Carry Me Back

Look it’s fine, I just need sleep that’s all. It’s hot and I must stop dancing but part of me doesn’t care. Part of me gave up years ago and now there seems to be a final peeling, a revealing of what lies underneath, like scraping back the layers of muck on an old canvas to find the artist’s original intention.

And here it is, the painting in me now, bare foot and tired, swirling in imaginary skirts, beaming into the eyes I cannot see, shaking the memory of long hair towards my kitchen splash-back.

And through the old tiles he grins back, watches me dance as though we were born to be in this place, through the years of separated moments until this one. These seconds in a decaying universe where we come together and I spin like my cells depend on it, and they do.

The music spirals around me, I mirror the beat with my incessant rhythm, capricious, unleashed and released in my kitchen, in the tiles where he smiles back. And he watches. And I dance.

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Zephyr In The Sky

She buttered the bread and thought about him. The butter was slightly salted and indulgent, like him. And she indulged him. She wouldn’t admit it to anyone else but she knew that she had bought him into being and there, now that she had committed it to the page, given life to the thought, she didn’t feel so bad.

She had no recollection of when it began, he just appeared and she surrendered to the process. But she was pleased with her work though, she placed him on a hill, visible but out of reach and for many months he was divorced.

He was stoical, he carved and built, his rough hands restored and repaired. She didn’t understand how she’d achieved this, yet she recognised her thoughts in the way he carried himself, in his language patterns and proclivities.

She kept him tucked away in her top drawer, under her embroidered hankies, the ones with Lily of Valley in the corner and next to an oval photo frame with an image from her time in Paris. And there he lay, safe and warm and every week she’d take him out and listen to his mind.

And then he married. She drew him with a wife and wrestled with relief and disappointment all rolled into one. She was unsure why she had drawn him this way but maybe it kept her safe, maybe with a wife on the hill, she had no need for action and nowhere she could go.

She confused herself though. Wouldn’t it have been more frivolous and fanciful to have drawn him nearer to her town and she flushed. How would it have been to have created him without a wife? She let the thoughts settle for a while and saw herself on trains, with bags, with movement and direction, with new clothes for the trip. And there was fun. She rolled the words around her mind, tasted the idea.

It had been many years since she’d allowed herself to do anything so ridiculous and she sighed. No, he was much better off with a wife and frivolity would remain something that shimmered just outside her window, something she caught a glimpse of if she lay still and quiet at night. It was an echo, a rippling remembrance of who she used to be.

So she settled herself, brushed down the layers of taffeta that fell before her and stood up. It’s fine, she said to no one in particular, I am safer to give him a wife and so she continued.

The wife was drawn in pencil though, a 4b, something soft that she could smudge while he was fleshed out and filled in. He was flowing in gouache, viridian and cerulean with Prussian blue for depth. Rose tyrian in his gait and he strode out, surveyed his fields, he was vivid, rich in detail and recited poems from her page.

There. There now, she said in familiar tones to soothe herself. I may add details to his wife but not now, for now she is a faint drawing at the edge and that’s enough because while she is there, she keeps me from clambering on a train.

She felt a little calmer now she’d explained it to herself. He did fascinate her though and she revelled in the intricacies of his mind, in the way light and shade fell on his thoughts, in the way, despite the quality of her invention, he remained just beyond her fingertips.

She folded her sketch book away. Still, he lived in the drawer with his wife, with his ways and there was a serenity, something pure yet invigorating when she passed by his hiding place. He was in there waiting, curled up next to the pomander and the scent of lavender made him smile.

A zephyr moved the curtains of her open window, fluttered up the hankies in her drawer. She accepted it was all her own doing and took the greatest care. She pulled the window closed, her room smelt of lavender and vanilla. She smoothed down the hankies next to him and pushed back in the drawer. Go steady she told herself, it was almost as though he was becoming real.

The Derivative with Respect to Time

And I drop like a stone from our window. It’s a blue slate slab of sedimentary rock from the sands at Bedruthan Beach, of course. And somewhere my old trainers still have grains in them from when I ran forwards.

And as my stone falls from the window I feel it bang against my thigh, pocket deep in my navy parka when I plucked it from the shore. And it was March, but a different March, not this brand new March right now.


And as my stone drops from the window I see it wrapped in something cream. Something ivory, like silk maybe. But it’s only paper and it’s bound around with twine.

And on the paper are faded words, written in black with an old biro. The biro was no doubt, a freebie from a recruitment agency, of course. And in those days it wrote well, its barrel was full of colour and it scrawled the words I’ll read. They’ll be written in that sideways print, that illegible loose flowing string of shapes where the f’s and g’s and y’s swoop to catch the the tops of the letters underneath. You know the ones.


