Beyond Glenfield Road

Breathe on me and I will vanish, I will disperse into the air taking my long thick dark brown hair away. And the red fleece of my jacket and the fluff in my pocket will be a memory on the wind.

But you will remain with your calcite core, with your compounds, your glinting similarities to my seashells and my pearls.

And I will shine near the summit looking out to Sabden and Padiham, holding tight to Colne.

While you nestle tucked away, carboniferous in russet, smooth in sandstone in my palm. And I will rub you while I crumble, I will feel the biting wind shriek up my hair.

There with my glacial tilt, my boulder clay which called me. Pick me up and hold me close and I did. I squeezed you in my pocket, I hid you out of sight.

While December chills took my left hand to my ear to keep out the gusts. And the smell of her perfumed cheek and thickness of her winter coat were shutter clicked and frozen to the bone.

We grinned in the cold.

But you will remain with your time smoothed angles, a permanence beyond my emphemeral form. So breathe on me and watch my smile flake to the clouds, watch me scatter in the hills.

And long after the imprint of my trainers has eroded, after my keratin has blown away, you will still feel me. The warmth of my hand embedded in your limestone and your limestone and my secret smile, a fossil of our day.

Sediments

She wondered about the grains of sand, would they still lie there, would they be there, somewhere on the beach where she ran. Or have they been washed out to sea, floating somewhere else or swallowed by fish or washed to a different port, a different country that they visited.

And the steps back up to the top, the winding cliff path with its haphazard stones and rocks. Would they still be in place or would the slate have fallen, helter-skelter down into the heather and gorse. Maybe moss covers it over now so it lies unseen by new passing feet.

And she wondered where the tea cup would be now, the fine bone china with fragile flowers and golden trim and the rose painted plate holding crumbs from the scones.

Were they broken by now, smashed on terracotta tiles, maybe chucked into some landfill. Or chipped and loved, were they cosseted on a shelf somewhere, in a cupboard, unused but cherished even now.

But she knew where the slate slabs were, the ones that smacked into her thigh as she ran, the ones she’d chosen when fluff-deep in parka pockets she charged across the sands.

They were close by even now, catching light despite the bandaged sky, in the basket to her left. And she lived there next to them, on top of them, beside them. There, where the slate remained the same despite the years and if she cradled it in her hand, her hair would whip up in sea gusts and scone crumbs would drop back to the plate. A tea cup would warm her cold hands and grains of sand would scatter and dance delirious as her small feet pushed the beach. The hours washed away, eroded. Rose and fell and rose again and she was running now towards him. Always on this day.

Ps. And she recalled that he rescued a bird.

The Derivative with Respect to Time

And I drop like a stone from our window. It’s a blue slate slab of sedimentary rock from the sands at Bedruthan Beach, of course. And somewhere my old trainers still have grains in them from when I ran forwards.

And as my stone falls from the window I feel it bang against my thigh, pocket deep in my navy parka when I plucked it from the shore. And it was March, but a different March, not this brand new March right now.


And as my stone drops from the window I see it wrapped in something cream. Something ivory, like silk maybe. But it’s only paper and it’s bound around with twine.

And on the paper are faded words, written in black with an old biro. The biro was no doubt, a freebie from a recruitment agency, of course. And in those days it wrote well, its barrel was full of colour and it scrawled the words I’ll read. They’ll be written in that sideways print, that illegible loose flowing string of shapes where the f’s and g’s and y’s swoop to catch the the tops of the letters underneath. You know the ones.


And as the stone falls from the window the twine will come undone, the paper will untangle and float down to the ground. And there I’ll land with it next to me as I bump down with a thud.
I’ll pick it up to read a list of book titles, left justified, precise.
The House of Spirits and Cat’s Cradle
The Weeping Woman Hotel (of course) and No Time for Goodbye.


The sun is out this morning but it’s a push, it wants to go back in, as do I. I sit in it for a while beneath my open window, our bedroom window, from where I fell, to land in the dew of morning amongst the daisy heads. They’re not up yet but they will open soon and smile into the light. I may even join them.


