Teoría de Ondas #4

There was a time when white sands flanked them on the left as they wandered, when the beach framed the bay, resplendent, calming like a long out breath.

At the end of the road by the market stalls, Matisse’s house stood, elegant and shuttered, perfect angles under the startling sun. And thinking about his paintings, how they seemed to be lit by the same insistent sun, as though the paint itself was lit from within.


And in one breath she lived there, russet skirts brushing the stairs as she came down in the morning. There would be no rush as she chattered with the stall holders. A smile and a joke and then with her basket full of nectarines and oranges she would drift away to the edge of the beach. And staring out to sea she would feel herself ripple and drink in the day.

And later back in Cannes the moment was frozen by a passerby, dressed head to toe in baby pink and tripping by her feet was her clipped poodle, dyed pink to match the owner. Woman and dog sparkling in the heat.

Their day was a vibrant palette, bright colours on each brush. It was a painting to stare into on dark chilled autumn mornings. And there, in the South of France she wore white and she seemed to be lit from within.

Teoría de Ondas #3

And she floated down to the earth with her leaves, twisted, crumbling. They caught the sun as they fell, each one a moment, a glimpse of her. Here. There. And she cascaded, one second into another.

The girl in jeans lying on his bed, waiting for a trip to the forest. And they were there, wrapped and younger with hours ahead. And leaves crunched.

And then the morning, one year later, squeezing through packing boxes and squashed into his car, they traveled north. The fig plant on her lap, bouncing, faded lemon and green leaves, tangling into her long hair. And they unpacked.

A blackbird skooshed under the branches in the right here, right now and then she fell again, dropping from the trees, a mess of golden, a curled up fading form.

And she was there in their new lounge, taking on the owner with her fiancé to her right. A stressed-out seller to her left, who sabre rattled a rolling pin in the face of her husband-to-be.

And she rallied, she reared up. ‘You’ll have to get through me first’ she said and her words rattled around her head, the phrase that became their anecdote, in their new home, in their new life, on that day in a distant autumn.

And leaves fell and she joined them, down and down, as though there were no structure to her thoughts, as though her edges had given way. The sun in the Now called out to her, soothed her through the mothering blue of an empty sky.

And in the cloudless start to her day, she stood flanked and strong by her husband and son, as they stared out across the park. Gaudí’s Cathedral looked back, its stone sweetcorn against their perfect sky and it soared up, magnificent, intricate, an image almost permanent.

And they walked on, following the tour guide with her yellow sign, held high. The ground still swayed a little but they were out. Feet on dry land, together, hands linked as they went on their way.

And leaves fell in the park in Barcelona, and beyond her window in the right here and right now, she floated down. She let the cool breeze carry her, gentle, down-to-earth, where she rested with the others, where she turned her head up to face the sky.

She was the warm yellows of her past, in a scattered ochre morning. She watched herself fall down, an October mulch to feed her day.

Teoría de Ondas #2

She saw their faces, Florida worn and florid as they bellowed across the starched white breakfast linen. She let it wash across her.

They were a freak show at the table, a curiosity over the crisp hot bacon slice, the entertainment in their morning, while the orange pulp left bits inside her mouth. And she saw themselves stretched out, distorted in the silver coffee pot, elongated versions of themselves, smiling as the table rocked, almost imperceptible with judderings under foot.

The overnight pitch and yaw still rattled in her mind, the slam and crash of metal, tipping, tilting hard. And down the narrow corridors, room service trolleys swayed, clattering into closed doors.

Bay of Biscay batterings until exhaustion beat the waves and by dawn the creaking eased, by dawn the swell had calmed and took them, in gilded lifts, to start the day.

And their morning opened in the background buzz of chattering, of clinking cutlery, of sausage sizzle with its fat dripping on their chins while seasoned travellers just shrugged off the storm.

A gentle rolling with short sleeved strangers in the constant supply of toast.

There were days, months ahead of her when this feeling would be common, when this fragile sense fighting foes, of wrestling waves would be familiar in her day. But not then, then it was just a squall to ride and nothing more.

She was being trained in storms.

Temporal (All that Matters) #5

This, this now, this having slept 5 hours on diazapam and you’re propped up, wired up waiting for Johnny V, do you remember Johnny V ? Looked like Johnny Mathis in his way.

And you pulse, you brace, you ride the spasms as they come.

But Johnny brings fresh news and plans change yet again. And so you beamed at the prospect of a long day opening up ahead, of no need for surgery at all.

And it’s this kind of feeling, waiting for the needle team, for the back stab and their voices swirling, fading in and out.

And now, in the now, the warmth of cooking chocolate cake wafts up and frames the day. And you’re settled, softened to the carnival of colours in your head, to the moment when the needle took the pain away, to the sense of loss and separation from it all. And the minutes formed a day and early evening bought more work.

And now under the distant drone of passing planes, it doesn’t matter. It doesn’t matter that despite the pushing, your hours bled, theatre bound.

And there under green and lights, there in the clink of instruments, was the moment he came to be. Up and round and out, up and out, all pink and red and warm.

That moment, your time, all three together. Despite everything, all that matters is you came through.

Skin to skin and the sense of coming home.

Temporal (All that Matters) #4

It’s morning for others.

