The sound of Tom Cruise in my living room when I called down from the top of the stairs. He flew planes while I held my tummy. (13)
Helen, the military nurse, compared notes with me on back injuries. I watched ceilings unable to move. 36 hours awake and the third ceiling came into view. (14)
The nurse with short hair or maybe a pony tail brought the rubber mask. While she explored, my laugh fractured around the room, spiralling over my head.
How funny that today I spoke with someone about roller skating as a child, fearless freedom of movement unlike this moment when I couldn’t even walk. (15)
The clock up on the left, the little window to the right, the beige walls. The toilet door at the end of the bed about 5 miles away. And the toilet itself, so low down, too low down, as though it existed on a plane outside my reality, designed for some other species who could bend, who could bear weight, who could stand unsupported. I leaned up the wall near the bathroom window. The frosted glass obscured everything, just like the pain. (16)
I often wonder about Delize, her head round the door at 2am, her arm around my body, her hand holding mine.
Today’s slab of cloud fits the heaviness of then. Spaced out, waiting, needing. One day I’ll sleep again. Surgeons don’t work on Sundays, they told me. (17)
{Poured tea over myself at 9pm. Diazapam took me out, eased me into tomorrow.}
Five hours of drugged up sleep and feeling heroic, they wheeled me into a brand new room. It seemed bigger than it was. Johnny V messed about, washed his hands by the sink. New faces, new machines, a different clock to stare at.
It would be a long day, they advised me. They didn’t lie.
The woman with no face got me onto my side and after the ice cube test I faded back into the room and watched the patterns of pain, without the feelings.
Hours bled around nameless hands till teatime.
A radio to my right.
6pm became 8pm, 8pm became 8:20. At 8:30 with the theatre calling, the kind one apologised to me to the sound of my tears.
A grey ceiling rolled in, or was it white, green fabric everywhere, steel and tinkering. Curtained off from myself while they burrowed, until they showed me, until they lifted him up and out in pink and red perfection. Lilies bloomed where my abdomen used to be.
The gash of joy, the bloodied relief of our out-breath. The scent of him, the taste of his skin. (18)
If you study the shellac on your nails and lose yourself in its luminous magical lights, in the rainbow shot silver sparkle, it will take you back.
Take you back to just before, in the hours, in the safety, in the warmth before the sense of separation came.
And there in the shimmerings is your father, walking home in the dark, your mother in the care of the midwives and the waiting. And he slept but she didn’t and later, hours later when the phone rang in the early light, the timeless spaces on your nails flash you to his side, to him sat on the edge of the bed with your grandparents who’d come to help.
And his words spilled out in the chill January morning, we’ve got a little girl and they cried.
They hugged and they cried and your father fought his legs into his trousers and blurred across pavements to your mother’s side. She slept and you slept although you didn’t know it.
And the sparkles on your fingertips now are the snowflaked halos around the street lamps then and the warmth of the first cup of tea when your mother woke up. And your father said she was a king to how she was before, rested yet weak, strong in the release of primal blood.
And the lights shine off your nails like sparks of magic bringing hope, like your eyes opening in the dark, your tiny newborn body still curled and warm, womb shaped.
Your father looked at the rows of incubators, directed towards yours. They all look the same, his tired voice drifting up, his breath on glass in the dim light. But yours was the face he came to know, yours was the life that filled up theirs.
Decades ago, and the shellac on your nails now seems to dance and sing, liberated, joyful like their arms, arms that held you tight, fluttering and glistening, arms that set you free.
The brightness of your snowflakes, the moonlight in your eyes. And if you look into the shellac of your nails now you see and feel the wintering, the gratitude of the place and time where you came in.
I suppose it was me and the clock, me and the concerned faces, me breathing and counting and getting nowhere. I suppose I don’t like being told that I can’t do something, so I try even harder for a while. A sense that to give up would be to fail.
Now I can feel it’s me talking from exhaustion (much like this morning, in this world now.) A sense of the pressure I put on myself, but then as now, sooner or later, I gave in, gave myself up to it all.
I remember the nurse or maybe he was a consultant? (It wasn’t Johnny V, we never saw him again, with his slicked back black hair and pristine striped shirt) but someone apologised to me and my determination broke free from my eyes, rolled in spheres down my hot flushed cheeks.
