Tag Archives: guide

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Maverick

The sound of Tom Cruise in my living room when I called down from the top of the stairs. He flew planes while I held my tummy. (13)

Helen, the military nurse, compared notes with me on back injuries. I watched ceilings unable to move. 36 hours awake and the third ceiling came into view. (14)

The nurse with short hair or maybe a pony tail brought the rubber mask. While she explored, my laugh fractured around the room, spiralling over my head. 

How funny that today I spoke with someone about roller skating as a child, fearless freedom of movement unlike this moment when I couldn’t even walk. (15)

The clock up on the left, the little window to the right, the beige walls. The toilet door at the end of the bed about 5 miles away. And the toilet itself, so low down, too low down, as though it existed on a plane outside my reality, designed for some other species who could bend, who could bear weight, who could stand unsupported. I leaned up the wall near the bathroom window. The frosted glass obscured everything, just like the pain. (16)

I often wonder about Delize, her head round the door at 2am, her arm around my body, her hand holding mine. 

Today’s slab of cloud fits the heaviness of then. Spaced out, waiting, needing. One day I’ll sleep again. Surgeons don’t work on Sundays, they told me. (17)

{Poured tea over myself at 9pm. Diazapam took me out, eased me into tomorrow.}

Five hours of drugged up sleep and feeling heroic,  they wheeled me into a brand new room. It seemed bigger than it was. Johnny V messed about, washed his hands by the sink. New faces, new machines, a different clock to stare at.

It would be a long day, they advised me. They didn’t lie.

The woman with no face got me onto my side  and after the ice cube test I faded back into the room and watched the patterns of pain, without the feelings. 

Hours bled around nameless hands till teatime.

A radio to my right.

6pm became 8pm, 8pm became 8:20. At 8:30 with the theatre calling, the kind one apologised to me to the sound of my tears.

A grey ceiling rolled in, or was it white, green fabric everywhere, steel and tinkering. Curtained off from myself while they burrowed, until they showed me, until they lifted him up and out in pink and red perfection.  Lilies bloomed where my abdomen used to be. 

The gash of joy, the bloodied relief of our out-breath. The scent of him, the taste of his skin. (18)

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Monochromes

She faced herself in the mirror and asked.

‘Will you let me wear this black and white skirt, will you let me feel its coolness round my ankles?’

And she smiled. She asked again.

‘Will you let me wear my white cotton blouse, the one with Pre-Raphaelite sleeves and if you let me wear it, will you let me walk by the canal?’

‘Will you let me use my small feet to make imprints in warm grass?’

And she smiled into the mirror. She supposed she came here to say yes.  

And yes, she would let me wear the black waistcoat too and she nodded into the mirror.

Yes, I will let you wear those clothes and navigate by the waters.

The mirror held her and as she walked from room to room, she peeled, ages came and went. She felt giddy in the potential before the wave function collapsed and a path was taken.

She liked the Will You game. It appealed to her mischievousness.

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Six-Cornered-Starlet

It’s early, from my window I can tell it snowed over night. I have no curtains up now, nothing to block out the sun when it comes. 

Outside there are fresh ice crystals, six cornered stars and a thick layer that coats the streets, that demands to be looked at but not right now.

Underneath it, is the névé from a four year storm. Some of it has melted and reformed but it lies there, foundational, quiet and underpinning this new whiteout.

Deeper still, the firn, compacted, dense and undeniable.  I know it’s there of course, the core of my landscape. I have learned to walk on it by now, my boots are rugged, my legs are strong and when I fall, which I do, I grasp onto trees trunks and heave myself back up. I bleed and bruise but blood dries up and bruises fade.

Through the easy aperture, the room floods with light but I try not to rise from my bed, though I will. I don’t want to look out of my window, I want to pull the duvet over my head and push myself down into the mattress and hide away.

I won’t look from my window, not yet. The brightness floods in regardless, memories of carrots and coal, laughter, spiralled breath on the air.  Transient and magical, like something to cherish, to hold. Then just cold. It disperses back to the atmosphere, to be inhaled, to go around again.

Under the fresh snow the névé blurs over firn. The firn, almost glacial ice now. Years bleed into each-other, crystals creating new shapes and forms. If I pause, stop. I can feel the ice emerge, hear the minutes growing into time.

Time, when this firn was fresh snow, when my bewildered eyes couldn’t look at it. When tears turned to icicles and stalactites on my face.

Now it’s solid firn, deep underneath. Sometimes I go out, sometimes I can even skate, I cut patterns with my blades, decorate the landscape, spin and swirl. I dance.

But not today.

Today the fresh snow lies heavy over it all. Every flake, every crystal demanding to be known. 

I nestle down under the duvet for now. It’s treacherous out there. Drifts upon drifts, ice upon ice. Dangerous. But it is mine. 

In time I’ll build snowmen again. 

xxx

by

Breathe – November

Beetle in a box

Box on an island

Island in the ocean

Ocean at my core

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Time Dilation #5

I suppose it was me and the clock, me and the concerned faces, me breathing and counting and getting nowhere. I suppose I don’t like being told that I can’t do something, so I try even harder for a while. A sense that to give up would be to fail.

Now I can feel it’s me talking from exhaustion (much like this morning, in this world now.) A sense of the pressure I put on myself, but then as now, sooner or later, I gave in, gave myself up to it all. 

I remember the nurse or maybe he was a consultant? (It wasn’t Johnny V, we never saw him again, with his slicked back black hair and pristine striped shirt) but someone apologised to me and my determination broke free from my eyes, rolled in spheres down my hot flushed cheeks. 

