Schrödinger’s Clock

And so, I watch my finger tap and move across the screen. I count in seconds. And so it goes, one moment merged into the next. I’m trying to find my way through this bracken, through these weeds and thorns. I push ahead. It’s quiet. only the robin knows I’m here and he understands me.

I’m muddled in-between loss and time, in-between memory and now. I try to makes sense of it all.

And here it comes, that sense that the universe reflects me, that mirror outside my door. I’m perched. I’m high up somewhere, somewhere cold yet warm enough for me. My long cape will scrape the earth, disturbing stones as I climb. And yes, my feet bleed into the soil but it’s a good loss, a purging somehow. Giving blood back to the soil. And then I sit.

I’ve been here before, high up overseeing the land, my land, the place we built upon and here and there through the spheres of teardrops I see our world turned upside down. Our boy and I on the hill that we built with our hands.

The clock ticks round. It counts in thousands now, eighty-seven of them and six hundred more but it means nothing. It’s a construct, a passing of weather, of seasons, of my body changing and our boy turning into a man.

The minutes are randomised up here, every possible second remaining on our probabilistic hill. And here we sit on the top looking back, looking down. We Made This. We call out, we shout it out into the clouds. Ravens catch it on their wings and take it higher. Their black rainbows glinting in the sun.

I remember this place, this bench at the start, the dog walkers, the litter eddies fluttering by the bin and pigeon shit on the picnic table. Even that was shaped in black and white, the residue of food, expelled into the air and landed just for me to notice on my own. It had dried to form a Tao symbol and I smiled and wandered on.

And I’m pulled, jostled as though waking from a dream to see our land now and how many losses have been carved out in people since our own? How strange it seems now to have walked and spoken to strangers back then, no masks in sight, no fear of breathing on each other and we could hug and they’d take my hand.

How removed it all seems now, removed from ourselves. That sense of severing. I sit here as vaccines are pumped into muscles, as charts change and people hope. And there’s that sense that we will come through this, that we’ll lift each other up in our arms and twirl around. I can feel it, that craving for how it used to be. To have it all back again.

And yet if there’s one thing this decade has taught me, it’s to let go of the linear and any sense that what we had will phase back in again and return.

Call it a new normal if you choose but like the hundreds of thousands of losses that bind us to each other now, this is not something that fades. It’s etched into who we are, into a generation now, into our psyche, into our souls.

I remember last spring and that sense that maybe, in a month or two, it would be behind us. Like queries from the un-widowed, hoping, questioning and do you feel better now? That sense that this will heal like a break, like the dull ache after the snap of bone. And they’ll say, oh look she walks with a limp now, but they won’t feel it, they can’t feel how the limb has been changed on a molecular level, the scar-knitting-collagen-weaving permanent change to your form.

And I wonder how we’ll move from this? I crave that the sense of solidarity which we felt, that dazed and disoriented need to connect, will remain. Don’t let it seep away, to be forgotten, to just be the Year That We Wore Masks. Let it open us up, break us out of our stale paradigms, our tiny fearful islands. Let this be our chance to focus on the universal self behind the form and the foolish idea that we are separate in any way.

And I pause. A blackbird winks at me, comes close but won’t cross the line. My outstretched palm is a step too far. He’s found a worm, he’ll be just fine.

The hands have moved around while I tap and I come back to time yet again.

I’m left with the sense that nothing is as it seems. That I live on a Mobius strip somehow looping and doubling back on myself. I am inside and outside of time in one breath, I am fluid, I’m here and there. And if I have a point (she often has no point, it’s part of her charm*) it’s this. I used to be time based, I’d be linear and I’d have plans. but then loss swoops in and caws, circles round and says no more. Who wants to be linear anyway, where life is predicable like it used to be? Now we float and flip, thither-zither in the air. Murmurations cut the sky, 87,600 birds, ripple, shimmer, dancing black. I wave to them from the hill that we made, they tip their wings to us in respect.

