If I could say anything to her, I’d tell her to still wear the Mary-Jane’s, they suited her. Their implied sweetness that belied her strength. In any case she’d never believe the steps she’d take beyond the pub in Wooten Wawen even if I told her.
And yes, the bells jingled on her skirt, noting how their sound hangs in the air, looping around, even now and what is it about the black and white Indian cotton that always comes to mind? Is it the waft against her legs, is it the foreshadowing of the woman in the making? Yes probably.
And if I could take her hand and tell her to choose a different skirt, one with less sense of contrast, would she? I doubt it. Did she buy that skirt and wear it because she had to, because she would think about it now, now when the black and white contrasts had become her life?
She would always choose that skirt and in an August car park it would billow out in the scented summer night. Billow out, like the curve of a balloon in a hot Summer sky. But then, you knew that didn’t you?
If I could say anything to her, I’d say don’t worry. Just wear the shoes, you’ll be alright. Believe me. And she does.
Following myself along is sometimes confusing. I do get lost at times. I start out down by the river by the ancient bridge. I wonder how I’m connected to the woman in the photo from 1905, with her skirt brushing the pavements. I jump-cut, I fly.
But I know how I’m connected to the woman in 1962, sipping strong tea, exhausted and her brand new warm pink baby has a heavy head, it makes her arm ache, her thin arms that would entangle mine on-top of Pendle Hill, years later. You know the hill? That hill, her arms, that baby, this life.
You know how it goes. So I keep following myself. The river flows over rocks, timeless. There are words in the river. I wander by waters. Fluid.
1. Right. Fine. I’ll just look at the sky then, I’ll just notice how the may tree berries echo the salmon shade of clouds. Soft charcoal trees on the Ridgeway where I used to walk. I know, I know – someone made it February. What can I do?
2. Pale lime and almost moss green of the parsley into soft lemon, fading now. Bright spots of chrome, diamonds on my tap, underneath uncertain cloud. Strawberry pink plastic peg on the Delft flower pot like a boiled sweet, almost translucent, promise of a saccharin hit. Not right now. Nameless old lady walks Jasper. I know the Jack Russell’s name but not hers.
3. There’s too much sky to my left, in the place where the Medical Centre used to be. How the building site disturbs me, can’t they see what they’ve done. I’m there somewhere in the rubble and cement dust, somewhere in tiny pieces, as if to ram home the point under their bulldozers. The High Viz jackets upend me.
4. If I iron, if I ease out creases and watch the smoothness spread then I’ll be able to take deeper breaths, then there’ll be control, of sorts, even if it’s only control over fabric. It’s a start.
5. Cursor flashing, marking time. Come on in, the keyboard’s lovely. You’ll be alright, I’ll take your hand, your tapping finger, the one with the Lapis Lazuli ring. You know the one, the one with the hidden depths.
6. My body starts to regulate. I feel tears drop off my cheekbones. I focus on the sound of the heating creaking through the walls. I notice the cold slate sky but it still warms me. I wipe my eyes, the boiler clicks off. Round we go again. I will be fine. My breathing settles.
7. Shhh, I’m not really here right now, so I’ll be quiet. It’s a honed skill but one of which I’ve grown tired. Workmen are tearing up the street, new fibre optics coming in, territorial parking in dissary. They saunter with wheelbarrows, owning the day, smashing up the pavement where I used to walk. Shovels scrape. I might nod to them if I go out, might not. See how I feel.
8. Boiler firing up, pipes chuntering regardless of where I sit or what I do. Underneath it all, like Miles Davis in the background, softened but there, inescapable. And through windows Yesterday’s Girl catches my eye. I’m trying not to look at her but she’s coming close.
9. The radiator tries its hardest. Still fails to get through to me. For a while all it can do is watch me go into a flat spin.
10. Hello granite, it’s been a long time. I’ll just lie here then, I’ll just be smeared out under your might and grace. Don’t mind me. Do your worst. And then. Throat punch. I swallow down, gag on my words.
11. The reliable expansion of my ribcage, my diaphragm filling with air. And in the micro pause before the outbreath all the other worlds play out around me. The possibilities of all the lives not lived and all the moments of this one cascading, overlaid, looping in a numinous form, every second a symphony again and again and again. And then I breathe out.
12. What do I do with this then? White lines on the window ledge almost as though it’s a bright day, almost like a reflection of the sun, as though spring is demanding of me. I have noticed. It’ll be Thursday soon then I’ll look. I mean it will be Friday. Friday, not Thursday. It’s Thursday I’m careening into. I stumble over words and thoughts. Fraying.