I guess the rest of the evening was spent in the theatre, but no aisle seat for me that time. I was centre stage, I was the whole ensemble, I was the diva under their lights and clamps and curtains. My abdomen sang wide, glorious and while they hurried, tinkered and sewed the gash, I loved him in my bloodied arms.
This familiarity in sitting, waiting, a sense that I can’t give up. And if it were a Saturday I’d have cried at the woman between my legs, at her optimism for the day but not later. Later, no change and I sank back into the endless bed. Her trundled trolley of glinting things tidied away hope and wheeled it out the door.
Only the armchair held me, knew me, when I called out for help. I do wonder how her life worked out, the woman with the strange name who took my weight over the toilet. I still think about her, even now and the meds they locked away from me till morning.
Morning started in the thin pink ethnic t-shirt that took me under the tree I’ll pass by later. I’m sure the bole of it remembers me, it showed me how to bend into the nature. I said I’d do whatever it takes and I did.
Now I come to think of it, it was the pale green embroidered t-shirt, did I change in the morning, now I’m not sure? Either way trees came and went. They wheeled me inside.
Later. Round about now a new ceiling watched me sleep despite the spasms.
I’m called to stand on my doorstep, I’m almost outside.
I need to feel the cold air bite my skin, the wind whip my hair, the rain brush the pavements as I feel my way to you.
There’s something about the blackout of early evening, something pulling at me to leave the house, escape the four walls that surround me.
And the rain shines the pavements as I puddle jump, rushing, a sense of hurrying to find you.
I’m wrapped up in red fleece, blown to kingdom come but I still know where I’m going.
The tall trees beyond my house twist and yearn like they know, like they truly understand despite the storm. I stand in the cold, hugging my earl grey. I crave this weather.
And if I’m still and listen, if I stop and feel then it’s almost as though there’s nothing inbetween us, no distance, no space and no time.
I shove my hands deep in my pockets, things rustle, like gifts, like precious moments to come. I hold tight to their promise.
Street lights, shop lights break the black, dazzle in the darkness, reflect up at me as I splash towards you. People blur, irrelevant.
And then later I’m there, shimmering, sparkling at your side.
And she breathed and unseen beaks opened as if to say, me too. They took in the fresh morning air and remembered what it is to fly. And on her wings she swooped over distant rooves where cars parked up and bins lined up and people did their thing.
She did her thing and she did it well and there she sat on the roof of the house, ruffling feathers and with knowing eyes, she peered inside his room.
And there she sat on the floor with her back to the bed and her lap was filled with books, with the words, with his bright blue biro scrawl and she reached in.
She traced her fingertips over pages and watched as he appeared. Out he came like a thought, floating up towards her, like the curve of a balloon in a hot summer sky and he circled and he led the way.
He led her to his shed at the bottom of the garden and pushed open wide the door. It creaked and eased onto a world she’d come to know. It was as though two small girls had found their way, had dared to creep over the threshold, like a childhood place, like a secret land that called them to come inside.
And inside they looked up in wonder and stared at The Machine.
‘What is it? What on Earth is it?’ they would ask as though they were characters in a well loved book.
Till the small girls faded and she was stood with him in the dust, in their particle-wave duality. And he would be in his element, in the quiet fug as he set the cogs in motion. Gears moved and wheels turned, firing bits of muck and fluff into the air. Beetles scuttled and woodlice trundled out of sight as the universe in the shed sparked life, shaking the detritus from the gloom.
And there they stood in the photons, as he burbled through his ideas and concepts and his thoughts danced around her like a flutter of butterflies, their fresh fragile wings entangling her hair.
They flew up from the contraption and out through spacetime, released into the universe, like a tensor, like a field equation of their life to come.
And she observed it all, sat high upon the shed roof, ruffling her feathers and watching herself take form.
There was a shed and The Machine, there was a bookcase and a girl. And everything rippled and reverberated out. Irrepressible, on that day, in the embryo of their world.
And she breathed out as unseen birds sang and beaks opened loud and glorious, as if to say all’s well.
Janey L Foster 