So I remain in the tangle of my quantum mind, both then and now, a superposition of me. I am Schrödinger’s girl; a wife and widow and it’s not till I notice my thoughts that I find out which one I am.

xxx

*A Few Good Men, 1992

Lullaby

Close the door now, close it well and she soothed herself with its sound. It slammed out the outside and she crept upstairs. And back downstairs, lifting blankets from the beds, taking unused towels from cupboards.

There now, there now, she whispered to the door. Smothered it under fabric now, shoved and draped and stuck with gaffer tape, up to the architrave and over hinges. Push it away. And hide.

Windows next, she rushed. Hurried-scurried against the clock.

Tick loud, tock loud, pulsing, beating at her temples as she climbed. Teetering on kitchen chairs to reach and hang, to black out outside with cardboard torn, with paper. Newspapers empty threats, silenced bleating little black, little shapes shouting Doom but not for her.

She was safe if she rushed, if she scurried far away. And tucked up small and slight behind her fabric plastered doors, behind her tattered papered windows. She was safe.

She stroked the walls and thanked them. Gave a blessing to their strength.

Keep it out, keep it all away now.

And if she slept, her barricades against the clock would calm her, her cardboard shields and curtains would sing her deep to sleep.

There now, there now, stop the hands from turning. And she whispered to the house.

Keep February from my door.

I’m A Little

I’m a little bit leaving.

I’m a little bit car loaded, heading south, Pendle growing smaller to my right.

And if I could, I would stop the car. Bring it to a halt, all of it. The January day. The normality. And I’d run down the side of the M62 and over the crash barrier and I’d fly, as though my bare feet were never made for soil.

And I’d clamber, higher, faster, until the motorway would fade and my raggle-taggle gypsy feet would bleed. Pink rivulets in the frost, cut and blistered in the iced up air, but I’d be there.

My skirts torn, little frayed bits of me on bracken but I would climb. And our car heading south would be a dot. A pinpoint of time that never happened.

And from the top we’d see our helter-skeltered route to where we’d stay.

And I’m a little bit there.

I’m a little bit stop the car.

Please. Please.

I’m a little bit don’t head south.

Teoría de Ondas #6

She would be standing there now, looking up. So much of that time seemed to be about looking up or looking out in that outward expanding world. Not like this, not like this small enclosed tight place.

But that was then and so she looked and listened to the guide. They were taken to a shop selling leather coats, its heavy scent still lingered and here the crowd of strangers stopped just to use the toilets. The owner watched as people drifted in and out to the back of his shop, some stopping to stroke the leather but no-one buying. He nodded to them as they passed by. He was used to it I suppose, an arrangement with the tour guide. Perhaps she was a friend.

Tired feet pushed down on the Piazza di San Giovanni, drifting around a stall of puppets. Pinocchios dangling, hopeful, desperate to feel real again. And back along by the side of the cathedral, soft russets against blue, she looked back up.

Pinocchio swung in the small boy’s hand and they walked on, through medieval alleyways in the footsteps of tourists, capturing moments like you do, like they did.

And later after coaches pulled up in the rain in a Pisa carpark, she bartered with the brolly sellers, a trick she did often and well.

And there they were again, another second, backpacks and cameras, holding up the tower in the rain. At the market stall, the bags and scarfs pulled her close and as their boy learned how to make Pinocchio dance she pottered amongst the gifts.

The tasseled black and red scarf still hangs in her wardrobe but then it was clutched in her hand, then it was her trophy from the day and they rushed back.

And just before the meeting point where her husband waited, she slipped for a second, went over on her right ankle, on the wet cobbled lane and then regained.

Raindrops on coach windows, a greyed out Pisa on their left, throbbing ankle and a new scarf to wrap up the day. But Pinocchio sat on the young boy’s lap to her right, small and wooden, his painted eyes, trying to recall what it felt like to be alive.

Grazie mille, they whispered to the town as they pulled away.