13. It rained today, of course. I fought it hard, did my best, even tried my salsa moves. But my body knows better, it takes me to the Relative’s Room, too much orange paint, I don’t like orange paint, not now. Why didn’t they paint it blue, something calming? I press my face up the window, it’s cold. Black buildings reflect back at me. Harsh, empty, soulless shapes. Rain smacks the glass. I push my forehead into the pane. I feel nothing. I try to breathe. Tomorrow’s coming.
14. Rooms. Faces. Magazines, low coffee table. Their soft sofa. More faces. Mouths move. I forgot to take the food out of the oven last night. Some things I forget. I make a fist with my small hand, neat nails digging into my palm. Little indents, tiny smiles. Fade. Repeat. The heat in my lower back, push against the radiator, bring me back to now. Branches tremble in the faint breeze. Yes, watch the branches. Faces. Mouths move. Repeat.
15. I don’t remember my shoes. I wonder what I wore, not that it matters. I remember my coat. Blue. Blue curtains. Flash frame, freeze frame. Repeat. And yet sound is distant, vague. Unsure shoes always walking corridors. Rooms. Faces. Words. Always words. Mouths telling me things. Moving mouths. Still, the berries have almost gone off the may tree outside my window and the starlings in my roof embrace the day. Berries drop, some get eaten, some rot. Some I brush out of the way. I make movements with my arms, hold the broom like an oar, heave myself through thick waters and remember I have a body. My body tries to come back to me, hesitant, fracturing. Leave my head with the berries. They roll around, relational, atomic. I notice crocus pushing through the lawn, hesitant, striving. I brush my thoughts into the road. Spring soon. Always flowers. So many flowers and scents and dancing to come. And music. And colours. My body starts to come back to me. Carry me back. Bring me back. Make me Now. Make it magnificent.
And she breathed and unseen beaks opened as if to say, me too. They took in the fresh morning air and remembered what it is to fly. And on her wings she swooped over distant rooves where cars parked up and bins lined up and people did their thing.
She did her thing and she did it well and there she sat on the roof of the house, ruffling feathers and with knowing eyes, she peered inside his room.
And there she sat on the floor with her back to the bed and her lap was filled with books, with the words, with his bright blue biro scrawl and she reached in.
She traced her fingertips over pages and watched as he appeared. Out he came like a thought, floating up towards her, like the curve of a balloon in a hot summer sky and he circled and he led the way.
He led her to his shed at the bottom of the garden and pushed open wide the door. It creaked and eased onto a world she’d come to know. It was as though two small girls had found their way, had dared to creep over the threshold, like a childhood place, like a secret land that called them to come inside.
And inside they looked up in wonder and stared at The Machine.
‘What is it? What on Earth is it?’ they would ask as though they were characters in a well loved book.
Till the small girls faded and she was stood with him in the dust, in their particle-wave duality. And he would be in his element, in the quiet fug as he set the cogs in motion. Gears moved and wheels turned, firing bits of muck and fluff into the air. Beetles scuttled and woodlice trundled out of sight as the universe in the shed sparked life, shaking the detritus from the gloom.
And there they stood in the photons, as he burbled through his ideas and concepts and his thoughts danced around her like a flutter of butterflies, their fresh fragile wings entangling her hair.
They flew up from the contraption and out through spacetime, released into the universe, like a tensor, like a field equation of their life to come.
And she observed it all, sat high upon the shed roof, ruffling her feathers and watching herself take form.
There was a shed and The Machine, there was a bookcase and a girl. And everything rippled and reverberated out. Irrepressible, on that day, in the embryo of their world.
And she breathed out as unseen birds sang and beaks opened loud and glorious, as if to say all’s well.
Maybe it would be on a Saturday and the pavements would shine dark, of course it didn’t matter and we’d cut through from the car park somewhere, turn left by The Baguette Shop and try to find the last remaining seats.
Jazz played, of course and the mothering comfort of coffee making sounds hissed and chinked and steamed up the view. And if we were lucky, we’d get the seats by the window and watch the humans go by. My earl grey was hot and I’d watch their disposable gloved hands load up the French bread with chicken salad, of course. And with a choice of six toppings I’d be reckless and wild and choose red pepper and grapes.
And we’d sit not too far down the road from Tyrell & Green, in the days before it became a nightclub, in the days before I waddled in there in my lilac ditsy print, to choose the rocking chair that held me while my back ached, which cocooned me while my tummy lurched.
