Lake Water Lapping

It doesn’t matter that the sun has slipped behind my view for a while or that the amber hyacinth glass has lost its bright light. And then returns, irrepressible as though it never went away.

How could it, how could the life force that keeps me here, have disappeared? The taste of my fingernails, just for a second and the bole of my May tree is hidden by the cacophony of daffs, just look at them. They don’t care. They know how to do this, singing out wild and abandoned, accepting the wilt to come. I suppose I do the same.

I pack boxes, I run fingers over ornaments, I caress the dust and breathe it in, greet it, welcome in its stories.

Sometimes just for a second, it’s as though I understand. I feel the ecstasy and terror simultaneously, as though looking at the sun bringing gold to my amber glass, as though, in this moment I am everyone.

I want to hold them. All of them and tell each of them it will be ok. It will get better. I know it will and my daffs dance on the windowsill and my hyacinth reaches up to the light.

Everything is golden. like honey. And a hive for the honeybees.

Womb Shaped

If you study the shellac on your nails and lose yourself in its luminous magical lights, in the rainbow shot silver sparkle, it will take you back. 

Take you back to just before, in the hours, in the safety, in the warmth before the sense of separation came.

And there in the shimmerings is your father, walking home in the dark, your mother in the care of the midwives and the waiting. And he slept but she didn’t and later, hours later when the phone rang in the early light, the timeless spaces on your nails flash you to his side, to him sat on the edge of the bed with your grandparents who’d come to help. 

And his words spilled out in the chill January morning, we’ve got a little girl and they cried.

They hugged and they cried and your father fought his legs into his trousers and blurred across pavements to your mother’s side. She slept and you slept although you didn’t know it.

And the sparkles on your fingertips now are the snowflaked halos around the street lamps then and the warmth of the first cup of tea when your mother woke up. And your father said she was a king to how she was before, rested yet weak, strong in the release of primal blood. 

And the lights shine off your nails like sparks of magic bringing hope, like your eyes opening in the dark, your tiny newborn body still curled and warm, womb shaped.

Your father looked at the rows of incubators, directed towards yours. They all look the same, his tired voice drifting up, his breath on glass in the dim light. But yours was the face he came to know, yours was the life that filled up theirs.

Decades ago, and the shellac on your nails now seems to dance and sing, liberated, joyful like their arms, arms that held you tight, fluttering and glistening, arms that set you free. 

The brightness of your snowflakes, the moonlight in your eyes. And if you look into the shellac of your nails now you see and feel the wintering, the gratitude of the place and time where you came in.

Gifts

All I really need is the approaching night turning to undried ink in my rain. I need the splinters of headlights, tail lights dancing in the puddles and nestling down in red fleece I’ll rush. I won’t be long. 

And I’m not. 

And next door to the pharmacy I blur around under fluorescence for a while, conscious of my pocket once again. It rubs up against my thigh, reminding me and later all I really need are the wooden stairs, the rustling and even later still, all I really need is to sit quiet and sparkle.

And I did and I do and I will.

Residue Theorem

Let me feel your bristles, firm against my form. Insistent, purposeful as though they’d never lived a day without motion.

Brush me from my hiding place, my quiet soft decay. Gather me up into your arms and lift me from my chill. Smother me in your hands and then release me.

But first stop. Pause.

Bring me to your face, your nose and mouth and breath me in. Long cool limitless breaths which remember me with calm, with the intricate scents of my form, with my rich bracken twisted broken core.

And inhale me deep, fill your gaps and crevices with my wisdom, my stench of a year gone by.

And then look up. Turn your face into the softened dusk, up to where the night moves in.

And then hurl.

Scatter me to the soil, to the dark places under the shrubs where the robin picks and pecks. And leave me warm, leave me replete with the hours, with the moments which slip away.

Like your hands as you release me.

And I sigh and rest my form, feel my edges crumble where your fingers traced. Feel the gladness of the earth and I will rostle and rustle into place and wait for the cold to take me home. Into my welcoming loam, mulched down soothings till the spring returns.

And it will.

And your fingers will find me once more as I dare to go around again, as I summon my courage and strength to raise my form up from the soil.

And you’ll be waiting.

Standing stoic, through the cutting winter until the light comes, until the hope will lead me back into your hands.

At Walton Lane, Turn Right

It tried so hard to snow today and almost made it. And she wondered if it had snowed hard on her hill. She felt so far away from it somehow and yet it was a part of her and would remain.

If she squeezed the pebble tight she could feel it and she was there after a pub lunch somewhere, wrapped up against the end of year, against the winds. She was there huddled, leaning to the side and at her side, her mother-in-law grinned into the camera lens.

They were solid on uneven ground before the ground beneath her became more uneven and she wore red and her small and powdered mother-in-law wore brown.

The pebble that she clutches now nestled deep deep down in her pocket amongst the fluff and receipts and deep deep down inside of her, her secret hid away, under the flatness of her tummy, under the red fleece of her coat and they stood still.

The wind whipped, harsh, cut into the side of her face. The hill was the hill above the town and her hair stood up in waves and ripples, blustered across her head as she beamed out.

He stood opposite them, stood by the car in the cold and the camera clicked and they were frozen, frozen cold, frozen into time, into the hill. With her hand to her ear to keep out the cold and her other hand, pocket deep with pebble.

And this was the pebble she chose out of the whole hill, this was the one she called her own. And she clutches it now to be back there, there on the hill in her very own winter, with her husband and his mother and the pebble and her secret tucked far away inside.