Tag Archives: Beginnings

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Argent

Sometimes it’s the smell of lilies and the look of them boxed on her kitchen floor. Sometimes it’s the fluster of silk on her wooden stairs, how people busy themselves around her as she sits.

Now and again it’s the smell of nail varnish, sharp and clean, almost fruity, cutting through her day. Quite often it’s the thought of her mug of tea to her right, going cold as women fuss. One kneels down and laces her boots while the other stands behind her and sticks clips into her hair.

She notes how the moments jump haphazard, back and forth. The barefoot giggling, the squealing down the phone line, the faces waiting as she rustles down the stairs and then the door.

Sometimes it’s the front door open wide, the look of April grass, sap-full of promise in the sunlight but always it’s the crisp smell of taffeta, the feel of it, the weight of it, the look of it around her form. And then the leaving.

Most times it’s the leaving and her ivory heels on the mat in the foot-well of the car. And everyone who wakes up on that morning, who passes them as they drive by, will notice her, will smile and wave and she will know that decades later, that she’ll recall their faces even though they’ll have forgotten her.

And then the stone path comes into view, her clipping and shuffling into the heavy hush, dust particles hanging in the air like prayers. And most times, in fact all of the time, it’s the haze of photons, marking seconds, as if to say they’re waiting, just like he was. Waiting as she smiles towards him, knowing. And she moves through in slow-mo silence to his side.

Again and again and again. With her shield of flowers.

Sometimes later, it’s the metal sound of the hotel fire escape, as they sneak their way back in, when the guests have waved them off, when the guests think they have gone. High heels and alcohol, such a potent combination but they still make it to their room. 

And then the cathedral looms up out of sequence, permanent against drunk daffodils. She tilts, she swirls against the ancient backdrop, arms outstretched with wings of chiffon, secure against the stone, pearlescent in the rays. 

In the evening yards of taffeta bunch up to make a bustle and she inhabits it as though it’s intrinsic to her form. Music frays, lights and faces twirl, handshakes, hugs and tiredness falls.

And it flips back to the waiting and then the moving out towards. Always. Moving forwards, always holding flowers, a beacon to light the way.

The waiting there, this waiting here with purpose, with belief and certainty. And this is how it was, how it is.

How it will be.

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Some Kind of Angel

The woman’s dress, it almost brushed the floor.

The cold stone in the cathedral and all I could see was the fabric to my left as she sat there. The golden swirls, maybe paisley, maybe African, I’ll never know. 

And to the right of her ochre and viridian I sat quiet and tried to regain myself. 

And she helped us when her language wasn’t ours, when our battered tourist phrase book didn’t work.

And I wonder if she ever thought of me years later, of  the young woman who she helped, taken ill in the arms of Our Lady and did she remember the warm blanket of her words. 

I did.

She sat with me in silence until the taxi came and in broken English, as we left, she blessed us with healthy children. And I was grateful for her words, her care, the sanctuary of her presence. And a year later in the healthiest of pregnancies, in my blooming, I was so thankful for her prayer. 

With thanks to the woman whose face I never saw, who came to my rescue, who helped us when we needed it and I wonder what she’s doing now and I send her back a prayer.  

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Stepping Stone

You know how this goes. We start with the bed sheets, I’d call them plum, or maybe more of a claret, too dark for my liking either way.

Tiny windows framing fields, an old phone box that works. White cotton blouse with pintucks, sunhat with a pale blue ribbon, of course 

Park up by the toilets opposite Rick Stein’s. Every shop with large buckets of netted shells, so many little brittle housings for creatures long since gone. I study them, imagine who lived inside. 

The sun tears through me.

Sunday comes, leaves bike tracks on the Camel trail, not mine though. I leave a trail through the cottage and look from windows. I’m too good at that.

Monday blurs to Tuesday. Tuesday with the thump of sand beneath my trainers, parka flapping, hair wild. Blustered running with my arms wide.

The sedimentary rocks still glinting in the photons like they did, like they do, like they will long after the atoms of keratin in my hair have gone back into the atmosphere.

The bin men are a day late but it’ll still be light when I manoeuvre the residue of the week down the path.

The crows are loud today, arguing over something. The sunlight edges towards the piece of rock on my windowsill, it’ll warm it up later. Hydrogen and helium just doing their thing, a bit like me.

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Thirty

Her mother’s best table cloth, the awkward smile over chicken salad or was it ham?

Churchyard trees smelt of Radox, pine crumbled in her hand. 

Closed restaurant, tattered menu through the window reflecting them.

The lager soaked pub carpet, did she mention modern art, and lost her train of thought?

The Mason’s Arms, the slight hill by the Job Centre.

In Brueton Park the aviary was empty, a sense of space, of absence in the caged birdshit and lost feathers.

And from the bench the mowed grass, sap full, fell away from them like rolling years then stopped at the sudden gate. 