And maybe there’ll be coffee and jazz will drift into my ears and bacon fat will sizzle on my finger tips, will claw me back into the day.

Yes, maybe these will be the points of reference on the compass as I lie in the grass. I must get up soon but for now, I’m crumbled here next to the stone that dropped me, next to the pen and paper from before.


And in the photons tiny creatures sparkle, they dance around your words, as if to say, here, read this, do this, be like this.
There are ideas and there are books and there is reading to be done.


I dropped like a stone this morning but it is our stone from the beach, so I’ll climb back up and carry on.

At Walton Lane, Turn Right

It tried so hard to snow today and almost made it. And she wondered if it had snowed hard on her hill. She felt so far away from it somehow and yet it was a part of her and would remain.

If she squeezed the pebble tight she could feel it and she was there after a pub lunch somewhere, wrapped up against the end of year, against the winds. She was there huddled, leaning to the side and at her side, her mother-in-law grinned into the camera lens.

They were solid on uneven ground before the ground beneath her became more uneven and she wore red and her small and powdered mother-in-law wore brown.

The pebble that she clutches now nestled deep deep down in her pocket amongst the fluff and receipts and deep deep down inside of her, her secret hid away, under the flatness of her tummy, under the red fleece of her coat and they stood still.

The wind whipped, harsh, cut into the side of her face. The hill was the hill above the town and her hair stood up in waves and ripples, blustered across her head as she beamed out.

He stood opposite them, stood by the car in the cold and the camera clicked and they were frozen, frozen cold, frozen into time, into the hill. With her hand to her ear to keep out the cold and her other hand, pocket deep with pebble.

And this was the pebble she chose out of the whole hill, this was the one she called her own. And she clutches it now to be back there, there on the hill in her very own winter, with her husband and his mother and the pebble and her secret tucked far away inside.

Pen-Gull

It was that, right hand in pocket, kind of day, that finding a piece of the hill and holding it close, deep, tucked away in fluff, kind of day. And they didn’t know, they stood around her, next to her, powdered and small, her red fleece, a contrast to her mother-in-law’s brown coat and she was younger.

Younger than now and the piece of the hill held its secrets, kept her safe. They laughed and grinned into the bluster as they turned to face him by the car. The shutter froze them as the weather did, her hand to her left ear to keep the gusts out of her head, her longer, thicker hair out of her little elfin face.

The hill in her pocket, with them on either side of her, in front and behind and inside. They were with her then, when time was a thing that worked well and now, in the piece of the hill that sits tucked away with her treasures, in the small blue bag from her wedding day, the red fragments of rock at the bottom and they hold onto her tight, still, silent, unseen like the secret inside her back then and, like the hill in her pocket, the moment remains.

Always.

Meditations, maybe.

She was the taste of bergamot in her scalding hot tea and just to her right and upwards, she was the fragile bloom of rose. Today her choice was the sweetest of pink white, a hint of colour, subtle, almost there, just like herself. And she was raindrops on her window. Of course. She was always the rain. 

She had bought the flowers herself, like she did, like she does and now it was nearly time to leave, to take herself to the town, then the river, to see if the ripples would show her proof that she was there.

And then she was there, warmwrappedcold, coldwrappedwarm and the fast running water burbled past her. Traffic was a memory and she sat. The winter breeze ran down her cheeks, hair blew across her nose and she was still. Almost.

River dreaming, detritus swirling, licking up the rocks and cobbles underneath. And she was the moss under her feet and the sound of footsteps through the years and down the path.  And all she needed was the padding of hard chewed paws to come and sit beside her. 

Couples walked by, dog free with navy bags and comfortable ways, chattering and she was quiet and water gurgled in her stationary world. And nattering young parents, buggy shoving and a man just by himself and she was there. 