We bought the footstool to go with it and somehow the print on the champagne fabric reminded me of a painting by Jean Miro from the days when I spiked my hair in orange mousse, when I pulled away from home and looked for myself in northern streets, in clanking lifts, in old buildings, with the smell of stretched calico on canvas.
There was something reassuring about the Jean Miro print underneath my swelling ankles as I rocked, as I soothed and it soothed me in the memory of when I wore zebra print, but not then. Then I held tight and held on as the spasms charged up my spine, as I took on my new form.
I liked Tyrell & Green and waddling in late summer, stacking up on the things we’d need for the journey ahead and while I twinged and swayed, somewhere just down the road in the steamed up Baguette Shop we sat looking out, Waterstones bags to our right, of course. And you ate prawns and I ate grapes and our Saturdays unfurled with raindrops down the window and the splintering shapes of humans doing their thing.
I always found it hard to hitch myself up on the high stools but once there I was content. Baguettes and books, wet streets which shimmered with the people that we’d become. On a Saturday through the filters of back then.
And I drop like a stone from our window. It’s a blue slate slab of sedimentary rock from the sands at Bedruthan Beach, of course. And somewhere my old trainers still have grains in them from when I ran forwards.
And as my stone falls from the window I feel it bang against my thigh, pocket deep in my navy parka when I plucked it from the shore. And it was March, but a different March, not this brand new March right now.
And as my stone drops from the window I see it wrapped in something cream. Something ivory, like silk maybe. But it’s only paper and it’s bound around with twine.
And on the paper are faded words, written in black with an old biro. The biro was no doubt, a freebie from a recruitment agency, of course. And in those days it wrote well, its barrel was full of colour and it scrawled the words I’ll read. They’ll be written in that sideways print, that illegible loose flowing string of shapes where the f’s and g’s and y’s swoop to catch the the tops of the letters underneath. You know the ones.
And as the stone falls from the window the twine will come undone, the paper will untangle and float down to the ground. And there I’ll land with it next to me as I bump down with a thud. I’ll pick it up to read a list of book titles, left justified, precise. The House of Spirits and Cat’s Cradle The Weeping Woman Hotel (of course) and No Time for Goodbye.
The sun is out this morning but it’s a push, it wants to go back in, as do I. I sit in it for a while beneath my open window, our bedroom window, from where I fell, to land in the dew of morning amongst the daisy heads. They’re not up yet but they will open soon and smile into the light. I may even join them.
And maybe there’ll be coffee and jazz will drift into my ears and bacon fat will sizzle on my finger tips, will claw me back into the day.
Yes, maybe these will be the points of reference on the compass as I lie in the grass. I must get up soon but for now, I’m crumbled here next to the stone that dropped me, next to the pen and paper from before.
And in the photons tiny creatures sparkle, they dance around your words, as if to say, here, read this, do this, be like this. There are ideas and there are books and there is reading to be done.
I dropped like a stone this morning but it is our stone from the beach, so I’ll climb back up and carry on.
Out and up, into the world of senses where he felt and he saw and he heard. He moved. Limbs wriggled and grasped and neurones leapt and charged and pulsed. And his mind whirred like a great churning machine, like a creature that resonated with the knowledge it consumed and so he grew.
And he grew and expanded until the sphere of his world touched mine and we collided and we merged and we entwined.
And our lives that we lived sparked new life and he was born. And I glow, I reverberate to the beat of his heart. Out there now, seeing and feeling, hearing and moving, making his mark on his world. Neurones firing, ideas churning.
And I think and feel and hear a new born cry. He was born, dear God, he was born.
Without that breath, I would not be here, without his view of the world, I could not dance, without his perception of the world I would not think in these circles, in these layers. Without that life I would not be, I would not be here as I am.
And so his mother lived and she gave birth to him. And he was born and we met and we merged.
And I gave birth because of him, and we lived then and we live still, and we breathe and we thrive.
He was born, dear God, he was born. And on a bright day in March he appeared at my door and we smiled and I welcomed him in.
Such a quiet bird,she thought and thena sky songspiralled out. Anditsang as though it always had time for feathers,as though this was its home. And she saw herself,ship high and blown, above the docks on rising waves and it was here,next the creaking beasts up top andwithblusteredhair, that she grew.
Here,that her sense of wings exploded to the seas, it was here andalwayswould be. Down underneath its hulk,by the men–shouts and leaden ropes there would bebicyclewheels. On pavements grey there would be spokes turning rubber, metal rubbing,gears changing and younger than her,hisspeckled legs would be pushing onthepedals that shecouldn’tsee.