Teoría de Ondas #3

And she floated down to the earth with her leaves, twisted, crumbling. They caught the sun as they fell, each one a moment, a glimpse of her. Here. There. And she cascaded, one second into another.

The girl in jeans lying on his bed, waiting for a trip to the forest. And they were there, wrapped and younger with hours ahead. And leaves crunched.

And then the morning, one year later, squeezing through packing boxes and squashed into his car, they traveled north. The fig plant on her lap, bouncing, faded lemon and green leaves, tangling into her long hair. And they unpacked.

A blackbird skooshed under the branches in the right here, right now and then she fell again, dropping from the trees, a mess of golden, a curled up fading form.

And she was there in their new lounge, taking on the owner with her fiancé to her right. A stressed-out seller to her left, who sabre rattled a rolling pin in the face of her husband-to-be.

And she rallied, she reared up. ‘You’ll have to get through me first’ she said and her words rattled around her head, the phrase that became their anecdote, in their new home, in their new life, on that day in a distant autumn.

And leaves fell and she joined them, down and down, as though there were no structure to her thoughts, as though her edges had given way. The sun in the Now called out to her, soothed her through the mothering blue of an empty sky.

And in the cloudless start to her day, she stood flanked and strong by her husband and son, as they stared out across the park. Gaudí’s Cathedral looked back, its stone sweetcorn against their perfect sky and it soared up, magnificent, intricate, an image almost permanent.

And they walked on, following the tour guide with her yellow sign, held high. The ground still swayed a little but they were out. Feet on dry land, together, hands linked as they went on their way.

And leaves fell in the park in Barcelona, and beyond her window in the right here and right now, she floated down. She let the cool breeze carry her, gentle, down-to-earth, where she rested with the others, where she turned her head up to face the sky.

She was the warm yellows of her past, in a scattered ochre morning. She watched herself fall down, an October mulch to feed her day.

Teoría de Ondas #2

She saw their faces, Florida worn and florid as they bellowed across the starched white breakfast linen. She let it wash across her.

They were a freak show at the table, a curiosity over the crisp hot bacon slice, the entertainment in their morning, while the orange pulp left bits inside her mouth. And she saw themselves stretched out, distorted in the silver coffee pot, elongated versions of themselves, smiling as the table rocked, almost imperceptible with judderings under foot.

The overnight pitch and yaw still rattled in her mind, the slam and crash of metal, tipping, tilting hard. And down the narrow corridors, room service trolleys swayed, clattering into closed doors.

Bay of Biscay batterings until exhaustion beat the waves and by dawn the creaking eased, by dawn the swell had calmed and took them, in gilded lifts, to start the day.

And their morning opened in the background buzz of chattering, of clinking cutlery, of sausage sizzle with its fat dripping on their chins while seasoned travellers just shrugged off the storm.

A gentle rolling with short sleeved strangers in the constant supply of toast.

There were days, months ahead of her when this feeling would be common, when this fragile sense fighting foes, of wrestling waves would be familiar in her day. But not then, then it was just a squall to ride and nothing more.

She was being trained in storms.

Temporal (All that Matters) #5

This, this now, this having slept 5 hours on diazapam and you’re propped up, wired up waiting for Johnny V, do you remember Johnny V ? Looked like Johnny Mathis in his way.

And you pulse, you brace, you ride the spasms as they come.

But Johnny brings fresh news and plans change yet again. And so you beamed at the prospect of a long day opening up ahead, of no need for surgery at all.

And it’s this kind of feeling, waiting for the needle team, for the back stab and their voices swirling, fading in and out.

And now, in the now, the warmth of cooking chocolate cake wafts up and frames the day. And you’re settled, softened to the carnival of colours in your head, to the moment when the needle took the pain away, to the sense of loss and separation from it all. And the minutes formed a day and early evening bought more work.

And now under the distant drone of passing planes, it doesn’t matter. It doesn’t matter that despite the pushing, your hours bled, theatre bound.

And there under green and lights, there in the clink of instruments, was the moment he came to be. Up and round and out, up and out, all pink and red and warm.

