Her mother’s best table cloth, the awkward smile over chicken salad or was it ham?
Churchyard trees smelt of Radox, pine crumbled in her hand.
Closed restaurant, tattered menu through the window reflecting them.
The lager soaked pub carpet, did she mention modern art, and lost her train of thought?
The Mason’s Arms, the slight hill by the Job Centre.
In Brueton Park the aviary was empty, a sense of space, of absence in the caged birdshit and lost feathers.
And from the bench the mowed grass, sap full, fell away from them like rolling years then stopped at the sudden gate.
Red t-shirt in the evening, pushing chicken round a ceramic bowl. Trying to be elegant. White cold stone, little Bistro walls, The Fat Cat in Solihull, it’s probably a nail bar now or tattoo parlour.
Later. The quiet house. The Fleur de Lys of her parent’s sofa. Running her finger over its edge.
The kettle boiled, she turned to him, she felt the kitchen cupboards up her back before she made the tea.
The chime of her parent’s mantelpiece clock, the weave on his fair isle jumper.
These things.
She dropped by to watch them as though it wasn’t decades ago.
1. Right. Fine. I’ll just look at the sky then, I’ll just notice how the may tree berries echo the salmon shade of clouds. Soft charcoal trees on the Ridgeway where I used to walk. I know, I know – someone made it February. What can I do?
2. Pale lime and almost moss green of the parsley into soft lemon, fading now. Bright spots of chrome, diamonds on my tap, underneath uncertain cloud. Strawberry pink plastic peg on the Delft flower pot like a boiled sweet, almost translucent, promise of a saccharin hit. Not right now. Nameless old lady walks Jasper. I know the Jack Russell’s name but not hers.
3. There’s too much sky to my left, in the place where the Medical Centre used to be. How the building site disturbs me, can’t they see what they’ve done. I’m there somewhere in the rubble and cement dust, somewhere in tiny pieces, as if to ram home the point under their bulldozers. The High Viz jackets upend me.
4. If I iron, if I ease out creases and watch the smoothness spread then I’ll be able to take deeper breaths, then there’ll be control, of sorts, even if it’s only control over fabric. It’s a start.
5. Cursor flashing, marking time. Come on in, the keyboard’s lovely. You’ll be alright, I’ll take your hand, your tapping finger, the one with the Lapis Lazuli ring. You know the one, the one with the hidden depths.
6. My body starts to regulate. I feel tears drop off my cheekbones. I focus on the sound of the heating creaking through the walls. I notice the cold slate sky but it still warms me. I wipe my eyes, the boiler clicks off. Round we go again. I will be fine. My breathing settles.
7. Shhh, I’m not really here right now, so I’ll be quiet. It’s a honed skill but one of which I’ve grown tired. Workmen are tearing up the street, new fibre optics coming in, territorial parking in dissary. They saunter with wheelbarrows, owning the day, smashing up the pavement where I used to walk. Shovels scrape. I might nod to them if I go out, might not. See how I feel.
8. Boiler firing up, pipes chuntering regardless of where I sit or what I do. Underneath it all, like Miles Davis in the background, softened but there, inescapable. And through windows Yesterday’s Girl catches my eye. I’m trying not to look at her but she’s coming close.
9. The radiator tries its hardest. Still fails to get through to me. For a while all it can do is watch me go into a flat spin.
10. Hello granite, it’s been a long time. I’ll just lie here then, I’ll just be smeared out under your might and grace. Don’t mind me. Do your worst. And then. Throat punch. I swallow down, gag on my words.
11. The reliable expansion of my ribcage, my diaphragm filling with air. And in the micro pause before the outbreath all the other worlds play out around me. The possibilities of all the lives not lived and all the moments of this one cascading, overlaid, looping in a numinous form, every second a symphony again and again and again. And then I breathe out.
12. What do I do with this then? White lines on the window ledge almost as though it’s a bright day, almost like a reflection of the sun, as though spring is demanding of me. I have noticed. It’ll be Thursday soon then I’ll look. I mean it will be Friday. Friday, not Thursday. It’s Thursday I’m careening into. I stumble over words and thoughts. Fraying.
13. It rained today, of course. I fought it hard, did my best, even tried my salsa moves. But my body knows better, it takes me to the Relative’s Room, too much orange paint, I don’t like orange paint, not now. Why didn’t they paint it blue, something calming? I press my face up the window, it’s cold. Black buildings reflect back at me. Harsh, empty, soulless shapes. Rain smacks the glass. I push my forehead into the pane. I feel nothing. I try to breathe. Tomorrow’s coming.
14. Rooms. Faces. Magazines, low coffee table. Their soft sofa. More faces. Mouths move. I forgot to take the food out of the oven last night. Some things I forget. I make a fist with my small hand, neat nails digging into my palm. Little indents, tiny smiles. Fade. Repeat. The heat in my lower back, push against the radiator, bring me back to now. Branches tremble in the faint breeze. Yes, watch the branches. Faces. Mouths move. Repeat.