It has become day 4.

.And you you know you’re not one to give up, to give in, you know you’re known for soldering on but last night was one of surrender.

Last night was sitting in their hard seated, hard backed chair watching the line of light down the side of the door where the night shift staff moved and soft shoed. And you pressed the buzzer as you rocked.

It was Delise, you’re sure even now, she said her name was Delise, not Denise or Louise but Delise. But she was the one who took your hand when white shards shot up your spine and round your front, when the night pulsed in and found you sleepless, twitching, in the chair.

Delise was sorry that the medicines were locked away till morning.

.Morning happened for others.

Even now through the hours since that moment, you can feel it. And He was called in, rung early from his bed to stand there helpless.

So somehow day 4 had emerged but not for you, for you there was no break, no rest no sleep, just a string of moments, holding tight and holding on.

Morning.

Day 4

Drunk on lightning strikes around your form, and you let go, 

It’s that Sunday feeling, that not really having slept all week kind of time. And faces came, agreed to surgery but it was Sunday and no one was around.

Tomorrow though, they told you.

Tomorrow they’d prepare you, break some water for you, tomorrow they would scrub up and take you down.

Temporal (All that Matters)#3

And then it becomes the Saturday in your head, new nurse, new name, new plan and you try to see her face. Her hair, it’s dark, short and you find glimpses of her by the door, by the bed.

She prepares and you brace. And there’s a sense of being tethered somehow, like a child’s eager grasp on a balloon string. (The balloon is red) and somehow you float above your morning day-lit room, right now. Bobbing, weaving, deep inside the balloon, you live, young with spasms, tired with hope.

It plays out, looping like it did, like it will, shafts of light flicking up the dust particles and in each one you exist.

So you take a deep breath and they try again. It was morning, they were early, they will try two times today. Your balloon bobs, the spasms make their way around your body and it is Saturday there, on that bed, in room 3.

Temporal (All That Matters) #2

You’re there in this dark room, here, in this still. But it’s not that room, back then, although there’s a sense of it, a soft essence at the edge.

And you wonder about the nameless nurse and what she’s doing now. And would she remember the young woman on the end of her arm, the woman propped up, laughing as the Entonox echoed her world.

How strange it seemed, how your world fractured and now, even now, you recall the sense of rippling circles as people’s voices swelled and swirled.

And you manoevered to a new angle, dozed when you could. And the waiting game continued, right there – day 2, room 3, trying to sleep with some resolve.

In The Scent of Pine


She listened hard to the sparrow chirp outside her window and if she went deep down inside its beak, she would fall on the sweet sounds and they would propel her up, back out to an earlier day.

There on the notes of a different bird and a distant window, and there she would lie waiting for the day to unfold. And younger, thicker hair would grace her pillow and the old kitchen chair beside her bed, borrowed as a clothes rail would be covered in the bright clothes she used to wear. The leggings and silk shirts, half folded and waiting and there just to the right of her un-stretched womb was the red t-shirt ready for the day.

And sparrows called out from neat gardens, tended, they flitted past the bedroom window, a moment’s shadows where she lay. The candlewick bedspread, a well worn lime green, would be scrumpled at her feet and she’d get up, pull herself to standing, slight and small.

Birds cheeped loud as she smoothed her black waitscoat and somewhere else, unseen by her, somewhere two hours away, he pulled out his best jumper from the drawer.

Birds would have sung over his head as he climbed into the Orion and as they startled up into the air, he drove the distance between them.

Until. Her hand on the brass door handle and he appeared.

And quiet churchyards and pine trees waited and park benches came and went. And in her red t-shirt, in corners of restaurants, the huge salad bowls bought the evening. Till birds slept in trees, huddled and her mind buzzed with the hours, with his words.

The sparrow chirped outside her window and she came up and out, on its song, hung in the air, like its carefree notes and remembered when they were young.

Hunting

When days opened in the way they used to do, when she had written notes and hidden them, when clues were tucked in cupboards, and car boots, when she’d laboured over words and folded, when mornings opened full of silly ways, there would be smiles.

When days were full of treasure hunts, of simple gifts and cakes were iced and more books bought, always books, always.

Always.

When days opened in the way they used to do and she was right there and not here. When they opened to words inscribed, to squiggles from a small boy’s hand and days were sweeter than the things she baked.

When days opened in the way they used to do, when they were there, when they were young.

Pen-Gull

It was that, right hand in pocket, kind of day, that finding a piece of the hill and holding it close, deep, tucked away in fluff, kind of day. And they didn’t know, they stood around her, next to her, powdered and small, her red fleece, a contrast to her mother-in-law’s brown coat and she was younger.

Younger than now and the piece of the hill held its secrets, kept her safe. They laughed and grinned into the bluster as they turned to face him by the car. The shutter froze them as the weather did, her hand to her left ear to keep the gusts out of her head, her longer, thicker hair out of her little elfin face.

The hill in her pocket, with them on either side of her, in front and behind and inside. They were with her then, when time was a thing that worked well and now, in the piece of the hill that sits tucked away with her treasures, in the small blue bag from her wedding day, the red fragments of rock at the bottom and they hold onto her tight, still, silent, unseen like the secret inside her back then and, like the hill in her pocket, the moment remains.

Always.