That moment, your time, all three together. Despite everything, all that matters is you came through.

Skin to skin and the sense of coming home.

Temporal (All that Matters) #4

It’s morning for others.

It has become day 4.

.And you you know you’re not one to give up, to give in, you know you’re known for soldering on but last night was one of surrender.

Last night was sitting in their hard seated, hard backed chair watching the line of light down the side of the door where the night shift staff moved and soft shoed. And you pressed the buzzer as you rocked.

It was Delise, you’re sure even now, she said her name was Delise, not Denise or Louise but Delise. But she was the one who took your hand when white shards shot up your spine and round your front, when the night pulsed in and found you sleepless, twitching, in the chair.

Delise was sorry that the medicines were locked away till morning.

.Morning happened for others.

Even now through the hours since that moment, you can feel it. And He was called in, rung early from his bed to stand there helpless.

So somehow day 4 had emerged but not for you, for you there was no break, no rest no sleep, just a string of moments, holding tight and holding on.

Morning.

Day 4

Drunk on lightning strikes around your form, and you let go, 

It’s that Sunday feeling, that not really having slept all week kind of time. And faces came, agreed to surgery but it was Sunday and no one was around.

Tomorrow though, they told you.

Tomorrow they’d prepare you, break some water for you, tomorrow they would scrub up and take you down.

Temporal (All that Matters) #1

It’s that been-awake-throughout-the-night-belly-pulsing-tight kind of feeling. That scrawling-numbers-on-a scrap-of-paper-at-your-side kind of thing.

And you clamber and you stagger, grateful for the banisters that hold you up, thankful for the waiting car and helpful hands.

It’s that September-14th-early-morning-neighbours-taking-kids-to-school kind of moment when the spasms send white heat back up your spine. And you note the trees blurred on your journey, on the corner near the lights.

It’s that being-helped-back-out-the-car-and-to-a-wheelchair kind of morning and faces and corridors come and go and then you wait.

Yes, it’s that kind of waiting, kind of morning. That kind of primal knowing through the hours.

It’s a me-on-a-bed kind of feeling, buzzed with cortisol, fuzzed with lack of sleep kind of thing.

It’s a September-14th kind of feeling, that resolve kicking in, that start-of-the-longest-week kind of thing.

White Cloud


It always comes back to blossom, every year no matter what. And her road wound its way, like it did, up from their tiny home and turned left.

The colours started then, the froth and flutter like the taffeta scrunched around her, filling the back seat, like their petals filled the sky.

And turning right around the roundabout where she would take their unmade child, where school walks would be full of leaves and sticks, she saw her village on the right.

It ebbed away like her childhood, tucked safe inside her like the hidden garter on her leg and they drove on. At the junction trees came out to cheer her, smiled and waved in baby pink and candy whites as though they’d been grown just for this day, as though their only purpose was to shine.

And she sat and shimmered. Another roundabout and the hill eased down into her town, traffic lights held them while cherry flowers bobbed and frilled. Down and down, through the sap lined chorus, till a sharp left and squeeze of her hand. A chauffeur’s smile like the morning, as if he were the creatures in the branches turning their gaze towards the car, and calling out ‘look look, the blossom is out, watch her swirling now.’

And she sat. Two turns to go and moments folded round her, people scattered and petals burst, giddy, gleeful as though this was the first day to sing.

A route they’d travelled and planned with care through autumn leaves, but now every branch etched the sky just for her and every blossom swooped like swifts dived and murmured, like swathes of bird’s wings coming home.

Last turn right, until gates framed her, frills and fussing, with flowers in her arms. The tiny church path held her ivory feet and she came out in the blossom, like her day, like her trees, like her moment to stand out in the sun.

Leaves sparkled as she swept, soft pink, white scent before the hush. The cherry trees came out to hold her, to show her how to live. Bursting full, grabbing hours before they ease their colours to the ground.

Every fanciful floating petal was waiting just for her and she brushed towards him like a cherry tree in bloom.