Waiting for it to pour, waiting for the sky to peel and soak her to the marrow on her bench. Waiting for the force of water to carry her far away.

And so, she sat.

Cold under grey skies, constant as the sun masked by her clouds. Necessary as the atoms in the water that held tight onto her name. Contingent as the day.

A distant bus pulled her attention to the left and lifted her up, traffic and people and days and birdsong. Places to go and to be.

The blackbird, sharp yellow beak across the slate, held out its wing to her and called her home.

And it was always this way, motionless movement, nothing stops for her, not even herself.

And an elderly couple with sticks, tapped by and she was the gravel under her feet as she gathered up herself and went back home.

And so, it always would be.

This Woman’s Work

She listened to his breath and watched his hands, they were resting in folded arms across his face and she thought of them fresh from birth, grabbing onto her thumb, wrapping themselves around her finger. And then hot and small as they fumbled with bright bricks on the floor. 

There were hours when she held them on the walks to school, past their familiar way points, the big brick wall and the Spelling Hill, the Opening Trees and then the gates and they held pens. The hands she looked at now, that gripped the pencils, that formed the words, that scribbled and drew mazes then shaped sentences across their days, were the hands in the final playground when they swung from monkey bars, one determined grasp after another, pulling himself along before they left, before the photos at the gate and they left. 

She remembered his hand as it clutched hers, as they sat heads down on the pews, in darkness when the light was sucked out of their world. And how she held tight, how she clung firm to him and him to her as they stumbled forward in an unstable new world and then they looked up. 

To his hands, bigger, lifting heavy bags of books and different walks without her and he grew. He grew in ways and wisdom, in taking on his world and subjects came and subjects went, fingers folded around revision pens, shoving through hair as he leant over exam papers and he thought. His mind whirring and whirling, making links, his fingers fiddling as he waited for results.

And now autumn wakes them up again, to rain washed lanes and leaves. And now the road rushes underneath him as his new day comes into view.  Hands in pockets and a bag full of tricks, the compasses he holds now, he guides now, the calculations that he makes and his hands are strong and firm as they press buttons and follow the sines. Manipulating co-sines and tan in ways she cannot understand and she watches him go striding, preparing with a fistful of ideas, with complex numbers at his fingertips and behind him go the toddlers and the children he used to be, skipping, running in his steps and the hands she used to hold, wave to her and she counts every moment as he plots out his next phase.

How the hours have wrapped around us, she thinks, her baby, their boy and  their joy. And as the sun warms pavements and rain drops lift themselves up from the ground, the man he is becoming makes his way back home.

Navigation

The seagulls are back today, they swoop around, they circle her old home and from their wings she sees the carpet in the lounge, how it turned from spiralled blues to pink. And she sweeps above the kitchen, where the corner chair became a cupboard for the pills, opposite the kettle where she first made him a drink.

And as she looks, the seagulls fill the rooms, their wings waft feathers in her face and carry her upstairs and there they beat the air, there they hover at the edge of her old bed, with its camblewick green cover and in the light that lifts from day to night and day to night again, she sees herself lying, turning, holding thoughts.

The cupboard to the right is silent, where the drawer is stiff, the rich deep wood and a lamp stand of fading brass. She can smell the scented carpet and the polished trinkets, there, on a painted window sill that overlooks that world and as her seagulls settle and fold their wings she smells the coast.

Bedruthan rocks wrap around her and as the sand sneaks in her trainers she pads the beach towards him, laughing, parka flapping in the cut of air, then back.

Seagulls resting on her bedspread, her bed by a bookcase from her youth, crammed with early interests and they whisper. The ivy green curtains are closed, the lamp is off. Her seagulls watch over them, their words and murmurs.

And it’s August. They ruffle feathers around her and lift her up, away from her black and white skirt on the chair, its bells silent and the birds sing out, it’s always August, they call out, we’re always there.

The Smallness of Her Feet

 

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There was a time when she first knew him, before the rainbows came. They walked through the seaside villages, buying up lemon ceramics for their new home. But she doesn’t use those jars now. They are filed away on the top shelf that she can just reach with the aid of a stool.

