Viaje en el Tiempo #2

I don’t mind that the night is here, blowing through my letterbox or that the trees are tousled and distressed. I’m safe inside.

And deeper still, inside my mind I’m casting shadows on white concrete, with linen draping off me in the heat. Saturation turned to full, in the welcomed citrus hues outside Matisse’s house, the shuttered windows winking at me, telling me that everything will be ok.

If I lived there, I’d be up early every day, lace- trimmed skirts, bare shoulders in the sunlight. I’d buy oranges just for the scent of the juice, for the feel of the pith under my nails. I’d always smile.

But here, autumn is gearing itself up to shed. It’s fine. It’s all fine though. I spend my hours in Nice, where time frayed, where the white sand said don’t worry. And I listen in the tangerine light, I let it show me the way.

There was a fuchsia toy poodle in Cannes, in the afternoon, the owner dressed in the identical shade, both of them teetering and glittering. I didn’t see them myself, but I heard a tale about them.

Teoría de Ondas #4

There was a time when white sands flanked them on the left as they wandered, when the beach framed the bay, resplendent, calming like a long out breath.

At the end of the road by the market stalls, Matisse’s house stood, elegant and shuttered, perfect angles under the startling sun. And thinking about his paintings, how they seemed to be lit by the same insistent sun, as though the paint itself was lit from within.


And in one breath she lived there, russet skirts brushing the stairs as she came down in the morning. There would be no rush as she chattered with the stall holders. A smile and a joke and then with her basket full of nectarines and oranges she would drift away to the edge of the beach. And staring out to sea she would feel herself ripple and drink in the day.

And later back in Cannes the moment was frozen by a passerby, dressed head to toe in baby pink and tripping by her feet was her clipped poodle, dyed pink to match the owner. Woman and dog sparkling in the heat.

Their day was a vibrant palette, bright colours on each brush. It was a painting to stare into on dark chilled autumn mornings. And there, in the South of France she wore white and she seemed to be lit from within.

A Nuestra Aventura

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There goes the sunlight doing its thing, showing me that its still there.  It catches the web from last night’s work outside my window. If I concentrate hard I can see the rainbows in it and beyond the neighbour’s lawn, almost lime in its rays and I imagine how warm the grass must feel.

Since I’ve been sitting here, the shadow has moved up my curtain, it seems so drab now as though the hope that the sun bought has been stripped away to nothing. The walls creak and how a new day is pushing into me and if I don’t move from this spot, the planet will still spin. Even in my stillest form I know my heart pumps blood around my veins, that neurons jump the gaps to make these thoughts and cells renew and die. Its irresistible, a movement despite myself and I wait for the minutes as though there’s something coming, someone coming who will lift me from this place and if I hold out and breathe light small breathes that they will find me, like a crushed flower under foot or the scuttle of a lady bug released from a damp cold stone.

And far away in a place untainted by this morning, I am there. I am dressed in purple and my hair, thicker and darker than now whips and tears around my face in the morning bluster. I am up high and all I can see is the sunlight glinting off the waves and a horizon cluttered with boats. And there was laughter, reverberating in my head, bouncing sound waves around my ears and the anticipate of the moments ahead made me giddy with light and with joy.

My god we were filled with such joy.

***

And a pigeon comes to rest on the car, it pecks and slides down the windscreen, startles itself and flies off again. Today there’s autumn outside, clouds that could carry me far, take me away to Nice, to Cannes where the white sand would seep into my trainers. I’d stand by Matisse’s house and wonder what it would have been like to live there. To get up and paint in that light and the market stalls would be full of fresh loaves and the nectarines would compete with lemons and we’d walk, arm in arm, down cobbled lanes, looking out to where the sea became the sky and then I’d paint. After breakfast, I’d look east and on my dried-out primer I would sketch. I’d use charcoal and notice the boats that bobbed and buffered, there in a light that I remember now, I’d push oil around in swirls, cadmium lemon and scarlet lake up to the edge and no more.

I’d throw the bread crumbs through my window into a warmth welcome of air and pigeons would scuttle and drop down for my gifts out there, back there and not here, there in my South of France on a morning that isn’t this one. Here in the autumn beyond this rain stained glass, by the late wasp that nuzzles at brick and the pigeons peck at the roof of the car, they hop nearer now and look me in the eye. They’re close today, it’s October and they seem to know my name.

And then, there we were, further around the coast, under an untroubled sky, in the back of a cab, to old streets. We wandered lost, we held tight and asked questions.  The sun glared and lit the way as you paused with Guinness while I took our boy’s hand and we explored. Imagine that, far away from this world now, by the fountain that spat out our names and we were there. I wore the cream hat with petals on my tunic and we grinned, young and free into my lens.

That sun which lights the green glass on my windowsill, that burns up hydrogen while I think, is the sun that lit our faces on that day, in those moments that I fold around me now. And I can see the shopkeeper where I bought the sweets for our boy and you were there, sat waiting. We found the bus, we found the docks and the wind whipped around our hair. Then not now, there not here, under Valencian skies.

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