15. I don’t remember my shoes. I wonder what I wore, not that it matters. I remember my coat. Blue. Blue curtains. Flash frame, freeze frame. Repeat. And yet sound is distant, vague. Unsure shoes always walking corridors. Rooms. Faces. Words. Always words. Mouths telling me things. Moving mouths. Still, the berries have almost gone off the may tree outside my window and the starlings in my roof embrace the day. Berries drop, some get eaten, some rot. Some I brush out of the way. I make movements with my arms, hold the broom like an oar, heave myself through thick waters and remember I have a body. My body tries to come back to me, hesitant, fracturing. Leave my head with the berries. They roll around, relational, atomic. I notice crocus pushing through the lawn, hesitant, striving. I brush my thoughts into the road. Spring soon. Always flowers. So many flowers and scents and dancing to come. And music. And colours. My body starts to come back to me. Carry me back. Bring me back. Make me Now. Make it magnificent.
Back in November 1895 someone was feeling the warmth of their new born baby. Someone whose name I do not know. And I wonder if she watched the sun come up like I do, if she saw the edge of a winter’s sky bleed into the day. Soft, quiet bleeding like the pulsing that bought my grandmother into the world.
And I wonder about this woman I never knew, did she look up into the velvet sky, streaked with tangerine, did she pause from staring into the eyes of her baby to wonder about her descendants, did she listen to the birds, in their agitation, sensing gentle heat to come.
And wherever she lay and breathed on this winter’s morning 128 years ago, her breath made me possible. Her cries of pain enable my words now, allow my thoughts as I watch the street waking up, my neighbour scraping the blush of frost off the windows of his car. He doesn’t look up though, he doesn’t see the soothing sky, the swaddling clouds around me now, around my great grandmother back then.
And I think of her, reach out to her, wonder about her joys and losses, the places in herself where she felt most alive, as though she was the only person to experience such intensity. And could she imagine this world 128 years ahead?
I look up, nothing is still. The birds quiver, the steam leaves the flue of my boiler, spiralling, dissolving into the air like the unseen atoms of all the generations before me, holding me while I’m here.
And my thoughts seep out, a snapshot of a moment, of all of us alive right now, now as I put these words out into the universe, now as you read them, all of us doing our best to find certainty in this unending change.
And just before the sun spills over the rooftops, just before I’m dazzled in its spitting helium, I wonder about our world 128 years from now.
Will someone be looking up, watching the heat and light come back, will someone know my name, will someone remember me at all? And the planet spins on its axis, chemical reactions take place and people affect each other.
And in the photons dancing all around me I feel the echo of my great grandmother, the gift of new life in her arms and the capacity for love.
And people busy themselves with work and commitments, responsibilities, rushing into the day. I want to shout to them from my window. Live, just live NOW.
128 years from now the sunlight will come back, there will be dawn to melt the frost on a winter’s morning and I wonder who will be grateful that I lived.
And 96 years ago last week that tiny baby girl at my great grandmother’s breast, gave birth herself and held the youngest of her three girls in her small strong arms. And 37 years after that moment, one of her daughter’s eggs which nestled in her abdomen when she was born, merged with another force and sparked and burst into life.
And there in the bitter blackness of an early winter’s morning I pushed out. There, on an unknown bed in a hospital that’s long since been pulled down, I took in air. My lungs filling in consequence of a woman I never knew.
128 years ago, and I am grateful for her womb, for her love, her strength and her life.
I’m called to stand on my doorstep, I’m almost outside.
I need to feel the cold air bite my skin, the wind whip my hair, the rain brush the pavements as I feel my way to you.
There’s something about the blackout of early evening, something pulling at me to leave the house, escape the four walls that surround me.
And the rain shines the pavements as I puddle jump, rushing, a sense of hurrying to find you.
I’m wrapped up in red fleece, blown to kingdom come but I still know where I’m going.
The tall trees beyond my house twist and yearn like they know, like they truly understand despite the storm. I stand in the cold, hugging my earl grey. I crave this weather.
And if I’m still and listen, if I stop and feel then it’s almost as though there’s nothing inbetween us, no distance, no space and no time.
I shove my hands deep in my pockets, things rustle, like gifts, like precious moments to come. I hold tight to their promise.
Street lights, shop lights break the black, dazzle in the darkness, reflect up at me as I splash towards you. People blur, irrelevant.
And then later I’m there, shimmering, sparkling at your side.
Still in her chair approaching year end and she wanted to be his blanket. Hours peeled across the day, time was moving though she wasn’t.
She appeared to have put herself on pause. It was a limbo where she breathed in and out. She remembered the shape of this place from many years ago, from a time when all she could do was process thoughts. And she thought about his blanket.
Maybe that was all she could do for now. If there ever was a time when she knew she was more then flesh and blood, when she knew she was a soul in human form, then it was now.
Now, when she felt the restriction of her edges, when everything inside her yearned to reach him. Now, when she sat up late in the corner of her lounge that they knew well and she wondered if he was on his sofa trying to reach her? Were they somehow together now, in this second at 22:40 as she typed?
She still had a body, but it was only an encasement, while everything else, the very essence of her, left her form and wrapped itself around him.
And just like that, her head scattered across the fields. Wings battered into wings and feathers drifted down to nestle in the hedgerows underneath.
