked and eased onto a world she’d come to know. It was as though two small girls had found their way, had dared to creep over the threshold, like a childhood place, like a secret land that called them to come inside.
And inside they looked up in wonder and stared at The Machine.
‘What is it? What on Earth is it?’ they would ask as though they were characters in a well loved book.
Till the small girls faded and she was stood with him in the dust, in their particle-wave duality. And he would be in his element, in the quiet fug as he set the cogs in motion. Gears moved and wheels turned, firing bits of muck and fluff into the air. Beetles scuttled and woodlice trundled out of sight as the universe in the shed sparked life, shaking the detritus from the gloom.
And there they stood in the photons, as he burbled through his ideas and concepts and his thoughts danced around her like a flutter of butterflies, their fresh fragile wings entangling her hair.
They flew up from the contraption and out through spacetime, released into the universe, like a tensor, like a field equation of their life to come.
And she observed it all, sat high upon the shed roof, ruffling her feathers and watching herself take form.
There was a shed and The Machine, there was a bookcase and a girl. And everything rippled and reverberated out. Irrepressible, on that day, in the embryo of their world.
And she breathed out as unseen birds sang and beaks opened loud and glorious, as if to say all’s well.
She found August in the packing boxes, in the quiet chaos of the empty house with the phone on the floor and their son at a friend’s. And it was still, dust balls plumed in corners, little spheres of moments where they’d sat. She found August in the slow closing of the door, the soft steps to the car and the pulling away.
And removal men like Brutus and Popeye upended sofas where they’d sat, manoeuvred their minutiae until one home morphed into the next. And in August, she found it in the giggling of their son down hallways and the opening of boxes and playing hide and seek. She found it through the serving hatch which hatched out their new world. August, in the packing tape and box numbers, August in their days to change and grow.
The rain had soaked the bamboo, now it leaned over, leaned into her like the weight of feelings. Its persistent lushness rippling, forging through it all, like her. She found August in the way the bamboo had grown.
And then the bamboo took her oxygen for a while, it gave up and gave in, drooped down to the ground as she sat out on its leaves. She was the tiny spheres of her world turned upside down and in the inversion she saw the old kitchen chair by the bedside with her clothes laid out for the trip, the crisp, white, crinkled cotton top, the reams of Indian skirt. Ready. Waiting.
She sipped tea and watched. The leaves waved, sodden, as if to say this is now, this rain is right now. But she didn’t care. She was upside down in raindrops and then it came again, a rush, a gushing on her patio, the fractured sky where the water wouldn’t drain away. And in the rain drops she leaned up her parents’ kitchen cupboards, black Mary Janes and a smile. You know the one, the one that took her to Wooten Wawen with canal boats moored alongside, their gypsy painted roses watching them as they parked and went inside.
And every petal knew what lay ahead and boats bobbed and algae glooped and pond-skaters did their thing. It was early evening, and mid evening, it was much later in the day. But above all else it was August and she found it yet again, upside down in raindrops.
Thank goodness for the rain she thought and through it she saw herself swishing, with tiny bells which jingled from her waistband as they walked. And later her parents’ settee would rear up again and beyond that, later still, in the silence, the soft moth-winged breath of their beginnings.
She was so glad she made it rain today, she clung onto the bamboo leaves and waited to dry out.
The sun had turned up, a little too excitable for her liking, a frivolous energy like the birdsong. She paid attention to it but nothing more. The bamboo had perked up, it felt optimistic and each leaf was striped and the stripes were their roads heading south. All of them, filling her garden with directions, with arrows saying it’s nearly 4pm, it’s time to leave. And it was and they did, in the old Orion, pausing at Evesham for a tea-cake, then beyond.
It’s so still out there, so waiting. That sense of shh, don’t worry, it will come. It’s there in the way the sunlight holds the branches, in the faint call of a hidden bird.
And I pause, breathe, that’s all. And it passes by my window, up to the left with the sparrow wings and he watches me, watching him, watching them all. We slow down, the birds and I, pause to think of sunlight.
And there they are, my creatures in the trees, pecking and singing, ruffling new feathers in this spring. And I wonder do they sense their descendants, the ones I knew, the ones who gave me feathers years ago.
And while they sang outside that window from back there, in that house then, the hem of the dress caught the light as it lay out on the bed, as if to say look at me, look at me, lift me up into your arms. And later, a little later it would be held up as I clambered inside, as I manoeuvred into my new form, like a butterfly losing meconium, drying out its fresh wet wings.
Until its weight draped round my feet and I breathed out. Birds sang unseen as the hem brushed the dust down the wooden staircase and over new mown grass to rest and pause, where cameras winked and moments froze.
