Fieldwork

She found the small black marbles again, not that she’d lost them of course. They lived, making occasional ripples, in a secret jar she kept away from most people.

It was time to open the jar. She placed them on the floor in front of her but couldn’t decide what material would constitute the floor. Was it concrete, was it slate? Most likely stone and she sat there for an indeterminate amount of time rolling the marbles around her palm.

Despite their smallness they were heavy, dense, maybe made of osmium, some were tungsten, some were onyx but most hurt her hand with their insistent mass.

She studied them, placed them on the glass sheet in front of her and leaned over. If she was quiet and still she could almost make out her reflection, some distortion, something hinted at, a ripple in time then dispersed. 

The marbles were moved by her hands, arranged in rows though she knew they wouldn’t stay. 

Sometimes they clattered into each other and ricocheted off at sharp angles feeling the force of the ones with which they’d collided.

She tried again. Lining them up in order of size, then in mass. And if they stayed in a pattern she’d be fine. She noted there was no weather, no movement of air, just the tiny black spheres feeling no friction, moving of their own accord on the dark glass in front of her.

She wondered if they had any sense of their movement and if they did, would they care? She tried to imagine how they might feel, rotating on their planes and never understanding the formula of their volume. Why would they roll with no awareness of their form, how could they just be marbles, insentient, presenting themselves to her over and over and over again.

And again.

Discrete excitations, forming patterns in her field. Around and around, crashing and clashing, firing into each other as if to say, 

‘Look at us, watch us,’ and although she didn’t want to order them on the glass and although she knew they’d refuse her actions, that they’d make their own way, she did try. 

She tried to understand them, to control them. 

She wanted to make sense of them all if she could.

Like she did, like she does, like she will try again. 

Black marbles in her hands, heavy, chaotic, despite her attempts. Around and around again. She kneeled before them, helpless, committed to their action, trying.

On repeat, kneeling down in her layers of grey skirts, soft, bundled up against the hard coldness of the stone. Her skirts, in contrast to tiny dense black marbles every time. Vibrations in a field, patterns connected through space and time. 

And she played with marbles again; it was some kind of mid February fluctuation.

This Woman’s Work

She listened to his breath and watched his hands, they were resting in folded arms across his face and she thought of them fresh from birth, grabbing onto her thumb, wrapping themselves around her finger. And then hot and small as they fumbled with bright bricks on the floor. 

There were hours when she held them on the walks to school, past their familiar way points, the big brick wall and the Spelling Hill, the Opening Trees and then the gates and they held pens. The hands she looked at now, that gripped the pencils, that formed the words, that scribbled and drew mazes then shaped sentences across their days, were the hands in the final playground when they swung from monkey bars, one determined grasp after another, pulling himself along before they left, before the photos at the gate and they left. 

She remembered his hand as it clutched hers, as they sat heads down on the pews, in darkness when the light was sucked out of their world. And how she held tight, how she clung firm to him and him to her as they stumbled forward in an unstable new world and then they looked up. 

To his hands, bigger, lifting heavy bags of books and different walks without her and he grew. He grew in ways and wisdom, in taking on his world and subjects came and subjects went, fingers folded around revision pens, shoving through hair as he leant over exam papers and he thought. His mind whirring and whirling, making links, his fingers fiddling as he waited for results.

And now autumn wakes them up again, to rain washed lanes and leaves. And now the road rushes underneath him as his new day comes into view.  Hands in pockets and a bag full of tricks, the compasses he holds now, he guides now, the calculations that he makes and his hands are strong and firm as they press buttons and follow the sines. Manipulating co-sines and tan in ways she cannot understand and she watches him go striding, preparing with a fistful of ideas, with complex numbers at his fingertips and behind him go the toddlers and the children he used to be, skipping, running in his steps and the hands she used to hold, wave to her and she counts every moment as he plots out his next phase.

How the hours have wrapped around us, she thinks, her baby, their boy and  their joy. And as the sun warms pavements and rain drops lift themselves up from the ground, the man he is becoming makes his way back home.