It was as though no decibels came before her, or after her, as though she, herself, created all disturbance on the air, that her thoughts created sound waves through the universe.
The fields shook under the force of her birds in flight. The sky heaved. She waited.
I don’t mind that the night is here, blowing through my letterbox or that the trees are tousled and distressed. I’m safe inside.
And deeper still, inside my mind I’m casting shadows on white concrete, with linen draping off me in the heat. Saturation turned to full, in the welcomed citrus hues outside Matisse’s house, the shuttered windows winking at me, telling me that everything will be ok.
If I lived there, I’d be up early every day, lace- trimmed skirts, bare shoulders in the sunlight. I’d buy oranges just for the scent of the juice, for the feel of the pith under my nails. I’d always smile.
But here, autumn is gearing itself up to shed. It’s fine. It’s all fine though. I spend my hours in Nice, where time frayed, where the white sand said don’t worry. And I listen in the tangerine light, I let it show me the way.
There was a fuchsia toy poodle in Cannes, in the afternoon, the owner dressed in the identical shade, both of them teetering and glittering. I didn’t see them myself, but I heard a tale about them.
If I look out beyond the may tree to some stranger’s brick wall, I cannot see the cement. I see only crowds, the tourists jostling, clamouring and if I stop resisting the leaden sky, the solid stratus that holds me down, then maybe I’ll go back there.
Maybe I’ll be in Barcelona, maybe my feet will push the pavement in the hubbub under their gaudy Gaudi ways. Maybe that’s what I’ll do, under this heavy slate of autumn, I’ll drop back, I’ll go back to the church, let the architecture ease my mind.
Right now I feel I am hiding from the blossom as it holds onto the branch but I know it’s out there, I feel it waving, bobbing, whispering to me from outside my window. It won’t be long before I look it in the face and I can hear it calling out to me, look up, look up, look up again and I know I will.
My trees know just what to do just like my clouds and I am gentle white and pink and sometime rippling rose. I hear them just beyond the glass, framing the trees, throwing their colours to sky and I breathe out. I breathe out as if for the first time, I breathe out like the morning when I woke and squealed and rushed and laughed.
And women fussed around me, hair was curled in ringlets and my feet secured in ivory silk. They would hold me up and they did, as they do now and I breathed out. And I was bound up in taffeta as I always would be, strapped in and laced with ribbons at the back. And at the front, encasing my heart, I was held in rich wine velvet, the deepest red because I could never wear anything else, soft and strong, the unconditional love around my tiny form.
And it’s ok I tell myself, and it is. I can smell the fabric, hear its rustle, taste the rose pink lipstick on my mouth and I am there.
Ready to be wrapped in blossom, petals on me, decorating my features, tickling my neck like confetti dropping down. And I shuffled, I clicked heels down our pathway and nestled my boots in the footwell of the car and later, not much later, they moved over ancient stone, disturbing the dust of centuries, the remnants of other women who had walked and stopped and spoke and loved.
And in the echo of those before me I stood, silken and shimmering like something waiting to emerge and I did. I raised my bouquet to the sky and petals fell around us, photons warmed us, like they do and sunlight lit red velvet, lit my face and the scent of blossom filled us up, as if to saturate the day in certainty and it did and it does.
I’ve been hiding from the blossom for a while now but today I peered back outside my window, took the deepest breath to drink it in. It’s all ok, it whispered to me and I heard it. It reached me, saved me yet again. The wisdom fluttering down through years, curled and chaotic just like me, but it will settle, rest itself soon and nourish the soil beneath my trees. I’m drenched in petals and confetti yet again. Thank God my flowers know just what to do.
To the woman in the trench coat on the bus, with longer, thicker, darker hair like I used to know, you will be fine. And I watch her from the back seat of the bus, years away from her but she doesn’t know I’m there.
And if I stood up and wobbled with the motion, if I plumped down besides her and took her hand then she would jump. And she’d wonder who the older woman was as I leaned in and whispered in her ear. But she doesn’t jump because she cannot see me sitting there. And I push the hair back from her ear and whisper ‘you’ll be alright’ but she cannot hear me because she’s rushing. She’s stumbling up to A & E while her young boy is at Primary and I watch her hurry as I walk behind her and I know the things that wait for her behind the heavy doors.
And if she could sense me, she’d look behind her and wonder why the older woman followed but she wouldn’t stop to question because there was no time.
And I watch her as the doors to A & E swallow her up whole leaving nothing but the memory of her rushing through. And I’m waiting to take her hand and squeeze it tight, I’m ready to catch her when she faints as she will do and as I cradle her younger body into my arms I’ll stroke her forehead and tell her she’ll be alright as we both rest there on their sterile scrubbed white floor.
And if she could hear me, if she could look into my eyes, she’d not believe me but I hold her close and keep her warm. She scatters into tiny pieces and I’ll call out her name. I’ll make everything alright for her because it will be, in a way she’d not imagine, if she could only hear me and if she could see my form.
To the woman in the trench coat with longer, thicker, darker hair like I used to know, I promise you, believe me, you will be fine. And somehow, somewhere my words will reach her and I’ll never ever leave her side.
Janey L Foster 