And as the stone falls from the window the twine will come undone, the paper will untangle and float down to the ground. And there I’ll land with it next to me as I bump down with a thud.
I’ll pick it up to read a list of book titles, left justified, precise.
The House of Spirits and Cat’s Cradle
The Weeping Woman Hotel (of course) and No Time for Goodbye.


The sun is out this morning but it’s a push, it wants to go back in, as do I. I sit in it for a while beneath my open window, our bedroom window, from where I fell, to land in the dew of morning amongst the daisy heads. They’re not up yet but they will open soon and smile into the light. I may even join them.


And maybe there’ll be coffee and jazz will drift into my ears and bacon fat will sizzle on my finger tips, will claw me back into the day.

Yes, maybe these will be the points of reference on the compass as I lie in the grass. I must get up soon but for now, I’m crumbled here next to the stone that dropped me, next to the pen and paper from before.


And in the photons tiny creatures sparkle, they dance around your words, as if to say, here, read this, do this, be like this.
There are ideas and there are books and there is reading to be done.


I dropped like a stone this morning but it is our stone from the beach, so I’ll climb back up and carry on.

A Rain Song Called Elegance

The rain moved in, like her eyes opening, like seeing the morning for the first time and it was welcomed, like that dawn, like the gratitude of the day, like eyes locked close and knowing, and it rained.

But it didn’t rain back then, it was quiet, warm, a thought nearing the end of summer and in the tail end of the season, the water rippled up the boats on the canal and their faces were reflected in its soft stroking waves.

And evening would have moved in, like it did, like it does, it drapes the coolness, the calm end of day, like an arm around her shoulder, like the footsteps by her side.

And evening drifted up, traffic sounds gave way to birds and she hitched up her skirts, like she did then, when white washed walls were unfamiliar, not the faded grain of now. And they sat.

Birds watched them then and she watches them from back here, folded in the now, in the smell of wet soil, the kiss of lavender scent and the certainty of August.

Time came with her, her companion on the way, tucked in the pocket of her skirt, vivid, like their moment, translucent, like the wings. And her wings beat out in the evening sky, strong, like the bonds that hold her, glorious, like their day.

August had returned and she could fly. A rainbow swaddled her garden and under its hue and shimmer, they were young. And under its song she was old but she had wings.

Under The Circles Falling

She past a new build on the left and brushed against its huge star in the window. She remembered when the trees were there, when animals hid and insects crept in the hollows of branches that had now gone.

Something about the star gave her hope, gave her a lilt, a swell of a young girl’s life and of family filling the rooms.

And she past by. The sky was swollen, saturated with an end of year rain, with a harsh rain that sliced at pavements, that peeled away the last of the year. And in her mind she was younger, she was hope filled like the fields around her. She was surprised by its sudden lush greenness, like the woman she used to be waving to her from back then.

And back then she was packed, a small bag just for one night and they would stay in the hotel that they loved. She was there in the bright white bathroom, hair curled and velvet dress. It clung to the curve of her belly, to the secret kept inside. And when the time came she would tell him, she would sit on the bed and smile. In fact she glowed, she sparkled and trembled as though she were made of the stars themselves and they laughed. After all their moments this one was the purest, the connection and the gift frozen in time, in the warmth of her hand and his lopsided grin – they were there.

She was back in the unfolding of the night, clicking up the high street in her heels. And with flat black pumps for the journey back down, they walked to the restaurant for the meal. Sometimes now when she past by the same place, huddled at the back of a bus, she would look left to the cream tiled floor and remember the DJ in the corner and the song played just for them.

She was there. Dear God, she was there and right now as she bumped along a wet road in the present, she was back there, beaming, like her soul would fly, bursting from her side.

And later she slipped into the flat shoes as they wandered back down town, to the call of the Cathedral bells. How still the night seemed, yet how full of an energy that she could taste. It bristled around them in the gentle rain, before they made phone calls, before their new journey began.

She was there, at the end of the century, slipping into the new day, softened into it like his hand in hers, as though woven into the time. And always, despite the hours, they would be there. It was their moment, in the darkness, smiling under screeching fireworks, white stars just for them.

For The Ravens’ Song

 

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Ruby liked to dance, she liked to wear layers of skirts and things that jingled and she spun herself around. And if it was a Friday she would sing. Fridays were the days when she went into town and she allowed herself the luxury of visiting the Tiffin Tea Rooms. How the owner Mrs. Joyce would crinkle up her face when she came in and she’d sit by the window near the plastic flowers and stare out. Mrs. Joyce would bring the teapot over, always assam and ginger and a slice of sticky marmalade roll.

