Thrash

Imagine if you woke up to find you were a crocodile. And it wouldn’t be so bad, not really. You’d lie there untroubled by the day ahead. Waiting for your gut to rumble or prompted by the stench of blood, would slide downstream, to roll and thrash.

It wouldn’t be an infringement on your day to feel the ripple of your muscles, to dip below the waterline, eyes blinking. Silent, then gone.

And just to be. Swathes of flesh flick through papyrus, deep diving to the hollows where your stash of prey lies, soft. The pitch dark night beneath, it’s comfortable for you.

Imagine that. Eighty-five million years of instinct in your jaws and no anxiety. Nothing to bring a tightness to your chest or a dryness to your mouth. No fear to stop you moving far. Just grace in your assault, primal pureness in your heart.

And it wouldn’t be so bad to wake without the sense of dread, without the hyper vigilance, without the threat at every turn.

There’s always tomorrow I suppose. Maybe then I’ll wake to find I am a crocodile.

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Circle Theorem

These trees know, they seem to swirl today as if to show me. They bend, weighed and twisted but still grow. And the cedar where our small son climbed with friends, (when the children who squeal in the park were not yet cells, when the parents who came to create them had not even met,) and our small son learned to clamber back then.

He climbs now, hour upon hour later and our moon has moved around us many times, stars have imploded and the tree leans in towards our home, its foundation weakened, but it still found a way.

Our son, a man in the mirror that his Father used, negotiating formulas instead of fronds, rearranging coefficients instead of crayons and in the echo of him on the carved out hollows in our tree, I see us all.

I strain my neck to look for seagulls but the sky is quiet, clouds brush away the blue like a hand stroking head, like a comfort to rely on and everything swoons.

Out boy morphs to a man, saturated with number and possibility and we are all in the trees, we are every leaf and rustle of unseen things, we are the fragile wings of the birds, of the things that flit and land and time cannot touch us and we are here, still together.

We are everywhere, integrated and we are strong.

This Woman’s Work

She listened to his breath and watched his hands, they were resting in folded arms across his face and she thought of them fresh from birth, grabbing onto her thumb, wrapping themselves around her finger. And then hot and small as they fumbled with bright bricks on the floor. 

There were hours when she held them on the walks to school, past their familiar way points, the big brick wall and the Spelling Hill, the Opening Trees and then the gates and they held pens. The hands she looked at now, that gripped the pencils, that formed the words, that scribbled and drew mazes then shaped sentences across their days, were the hands in the final playground when they swung from monkey bars, one determined grasp after another, pulling himself along before they left, before the photos at the gate and they left. 

She remembered his hand as it clutched hers, as they sat heads down on the pews, in darkness when the light was sucked out of their world. And how she held tight, how she clung firm to him and him to her as they stumbled forward in an unstable new world and then they looked up. 

To his hands, bigger, lifting heavy bags of books and different walks without her and he grew. He grew in ways and wisdom, in taking on his world and subjects came and subjects went, fingers folded around revision pens, shoving through hair as he leant over exam papers and he thought. His mind whirring and whirling, making links, his fingers fiddling as he waited for results.

And now autumn wakes them up again, to rain washed lanes and leaves. And now the road rushes underneath him as his new day comes into view.  Hands in pockets and a bag full of tricks, the compasses he holds now, he guides now, the calculations that he makes and his hands are strong and firm as they press buttons and follow the sines. Manipulating co-sines and tan in ways she cannot understand and she watches him go striding, preparing with a fistful of ideas, with complex numbers at his fingertips and behind him go the toddlers and the children he used to be, skipping, running in his steps and the hands she used to hold, wave to her and she counts every moment as he plots out his next phase.

How the hours have wrapped around us, she thinks, her baby, their boy and  their joy. And as the sun warms pavements and rain drops lift themselves up from the ground, the man he is becoming makes his way back home.

To the Edge

 

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I seem to have spent many hours at train stations recently and I am draw to them, to their sense of purpose, of people moving and having plans, like they belonged, like there were places where they could go and I watch.