Red t-shirt in the evening, pushing chicken round a ceramic bowl. Trying to be elegant. White cold stone, little Bistro walls, The Fat Cat in Solihull, it’s probably a nail bar now or tattoo parlour.

Later. The quiet house. The Fleur de Lys of her parent’s sofa. Running her finger over its edge.

The kettle boiled, she turned to him, she felt the kitchen cupboards up her back before she made the tea. 

The chime of her parent’s mantelpiece clock, the weave on his fair isle jumper.

These things.

She dropped by to watch them as though it wasn’t decades ago. 

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Make the Links – Weather Bird (Rag)

Following myself along is sometimes confusing. I do get lost at times. I start out down by the river by the ancient bridge. I wonder how I’m connected to the woman in the photo from 1905, with her skirt brushing the pavements. I jump-cut, I fly.

But I know how I’m connected to the woman in 1962, sipping strong tea, exhausted and her brand new warm pink baby has a heavy head, it makes her arm ache, her thin arms that would entangle mine on-top of Pendle Hill, years later. You know the hill? That hill, her arms, that baby, this life.

You know how it goes. So I keep following myself. The river flows over rocks, timeless. There are words in the river. I wander by waters. Fluid.

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27 Million Degrees Fahrenheit

Back in November 1895 someone was feeling the warmth of their new born baby. Someone whose name I do not know. And I wonder if she watched the sun come up like I do, if she saw the edge of a winter’s sky bleed into the day. Soft, quiet bleeding like the pulsing that bought my grandmother into the world.

And I wonder about this woman I never knew, did she look up into the velvet sky, streaked with tangerine, did she pause from staring into the eyes of her baby to wonder about her descendants, did she listen to the birds, in their agitation, sensing gentle heat to come.

And wherever she lay and breathed on this winter’s morning 128 years ago, her breath made me possible. Her cries of pain enable my words now, allow my thoughts as I watch the street waking up, my neighbour scraping the blush of frost off the windows of his car. He doesn’t look up though, he doesn’t see the soothing sky, the swaddling clouds around me now, around my great grandmother back then.

And I think of her, reach out to her, wonder about her joys and losses, the places in herself where she felt most alive, as though she was the only person to experience such intensity. And could she imagine this world 128 years ahead?

I look up, nothing is still. The birds quiver, the steam leaves the flue of my boiler, spiralling, dissolving into the air like the unseen atoms of all the generations before me, holding me while I’m here.

And my thoughts seep out, a snapshot of a moment, of all of us alive right now, now as I put these words out into the universe, now as you read them, all of us doing our best to find certainty in this unending change.

And just before the sun spills over the rooftops, just before I’m dazzled in its spitting helium, I wonder about our world 128 years from now.

Will someone be looking up, watching the heat and light come back, will someone know my name, will someone remember me at all? And the planet spins on its axis, chemical reactions take place and people affect each other. 

And in the photons dancing all around me I feel the echo of my great grandmother, the gift of new life in her arms and the capacity for love.

And people busy themselves with work and commitments, responsibilities, rushing into the day. I want to shout to them from my window. Live, just live NOW.

128 years from now the sunlight will come back, there will be dawn to melt the frost on a winter’s morning and I wonder who will be grateful that I lived.

And 96 years ago last week that tiny baby girl at my great grandmother’s breast, gave birth herself and held the youngest of her three girls in her small strong arms. And 37 years after that moment, one of her daughter’s eggs which nestled in her abdomen when she was born, merged with another force and sparked and burst into life.

And there in the bitter blackness of an early winter’s morning I pushed out. There, on an unknown bed in a hospital that’s long since been pulled down, I took in air. My lungs filling in consequence of a woman I never knew.

128 years ago, and I am grateful for her womb, for her love, her strength and her life.

Grateful for them all.

The women who made me possible.

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Pockets (Underland #3)

I’m called to stand on my doorstep, I’m almost outside.

I need to feel the cold air bite my skin, the wind whip my hair, the rain brush the pavements as I feel my way to you.

There’s something about the blackout of early evening, something pulling at me to leave the house, escape the four walls that surround me.

And the rain shines the pavements as I puddle jump, rushing, a sense of hurrying to find you.

I’m wrapped up in red fleece, blown to kingdom come but I still know where I’m going.

The tall trees beyond my house twist and yearn like they know, like they truly understand despite the storm. I stand in the cold, hugging my earl grey. I crave this weather.

And if I’m still and listen, if I stop and feel then it’s almost as though there’s nothing inbetween us, no distance, no space and no time.

I shove my hands deep in my pockets, things rustle, like gifts, like precious moments to come. I hold tight to their promise.

Street lights, shop lights break the black, dazzle in the darkness, reflect up at me as I splash towards you. People blur, irrelevant.

And then later I’m there, shimmering, sparkling at your side.

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Shimmerings

Right now I feel I am hiding from the blossom as it holds onto the branch but I know it’s out there, I feel it waving, bobbing, whispering to me from outside my window. It won’t be long before I look it in the face and I can hear it calling out to me, look up, look up, look up again and I know I will.