She dusted them with a soft cloth, let her fingers linger around the rim as she brushed and she thought of herself in a dark blue parka, her feet folded away in stiff new trainers. They were blue, the rubber sole had seemed so white but despite their starkness in the sand, they were the right ones for the job. The old grey rubber peeled off some years ago after the saltwater had weakened the bond, after the dried out seaweed had been tugged free and sniffed and thrown out.

She kept the rock from the first beach, where the sand found its way into her soles, she could feel it grumbling under her feet as they climbed the haphazard steps to the teashop. The rock from those days, holding the heat on her windowsill, next to the herbs and green things that she tends.

She was never much of a gardener but the new seeds in thin packets found her leaning into the sink, sleeves shoved up or neatly folded back on themselves, in the way that he would do, and she plants.

She pokes bits down in soil, feeds them and turns to the light. It’s as much as she can manage, tiny things, ceramic pots and the coloured plastic from her youth.

Mother had bought home the bright pots, the dolly mixtured ones when she still lived at home and she imagined a windowsill in her future, lined with fervent things in a spectrum, a rainbow, a nurturing place.

Now the fading plastic sits next the the rocks, the stiffened paint-brushes and chipped cups. The one without a handle that her Mother bought for him, back then, before these plants had grown.

And she preens, she has taken to buying fresh flowers, enjoying the promise, the sense of life in her home and it keeps her focussed on the cycles. She pours out stale water, she pinches off brown petals and she looks.

‘I buy flowers myself,’ she decided. ‘And I will learn – I will learn the latin of this blossom and that and I will find how to care for it well.’

She is often barefoot now around the house. She likes the coldness of the floor, the sense of connection to something underneath. She hasn’t worn trainers for years and the rock still looks the same as when she pulled it from the sand and there are flowers.

She snips off the lost blooms, the crumpled browns making way for new growth underneath. She holds the rock, it’s warm and heavy in her hand, in her day it still smells of the beach.

She can hear herself running towards him, the flump flump flump across wet sand, as grains were displaced by her small feet.

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Stoned

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I like rocks. I like stones. Pebbles are my friends. There’s something quite reassuring about their edges and their lines. I like to peer inside them at their sediment and colours, study the way the hours have formed their shapes.

I keep them on my windowsill next to the plants I can’t look after. I try to nurture the growing things, I feed and spray. I pick up the leaves as they fall but my fingers are pink and not green. Some things stay for a while, now and again they flourish but whether it’s the angle of the windowsill or the anger of the sun at my glass, I’m not sure. It’s such a sun filled kitchen and the windowsill calls out for plants. So I buy and I tend and I leave. Maybe it’s the leaving where it goes wrong. Maybe it’s the constant watching that they need. Maybe if I pull up a stool and stand a post, keep a weathered eye on them at all times, that I’ll spot the bugs as they approach and I’ll fire at them with my special order nozzled spray. Maybe if I never move from this spot I can head off the disease before it sets in. Maybe if I do nothing but watch them that they’ll be alright. That the sun won’t crisp their leaves, that the soil won’t gasp and shrink.

I like plants. I like their potential for growth, their searching roots, their sap fresh leaves. I like their short-lived promise and the rich dark stink of soil.
I pull up a stool and wait. Wait for the seconds to eat them, to watch them crumble again. I watch my stones next to them. They are reliable, they sit, they soak up the heat. They smile back at me, warm and unchanged. At least I can’t see their changes.
They watch me. I crumble in the photons that they absorb, my leaves dry out. The bugs come.

I like rocks, they give me a sense of permanence but it won’t last. I like to hold them and study their lines, to connect with the heat they’ve absorbed.
They clank and graunch against each other, they tell me that they’re solid – I understand.
The leaves drop, the water evaporates, the sun moves around us.
My stones wink at me, they know it’s only a matter of time.

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