There are those moments, you know, when the announcement crackles overhead and the voice has such authority and it warns. Instructions issued, orders to follow and they implore us to keep away from the edge. The next train will not stop. There’s something cold about the words like a noose on a breeze and it hangs there. And then the seconds, then the air turns to anticipation. Feathers caught up in the slipstream, tussle to a safer place, a pigeon beats the detritus upwards and settles out of sight in the flaking paint of the eaves. He senses it coming.

And then it comes. There are these blisters you see, these weals of the world where people wait and wonder. It seems as though, for a frozen beat of our collective hearts that everyone waits and watches from the corner of our eyes. Is it today, is it this moment that they will choose to jump in front of the train? And we are braced, we bristle as the air charges, almost throbs with the approaching sound. And it’s nearly here and we watch and it comes. It’s here, the joyous cut, the ripping surge of an irresistible force, turning the station to dust, screaming by in grey and black. Grey-black, grey-back, grey-black whips my face to come inside, I am sucked into its rhythm, I dissolve in the repeats as it calls out I still live.

I live – I live – I live, listen to me, I’m here with all the potential to tear the heart from your form, to sculpt your skin onto my windscreen and it shrieks and it thunders and I sit, blurred in the fracture as it moves. The opposite platform startles into view, the moment that has passed and taken my hair with it, blown across my face with the chill of actions un met and I am numb.

It dips away to a hollow moaning, paper flutters in a distant screech as it leaves us and no one speaks. No one dares to raise an eye towards the look of a stranger because if we did, if we made that connection to another soul, then we might see them and in that glance, in that act of holding someone’s gaze, we might see ourselves – small and shaking, trembling in a fear we dare not name. And so we look down, we shuffle our stance and pretend we haven’t we shared the thought.

The platform settles, quiet and I check my ticket. I am still waiting for a train but not that one, not the one that doesn’t stop, not today, not here, not now. Not now in this fracture, in this scar of people with places to go to from my platform.

And I am alone in my head and I wait.

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Dolores Feeds the Birds

 

Bird Nightmare

If you were in the head of Dolores you would hear the birdsong. She found that morning had turned up again and the trees were full of chattering which surprised her. Yesterday she couldn’t move. Yesterday she was breathing and she knew that to be true because she sat and watched her chest rise and fall, while all that remained of her thoughts lined up in an orderly queue, to present themselves to her.

It had been the hottest day of the year. People had wandered around in shorts, barefoot as though they belonged to the soil while she sat indoors. She poured the southern comfort into a mug and sipped.

Tony would be up soon. He always lay in after work, he always ate steak and mushrooms on pay day and he would tell her she’d make someone a good wife one day – and laugh. He’d roar; head back, broken tooth shining yellow in the evening musk and Dolores would watch his mouth. Mother used to say he had a cruel mouth but she wouldn’t listen to her. Mother didn’t know how good he’d make her feel, he took her out and showed her the sights and she would try food she’d never heard of, long before his frowning, before he started to make her jump.

She knew he was right of course; no one else in the village would take her in, not now. He was the one who plucked her like a rose, who made her his own and he branded her. He would laugh long and wide as he smacked his hand down on the backs of her thighs, and she would wince but she deserved it. She supposed Mother was right after all but she couldn’t think about that now.

Now she had to make the breakfast, now she needed to squeeze the juice from the fresh Jaffa she’d bought at the market, she loved its smell as it pierced her nose, as she rung the life out of it, little bits of pith and flesh floating in her green jug.

And now morning was around her, the birds wanted some plump crumbs. She was surprised at the thickness of the cloud, how the radio crackled and despite the fact she hadn’t eaten for days, she felt no need for food. She felt nothing.

Dolores opened her back door and dropped the phone receiver towards the ground. It caught the edge of the walnut table, chipping its old green plastic like her head when she couldn’t cook steak, when his hands and her hair had entangled and she remembered the sweat of his armpits when she curled small into the floor.

The receiver lay lifeless on the carpet near their door, Dolores slipped out into the garden to feed the birds, they sounded so full of joy. She tilted her head to the side and listened out for the police car.
They would understand.

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