I guess the rest of the evening was spent in the theatre, but no aisle seat for me that time. I was centre stage, I was the whole ensemble, I was the diva under their lights and clamps and curtains. My abdomen sang wide, glorious and while they hurried, tinkered and sewed the gash, I loved him in my bloodied arms. 

Home.

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Time Dilation #4

I seem stuck, a little laden down, a little numb. And while today’s radiator warms my back to the sound of clocks and snoring, my younger hands lose their grip and tea comes tumbling, scalding, soaking into their hospital robe and I crumple.

Soon, cursor flashing, clock ticking. Tomorrow, younger, stronger.

Still stuck.

Worried the words will find me in a heap on their sterile floor but I keep going, like then, like now. Keep going and I slept half on diazepam, half on exhaustion like a dribbling drunk in their faux leather chair.

With prayer around me. 

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Power Pack

You know when you can hear your mother inside you saying that you have to rest? But you know and she knows that you can’t, not now. Well, not just yet.

And your mother’s face is around you with that look, that understanding that you can’t stop. And she swallows hard, keeps it all in, and like her, you do just the same.

And she sits alongside you in the silent dawning kitchen, she makes the tea for you while you let yourself feel feelings for a while.

She wears that old green dressing gown that kept her warm and she shuffles with her life-lived feet. She knows. And under her dressing gown, her body that made you, is reminding you that you can do this, that you have the strength.

You lean into the worktop, the oak takes your weight. It’s quiet in here, apart from your sniffing and the soft sounds of your mother busying herself around you. 

She walks alongside you keeping you up.

She passes the tea cup to you. She knows everything you feel.

You drink up, wipe your eyes.

Do it all again, she whispers.

You can stop soon. just not today. Your mother on the inside, charging you up. again.

by

Some Kind of Angel

The woman’s dress, it almost brushed the floor.

The cold stone in the cathedral and all I could see was the fabric to my left as she sat there. The golden swirls, maybe paisley, maybe African, I’ll never know. 

And to the right of her ochre and viridian I sat quiet and tried to regain myself. 

And she helped us when her language wasn’t ours, when our battered tourist phrase book didn’t work.

And I wonder if she ever thought of me years later, of  the young woman who she helped, taken ill in the arms of Our Lady and did she remember the warm blanket of her words. 

I did.

She sat with me in silence until the taxi came and in broken English, as we left, she blessed us with healthy children. And I was grateful for her words, her care, the sanctuary of her presence. And a year later in the healthiest of pregnancies, in my blooming, I was so thankful for her prayer. 

With thanks to the woman whose face I never saw, who came to my rescue, who helped us when we needed it and I wonder what she’s doing now and I send her back a prayer.  

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Thirty

Her mother’s best table cloth, the awkward smile over chicken salad or was it ham?

Churchyard trees smelt of Radox, pine crumbled in her hand. 

Closed restaurant, tattered menu through the window reflecting them.

The lager soaked pub carpet, did she mention modern art, and lost her train of thought?

The Mason’s Arms, the slight hill by the Job Centre.

In Brueton Park the aviary was empty, a sense of space, of absence in the caged birdshit and lost feathers.

And from the bench the mowed grass, sap full, fell away from them like rolling years then stopped at the sudden gate. 

Red t-shirt in the evening, pushing chicken round a ceramic bowl. Trying to be elegant. White cold stone, little Bistro walls, The Fat Cat in Solihull, it’s probably a nail bar now or tattoo parlour.

Later. The quiet house. The Fleur de Lys of her parent’s sofa. Running her finger over its edge.

The kettle boiled, she turned to him, she felt the kitchen cupboards up her back before she made the tea. 

The chime of her parent’s mantelpiece clock, the weave on his fair isle jumper.

These things.

She dropped by to watch them as though it wasn’t decades ago. 

by

Teoría de Ondas #3

And she floated down to the earth with her leaves, twisted, crumbling. They caught the sun as they fell, each one a moment, a glimpse of her. Here. There. And she cascaded, one second into another.

The girl in jeans lying on his bed, waiting for a trip to the forest. And they were there, wrapped and younger with hours ahead. And leaves crunched.

And then the morning, one year later, squeezing through packing boxes and squashed into his car, they traveled north. The fig plant on her lap, bouncing, faded lemon and green leaves, tangling into her long hair. And they unpacked.

A blackbird skooshed under the branches in the right here, right now and then she fell again, dropping from the trees, a mess of golden, a curled up fading form.

And she was there in their new lounge, taking on the owner with her fiancé to her right. A stressed-out seller to her left, who sabre rattled a rolling pin in the face of her husband-to-be.

And she rallied, she reared up. ‘You’ll have to get through me first’ she said and her words rattled around her head, the phrase that became their anecdote, in their new home, in their new life, on that day in a distant autumn.

And leaves fell and she joined them, down and down, as though there were no structure to her thoughts, as though her edges had given way. The sun in the Now called out to her, soothed her through the mothering blue of an empty sky.

And in the cloudless start to her day, she stood flanked and strong by her husband and son, as they stared out across the park. Gaudí’s Cathedral looked back, its stone sweetcorn against their perfect sky and it soared up, magnificent, intricate, an image almost permanent.

And they walked on, following the tour guide with her yellow sign, held high. The ground still swayed a little but they were out. Feet on dry land, together, hands linked as they went on their way.

And leaves fell in the park in Barcelona, and beyond her window in the right here and right now, she floated down. She let the cool breeze carry her, gentle, down-to-earth, where she rested with the others, where she turned her head up to face the sky.

She was the warm yellows of her past, in a scattered ochre morning. She watched herself fall down, an October mulch to feed her day.