And there he was,escaped and expanded,exploring the docks by himself. White–outathisside,slab–steel toweringhighand he looked up. Painted letters sang out her name and he wasthere,adrenaline pumping,muscles aching,boundless and new on his bike.
And hegrinned,up and up,to the top of ship, he squinted in the light, hair with a singlecurl at the front that zinged up like hope,likeirrepressiblejoy and he was young.
She looked down,wings nestling in her back,thin greying hair,a testament to travel and as grunts of men hauled ropes and chains released her,sheswayed towards him.
He paused on his bike, soyoung and persistent, with a button bright mind,sabatiersharp, the boywho took her hand across the years and from the quayside his story burbled into hers,in the churn and spume,in the chaos of waves,his eyes lockedontohers, always and he freed her.
Wingsruffledbright, as her day–song followed the clouds, she saw him, and because of him–a boy on a bike, she flew.
The rain moved in, like her eyes opening, like seeing the morning for the first time and it was welcomed, like that dawn, like the gratitude of the day, like eyes locked close and knowing, and it rained.
But it didn’t rain back then, it was quiet, warm, a thought nearing the end of summer and in the tail end of the season, the water rippled up the boats on the canal and their faces were reflected in its soft stroking waves.
And evening would have moved in, like it did, like it does, it drapes the coolness, the calm end of day, like an arm around her shoulder, like the footsteps by her side.
And evening drifted up, traffic sounds gave way to birds and she hitched up her skirts, like she did then, when white washed walls were unfamiliar, not the faded grain of now. And they sat.
Birds watched them then and she watches them from back here, folded in the now, in the smell of wet soil, the kiss of lavender scent and the certainty of August.
Time came with her, her companion on the way, tucked in the pocket of her skirt, vivid, like their moment, translucent, like the wings. And her wings beat out in the evening sky, strong, like the bonds that hold her, glorious, like their day.
August had returned and she could fly. A rainbow swaddled her garden and under its hue and shimmer, they were young. And under its song she was old but she had wings.
In a park, somewhere in an old deep green and bristled wood, there was a car. It was an old car, corners had rust and the seats had seen better days but it still worked. And although the miles had built up on the clock, it still drove quite well, well enough to bring him to her door.
They sat in the car, her hair waving and him in the driving seat with his list of objectives and plans. They talked. They always talked and here in the car, near the car park at the swimming baths, they sat and talked about Stephen Hawking.
She didn’t have much time for scientists, not in those days and she listened to him chatter and enthuse. It all seemed so alien to her, so remote from her ways and her thoughts.
There in a park, far from where she was now, they would sit and think about knowledge, argue over the unknowable and as lunchtime turned towards afternoon, she promised to read the book.
A Brief History of Time became their bible and on distant settees far from his, she made notes and she frowned at the pages. And as weeks became months and strangeness seeped into familiarity, she found her way.
Planets crept into her soul and atomic mass with all its inherent uncertainty became the conversations of a Sunday night. How odd it seemed that she grew to follow his ways, his words and yet now, leaning up the kitchen cupboard, how strange it was that there could have been any other way than this one.
This was the way and they knew it at a cellular level, and certainty was woven into every interaction and every dream.
And years later their son was on his way home, top deck, front seat of a double decker. And the trees brushed past the glass that held him and his college bag was heavy with unseen words.
She thought back to first of the parks and his old car and all the talking. There seemed to be no passage of time between now and who they were back then.
Stephen Hawking had bent the fabric of their spacetime and they rolled into each other with a permanece that was unknown to them, back there, back then in the car.
In the now, the bus with their child came nearer and she thought of the worlds that had changed. And in an echo of the car wheels turning was their son playing out all the maths, their boy calculating and rejoicing in calculus and if he could, he’d have sat in the back of the car in the past and shown his parents the workings out. There, on his pure white page was the algebra to the split screen experiment and equations for Schrödinger’s cat.
In a park, in a car many light years away from here they all sat, together. And they were unaware of this day unfolding as they read, as they talked, as they laughed.
And he was born, imagine that? He was born.
The rain moved in, like her eyes opening, like seeing the morning for the first time and it was welcomed, like that dawn, like the gratitude of the day, like eyes locked close and knowing, and it rained.
In a park, somewhere in an old deep green and bristled wood, there was a car. It was an old car, corners had rust and the seats had seen better days but it still worked. And although the miles had built up on the clock, it still drove quite well, well enough to bring him to her door.
Janey L Foster 