Sparrows darted to the neighbour’s tree, head on one side and down the path the hem of the dress shuffled leaves until it was bundled up into the car. It sat quiet, being, folded in upon itself, cushioned on the plush carpet of the foot-well until blackbirds cut the air, overarching the church gate.
And there with the creak of old hinges, with the warmth of a palm, with the click of heels on old stone, the hem of the dress made its way home. Home, on the short path to the archway, home to the hush of the slate and it dragged feathers and fronds as it swayed, as it made its way past pews to the front.
And there it rested for a while, settled in ivory, calm where it belonged. The hem of the dress over champagne silk boots, near to sharp creases in suits and it paused, waited, just to the left of polished shoes.
And then sunlight came back to stroke it, came to throw light at the door. The hem swept and rippled, caught the coloured flecks, scattered rainbows all around, then hands scooped it back up into soft contours in the car.
Trees moved above it unseen, voices chattered and laughed while it lay crumpled up and then the grass came back, daffodils nodded and bobbed as it moved around. Photons bounced up from the duck pond, white spots and sparkles, before it coated steps and carpet-brushed itself along.
And it swooned, the hem of the dress with the tiny remnants from the day and it danced over polished floors, glided as though it would always flow, would always sway, as though in its moment there was release.
And later it lay, much later it was still, smoothed out again and silent on the protective bag at the bedside, soon to be tucked far away.
And now hydrogen coalesces into helium, firing light and heat, like it did, like it does. How reassuring as it warms up the blackbird’s wings, as it listens to the soil.
And in a different wardrobe now the hem of the the dress sleeps its sleep, cradled and swaddled in plastic, over unused things and bits and bobs. But in its weft and weave it holds the moments when it danced, when it was free, when it could shimmer and it was home.
And so, I watch my finger tap and move across the screen. I count in seconds. And so it goes, one moment merged into the next. I’m trying to find my way through this bracken, through these weeds and thorns. I push ahead. It’s quiet. only the robin knows I’m here and he understands me.
I’m muddled in-between loss and time, in-between memory and now. I try to makes sense of it all.
And here it comes, that sense that the universe reflects me, that mirror outside my door. I’m perched. I’m high up somewhere, somewhere cold yet warm enough for me. My long cape will scrape the earth, disturbing stones as I climb. And yes, my feet bleed into the soil but it’s a good loss, a purging somehow. Giving blood back to the soil. And then I sit.
I’ve been here before, high up overseeing the land, my land, the place we built upon and here and there through the spheres of teardrops I see our world turned upside down. Our boy and I on the hill that we built with our hands.
The clock ticks round. It counts in thousands now, eighty-seven of them and six hundred more but it means nothing. It’s a construct, a passing of weather, of seasons, of my body changing and our boy turning into a man.
The minutes are randomised up here, every possible second remaining on our probabilistic hill. And here we sit on the top looking back, looking down. We Made This. We call out, we shout it out into the clouds. Ravens catch it on their wings and take it higher. Their black rainbows glinting in the sun.
I remember this place, this bench at the start, the dog walkers, the litter eddies fluttering by the bin and pigeon shit on the picnic table. Even that was shaped in black and white, the residue of food, expelled into the air and landed just for me to notice on my own. It had dried to form a Tao symbol and I smiled and wandered on.
And I’m pulled, jostled as though waking from a dream to see our land now and how many losses have been carved out in people since our own? How strange it seems now to have walked and spoken to strangers back then, no masks in sight, no fear of breathing on each other and we could hug and they’d take my hand.
How removed it all seems now, removed from ourselves. That sense of severing. I sit here as vaccines are pumped into muscles, as charts change and people hope. And there’s that sense that we will come through this, that we’ll lift each other up in our arms and twirl around. I can feel it, that craving for how it used to be. To have it all back again.
And yet if there’s one thing this decade has taught me, it’s to let go of the linear and any sense that what we had will phase back in again and return.
Call it a new normal if you choose but like the hundreds of thousands of losses that bind us to each other now, this is not something that fades. It’s etched into who we are, into a generation now, into our psyche, into our souls.
I remember last spring and that sense that maybe, in a month or two, it would be behind us. Like queries from the un-widowed, hoping, questioning and do you feel better now? That sense that this will heal like a break, like the dull ache after the snap of bone. And they’ll say, oh look she walks with a limp now, but they won’t feel it, they can’t feel how the limb has been changed on a molecular level, the scar-knitting-collagen-weaving permanent change to your form.
And I wonder how we’ll move from this? I crave that the sense of solidarity which we felt, that dazed and disoriented need to connect, will remain. Don’t let it seep away, to be forgotten, to just be the Year That We Wore Masks. Let it open us up, break us out of our stale paradigms, our tiny fearful islands. Let this be our chance to focus on the universal self behind the form and the foolish idea that we are separate in any way.