My trees know just what to do just like my clouds and I am gentle white and pink and sometime rippling rose. I hear them just beyond the glass, framing the trees, throwing their colours to sky and I breathe out. I breathe out as if for the first time, I breathe out like the morning when I woke and squealed and rushed and laughed.

And women fussed around me, hair was curled in ringlets and my feet secured in ivory silk. They would hold me up and they did, as they do now and I breathed out. And I was bound up in taffeta as I always would be, strapped in and laced with ribbons at the back. And at the front, encasing my heart, I was held in rich wine velvet, the deepest red because I could never wear anything else, soft and strong, the unconditional love around my tiny form.

And it’s ok I tell myself, and it is. I can smell the fabric, hear its rustle, taste the rose pink lipstick on my mouth and I am there.

Ready to be wrapped in blossom, petals on me, decorating my features, tickling my neck like confetti dropping down. And I shuffled, I clicked heels down our pathway and nestled my boots in the footwell of the car and later, not much later, they moved over ancient stone, disturbing the dust of centuries, the remnants of other women who had walked and stopped and spoke and loved.

And in the echo of those before me I stood, silken and shimmering like something waiting to emerge and I did. I raised my bouquet to the sky and petals fell around us, photons warmed us, like they do and sunlight lit red velvet, lit my face and the scent of blossom filled us up, as if to saturate the day in certainty and it did and it does.

I’ve been hiding from the blossom for a while now but today I peered back outside my window, took the deepest breath to drink it in. It’s all ok, it whispered to me and I heard it. It reached me, saved me yet again. The wisdom fluttering down through years, curled and chaotic just like me, but it will settle, rest itself soon and nourish the soil beneath my trees. I’m drenched in petals and confetti yet again. Thank God my flowers know just what to do.

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From Where the Birds had Flown

I wonder if the tree is still there in the churchyard where I took the pine needles in my hand while we walked? I wonder about the soft threads in my velvet leggings and whether they’re still on the planet somewhere or if they’ve biodegraded by now. And 7 Seconds played on the car radio, in a car that by now will have turned to nuts and bolts.

I think about the bench in Bruton Park and if it still exists or has it been chopped up and turned to firewood and the metal smelted down. I wonder what happened to the the cages in the nature reserve where we wandered, how even now I can taste the still air and hear the leaves under our feet, in the strangeness, in the almost stagnant places from where the birds had flown.

And what happened to the white ceramic bowl with the first of the chicken salads, did it break years ago, is it fragmented in soil, mixed with mulch, feeding roses somewhere I’ll never know? And what about the settee with its soft green Fleur De Lys pattern, with the nap I felt under my hands when my eyes closed, have those fibres disintegrated by now?

I still hear the reliable tick of my parent’s mantle piece clock, marking time, stroking the moments as though they never ended and though that mechanism has long since been deconstructed, the echo of it fills my ears now.

Of course, I wore red socks and my silk waistcoat was shimmering black. I wonder if its small buttons are sewn onto something else now or if they sit in someone’s sewing box, someone unaware of the role that they played in my life.

I wonder about the birds that had flown, whether they had chicks, and whether generations of them later, they fly over me in a different town, dropping feathers onto the new pathways that I make now.

I look out for them. It’s March 26th, I’m not bothered, it’s only time.

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Day Tripper

To the woman in the trench coat on the bus, with longer, thicker, darker hair like I used to know, you will be fine. And I watch her from the back seat of the bus, years away from her but she doesn’t know I’m there.

And if I stood up and wobbled with the motion, if I plumped down besides her and took her hand then she would jump. And she’d wonder who the older woman was as I leaned in and whispered in her ear. But she doesn’t jump because she cannot see me sitting there. And I push the hair back from her ear and whisper ‘you’ll be alright’ but she cannot hear me because she’s rushing. She’s stumbling up to A & E while her young boy is at Primary and I watch her hurry as I walk behind her and I know the things that wait for her behind the heavy doors.

And if she could sense me, she’d look behind her and wonder why the older woman followed but she wouldn’t stop to question because there was no time.

And I watch her as the doors to A & E swallow her up whole leaving nothing but the memory of her rushing through. And I’m waiting to take her hand and squeeze it tight, I’m ready to catch her when she faints as she will do and as I cradle her younger body into my arms I’ll stroke her forehead and tell her she’ll be alright as we both rest there on their sterile scrubbed white floor.

And if she could hear me, if she could look into my eyes, she’d not believe me but I hold her close and keep her warm. She scatters into tiny pieces and I’ll call out her name. I’ll make everything alright for her because it will be, in a way she’d not imagine, if she could only hear me and if she could see my form.

To the woman in the trench coat with longer, thicker, darker hair like I used to know, I promise you, believe me, you will be fine. And somehow, somewhere my words will reach her and I’ll never ever leave her side.