uncertainties | Janey L Foster

She found the small black marbles again, not that she’d lost them of course. They lived, making occasional ripples, in a secret jar she kept away from most people.

It was time to open the jar. She placed them on the floor in front of her but couldn’t decide what material would constitute the floor. Was it concrete, was it slate? Most likely stone and she sat there for an indeterminate amount of time rolling the marbles around her palm.

Despite their smallness they were heavy, dense, maybe made of osmium, some were tungsten, some were onyx but most hurt her hand with their insistent mass.

She studied them, placed them on the glass sheet in front of her and leaned over. If she was quiet and still she could almost make out her reflection, some distortion, something hinted at, a ripple in time then dispersed.

The marbles were moved by her hands, arranged in rows though she knew they wouldn’t stay.

Sometimes they clattered into each other and ricocheted off at sharp angles feeling the force of the ones with which they’d collided.

She tried again. Lining them up in order of size, then in mass. And if they stayed in a pattern she’d be fine. She noted there was no weather, no movement of air, just the tiny black spheres feeling no friction, moving of their own accord on the dark glass in front of her.

She wondered if they had any sense of their movement and if they did, would they care? She tried to imagine how they might feel, rotating on their planes and never understanding the formula of their volume. Why would they roll with no awareness of their form, how could they just be marbles, insentient, presenting themselves to her over and over and over again.

And again.

Discrete excitations, forming patterns in her field. Around and around, crashing and clashing, firing into each other as if to say,

‘Look at us, watch us,’ and although she didn’t want to order them on the glass and although she knew they’d refuse her actions, that they’d make their own way, she did try.

She tried to understand them, to control them.

She wanted to make sense of them all if she could.

Like she did, like she does, like she will try again.

Black marbles in her hands, heavy, chaotic, despite her attempts. Around and around again. She kneeled before them, helpless, committed to their action, trying.

On repeat, kneeling down in her layers of grey skirts, soft, bundled up against the hard coldness of the stone. Her skirts, in contrast to tiny dense black marbles every time. Vibrations in a field, patterns connected through space and time.

And she played with marbles again; it was some kind of mid February fluctuation.

Sometimes bird song comes as though I breathe each note, as though they reflect the thoughts that churn and churn. But I can’t quite reach them. I listen hard, listen well, but these sounds, these moments of instinct pulse out. They seem to be my heartbeats, my neurones charging, firing and every second of my life is echoed in their song.
It’s February. It’s always February somewhere in my mind and today, the 10th arrives and though it’s Monday, it is Thursday in my head. The birds silence for a while as I inhabit, as I absorb the date and then they tweet, then they shout out towards each other, triumphant in their beaks spilling notes, their essence, existing in song.

And somewhere they sang on that Thursday, somewhere they clutched at branches and held on and I wonder did they note me rushing, did they feel for me in my chaos as I churned, did they send out their song to soothe me though I couldn’t hear the notes?
And it was there, birdsong, always, even on that day.
And it’s February and I am February, right now and I am the birdsong. I am all of it. I am their voices reaching out to me, to the startling, to my fracturing self. And I am the birdsong that tried to reach me when I couldnt hear their call.
It’s February 10th. I seek out birdsong.

And so I think shhh, don’t go there, don’t allow the thoughts and then they come. Bright faces, flaring and this is the thing you see, I don’t want to look but then I must. I must turn my face into the flutterings, into the scattering moments and down. Down and out, flat out. Careening into the sounds, the words, the mouths that speak as I watch them.
And then sun arrives, and then a bird cheeps as if to throw me a line, as if to say but it’s Now. And yes, the bird song fills me up and yes the light falls up the wall but it feels absent. Today there is a coldness, yet photons push through, resolute in their incessant need to glow, to saturate our room.

But there. Pauses come. Like wilting leaves. Places where the earth has forgotten warmth and I rest. I must do something with the gardens. It’s that thought always. Prising its way back in, that sense of morning, of movement and how stale it all looks, untended, devoid of hands that care. That winter face, that deep back to the soil kind of voice and I go round. Around and around it again, like the sun rising, like the particles colliding, thoughts bursting and forming with little rest. And then it stops.

The sun has taken offence behind thick grey, and I breathe out. That kind of long slow breath that turns down cortisol, that regulates and I return.
The birds are singing, I think they never stopped, not once, not even for a second over these long and rambling years. Sometimes I find that reassuring, sometimes not. And so it goes.
My body tells me it’s the 14th, I feel it in the tightness in my ribs, in the irritations underneath. Round and around with no let up like nature, like my exchange of O2 to CO2.
I tiptoe to the edge of my mind again and peer inside. Things coalesce and break apart, I try to untangle thoughts, to measure and observe them but as I look them in the face they change.
It’s the day before tomorrow, my quantum days. And I must go now, I must feed the birds.

15th: And I’m so grateful for the rain. The storm is tearing up the garden as though I summoned it, as though my friends turned up on cue. The sun still hides and that suits me, it’s so pointless to be a ball of helium today, to spit and churn, no one can see you anyway behind the heft of clouds. I like clouds, they’re almost family. They come and go but when they block out the sun, they seem so welcome.

Today there is a sympathy with the weather, a sense that I control it all. And why wouldn’t I? Why wouldn’t I be able to send my thoughts into the skies and bring about the storm?

The blackbird hops up to the window, despairing, there’s only black leaves on the patio today. Of course I’ll go out later, wrapped a little against the bluster but revelling in the cut of cold across my face, a reminder that I breathe.

Storms have their place and if I were braver than I am, I’d climb the trees, I’d scrape my knees and cut my arms as I pulled up. And from the top, up there on the left by the raven’s nest, I’d hang on and sway in this harshness. I wonder if the sounds would be as loud from deep inside the branches, but how glorious it would feel, to not be the face at the window but to be sodden and ripped, to hang tight and bend as the rain slices round us. Maybe later, I’ll ease out into its din.

I’m grateful for the storm, as though the streets and towns and country I still inhabit can pop into my mind and feel my thoughts.

On days like these, I live for the howling of trees. I resonate. It calms me.