And I pause. A blackbird winks at me, comes close but won’t cross the line. My outstretched palm is a step too far. He’s found a worm, he’ll be just fine.
The hands have moved around while I tap and I come back to time yet again.
I’m left with the sense that nothing is as it seems. That I live on a Mobius strip somehow looping and doubling back on myself. I am inside and outside of time in one breath, I am fluid, I’m here and there. And if I have a point (she often has no point, it’s part of her charm*) it’s this. I used to be time based, I’d be linear and I’d have plans. but then loss swoops in and caws, circles round and says no more. Who wants to be linear anyway, where life is predicable like it used to be? Now we float and flip, thither-zither in the air. Murmurations cut the sky, 87,600 birds, ripple, shimmer, dancing black. I wave to them from the hill that we made, they tip their wings to us in respect.
So I remain in the tangle of my quantum mind, both then and now, a superposition of me. I am Schrödinger’s girl; a wife and widow and it’s not till I notice my thoughts that I find out which one I am.
I’m a little bit car loaded, heading south, Pendle growing smaller to my right.
And if I could, I would stop the car. Bring it to a halt, all of it. The January day. The normality. And I’d run down the side of the M62 and over the crash barrier and I’d fly, as though my bare feet were never made for soil.
And I’d clamber, higher, faster, until the motorway would fade and my raggle-taggle gypsy feet would bleed. Pink rivulets in the frost, cut and blistered in the iced up air, but I’d be there.
My skirts torn, little frayed bits of me on bracken but I would climb. And our car heading south would be a dot. A pinpoint of time that never happened.
And from the top we’d see our helter-skeltered route to where we’d stay.
It tried so hard to snow today and almost made it. And she wondered if it had snowed hard on her hill. She felt so far away from it somehow and yet it was a part of her and would remain.
If she squeezed the pebble tight she could feel it and she was there after a pub lunch somewhere, wrapped up against the end of year, against the winds. She was there huddled, leaning to the side and at her side, her mother-in-law grinned into the camera lens.
They were solid on uneven ground before the ground beneath her became more uneven and she wore red and her small and powdered mother-in-law wore brown.
The pebble that she clutches now nestled deep deep down in her pocket amongst the fluff and receipts and deep deep down inside of her, her secret hid away, under the flatness of her tummy, under the red fleece of her coat and they stood still.
The wind whipped, harsh, cut into the side of her face. The hill was the hill above the town and her hair stood up in waves and ripples, blustered across her head as she beamed out.
He stood opposite them, stood by the car in the cold and the camera clicked and they were frozen, frozen cold, frozen into time, into the hill. With her hand to her ear to keep out the cold and her other hand, pocket deep with pebble.
And this was the pebble she chose out of the whole hill, this was the one she called her own. And she clutches it now to be back there, there on the hill in her very own winter, with her husband and his mother and the pebble and her secret tucked far away inside.
She would be standing there now, looking up. So much of that time seemed to be about looking up or looking out in that outward expanding world. Not like this, not like this small enclosed tight place.
But that was then and so she looked and listened to the guide. They were taken to a shop selling leather coats, its heavy scent still lingered and here the crowd of strangers stopped just to use the toilets. The owner watched as people drifted in and out to the back of his shop, some stopping to stroke the leather but no-one buying. He nodded to them as they passed by. He was used to it I suppose, an arrangement with the tour guide. Perhaps she was a friend.
Tired feet pushed down on the Piazza di San Giovanni, drifting around a stall of puppets. Pinocchios dangling, hopeful, desperate to feel real again. And back along by the side of the cathedral, soft russets against blue, she looked back up.
Pinocchio swung in the small boy’s hand and they walked on, through medieval alleyways in the footsteps of tourists, capturing moments like you do, like they did.
And later after coaches pulled up in the rain in a Pisa carpark, she bartered with the brolly sellers, a trick she did often and well.
And there they were again, another second, backpacks and cameras, holding up the tower in the rain. At the market stall, the bags and scarfs pulled her close and as their boy learned how to make Pinocchio dance she pottered amongst the gifts.
The tasseled black and red scarf still hangs in her wardrobe but then it was clutched in her hand, then it was her trophy from the day and they rushed back.
And just before the meeting point where her husband waited, she slipped for a second, went over on her right ankle, on the wet cobbled lane and then regained.
Raindrops on coach windows, a greyed out Pisa on their left, throbbing ankle and a new scarf to wrap up the day. But Pinocchio sat on the young boy’s lap to her right, small and wooden, his painted eyes, trying to recall what it felt like to be alive.
Grazie mille, they whispered to the town as they pulled away.