‘So, thank the good Lord for a Friday,’ she would say and wolf it down. The butchers would save her a rabbit and it lay on the slab out the back, by her string of sausages, plump and pink parceled up in greaseproof paper.

‘I’ve saved you a titbit,’ grinned Mr. Jarvis and she took it from his blood-stained hands.

‘See you next week,’ he called out as she left the stench of carcasses behind her. But it was Friday so she allowed herself to buy the wine, nothing too fancy, you understand, just something smooth with plum based notes, to sand down the edges of her day.

The Morris dancing had been going well, she’d joined the group when Angie in the Post Office pointed to the advert in the window just above,

Honda mower, runs well offers over £90.

‘You show ‘em, Girl,’ her Mother used to say, and she did. She danced as a child, she danced around her wedding bed and there, in the town square despite the pain in her back and the corns on her feet, she stomped and swayed and she beamed from the side-lines as her new friends mashed up the ground. Of course, the cramps came late at night, in her shins, after the hours of skipping but she was determined to do it.

I will do whatever it takes, she thought to herself, to be that dancer, I have to let this rhythm out. Her costume glinted and shone, made with care over months as she sat at her old singer sewing machine. Her Grandmother had left it to her and despite its age and outdated mechanisms, it purred and joined the rag-taggles of fabric to each other. She coated her hitting-stick in tar, till the smell of bitumen made her eyes water and before it dried out she rolled it in plastic jewels from her childhood jewellery box.

She remembered her friend, Lyn, whose new heart necklace had knotted up on itself and how she’d sat on the bed in her bedroom, picking at the chain with her slender fingers. She spent ages on it while Lyn came and went and bought cake in that her Mother had baked in the afternoon. Ginger cake, almost too spicy and when the knots gave way to her fingers, she ate the cake and Lyn cried. She thanked her and hugged her and told her they would be friends forever, but they weren’t.

The jewels burned out of the blackness like fragments of hope and she twirled it in her hands and the costume ruffled as she climbed inside and hid away under the headdress. She had constructed it from her favourite hairband with a tangled mess of wool and wire, feathers thrown in, here and there, ones she’d bought from the craft shop by the river but mostly the ones from the park, on her walks, where she pinched them up from the earth or found them under bushes and she brushed the soil from their softness and combed them back into shape when she got home.

She felt such a power in her costume, as though all the times in her life when she’d felt fragile and broken, were just a dream, an aberration from the girl she used to be. And here in her kitchen, by the warming pot of stew, under the rosemary hanging up high, she felt so strange. And the strangeness took her by the hand to the mirror and the strangeness showed her her face, feathered and free, released from the old form as she nodded away to herself.

‘This will do fine, my dears,’ she said to her ornaments and cages of stuffed animals. Ruby ruffled her feathers, she opened the front door and sniffed the fresh air.

‘My dears, I do believe it’s time,’ and she climbed her spiral stone staircase in the corner of her lounge. The wall was cold like it always had been, the lumps of raw stone jutted out and she stroked them with her long fingers as she made her way upstairs. In the bedroom, her cheval mirror smiled back at her by her walnut dressing table with silver topped perfume bottles and photos of her cats. The once white lace doilies had turned to cream but their patterns were so intricate and in each thread, she heard a bird song, a calling from a distant beak and she glanced at them. It had been years since she used to iron them on a Sunday morning, to spruce up her room for the week but when she did, when the windows were open and the crows made themselves known, she would count. Ruby counted the threads that made the snowflake pattern and the picot edge framed the central star shape with nine tiny flowers.

Counting always helped to calm her down but she didn’t need to count today because now she had her feathers. She shuffled towards the arched window that flooded her small room with light. The window had been her reason for buying the property 48 years ago, how it filled her with joy, how even then it felt like a doorway to another world. She would sit for hours watching the sparrows hop from branch to branch as she made lace, as her fingers blurred the shuttle to and fro.

She stood in front of the window, shook her shoulders, making her feathers fluffle and shimmer and she was ready.

‘You know, my dears,’ she said to a room full of memories, to the ornaments and photos from her life.

‘You know, I am finally able to sing.’ She stepped forward, her white hands took the wrought iron handles of her windows and she pushed them down. They resisted, stiff with age and then gave in. The panes quivered as she forced them wide filling her bedroom with the smell of the countryside, with the thick scent of sheep and distant hum of traffic. Her garden had never looked so beautiful, the lupins swayed, the hollyhocks swirled like a bride on her first dance and the snowdrops turned their faces to the sun.

Ruby took a long deep breath, filled her lungs with hope and clambered onto the windowsill. She opened wide her arms, her wings rumbled and creaked and then she jumped.

‘I’m coming, my dears,’ she called and opened wide her beak, joyous notes spiralled out as flew up into the warm summer sun.

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