Tag Archives: connections

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Mrs. Kelly – Room 253

Her thoughts moved to hands. She saw them cutting stems and tying, and tying turned into fingertips around the silk of cravats and fiddling with tie pins and buttons.

But she couldn’t stay there long, lying, looking at her nails, gloss mirroring the sky. She observed her nails, now ruby, resonating with the velvet from her day.

And more hands came, tousled up and pinned her hair while at her feet, fingers fiddled with long laces and ivory silk caught the morning sun.

Hands on a steering wheel, taking the corner she knows well, while another hand took hers and later helped her from the car. Taffeta cascaded, pooling over the old stone path, flooding around the smallness of her feet. 

Footsteps clicked in unison till the hands eased hers to others, to the ones waiting in the hush with dust particles held in light.  

And later her hands gripped the bouquet and thrust it up into the sky, small hands, fingers glinting like they always would and she held it up, triumphant, high.

Hands tweaking dials on a box of light, freezing moments by the trees, marking time and pressing pause. 

{Time Passes.}

And her thoughts stayed with hands, moving hands that held hers for a while, through the years and hours and today, hands around the clock.

Hands ticking time in trigonometric waves around a circle. And the once-upon-a-time hands, new hands now that ease the way.

Her nails shimmering, then and now, her fingers still small like they were. She made a fist, tiny, strong and punched the air. Her hands knew just what to do. 

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Six-Cornered-Starlet

It’s early, from my window I can tell it snowed over night. I have no curtains up now, nothing to block out the sun when it comes. 

Outside there are fresh ice crystals, six cornered stars and a thick layer that coats the streets, that demands to be looked at but not right now.

Underneath it, is the névé from a four year storm. Some of it has melted and reformed but it lies there, foundational, quiet and underpinning this new whiteout.

Deeper still, the firn, compacted, dense and undeniable.  I know it’s there of course, the core of my landscape. I have learned to walk on it by now, my boots are rugged, my legs are strong and when I fall, which I do, I grasp onto trees trunks and heave myself back up. I bleed and bruise but blood dries up and bruises fade.

Through the easy aperture, the room floods with light but I try not to rise from my bed, though I will. I don’t want to look out of my window, I want to pull the duvet over my head and push myself down into the mattress and hide away.

I won’t look from my window, not yet. The brightness floods in regardless, memories of carrots and coal, laughter, spiralled breath on the air.  Transient and magical, like something to cherish, to hold. Then just cold. It disperses back to the atmosphere, to be inhaled, to go around again.

Under the fresh snow the névé blurs over firn. The firn, almost glacial ice now. Years bleed into each-other, crystals creating new shapes and forms. If I pause, stop. I can feel the ice emerge, hear the minutes growing into time.

Time, when this firn was fresh snow, when my bewildered eyes couldn’t look at it. When tears turned to icicles and stalactites on my face.

Now it’s solid firn, deep underneath. Sometimes I go out, sometimes I can even skate, I cut patterns with my blades, decorate the landscape, spin and swirl. I dance.

But not today.

Today the fresh snow lies heavy over it all. Every flake, every crystal demanding to be known. 

I nestle down under the duvet for now. It’s treacherous out there. Drifts upon drifts, ice upon ice. Dangerous. But it is mine. 

In time I’ll build snowmen again. 

xxx

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Lemon & Honey Song

In my warm mug of hot lemon and honey, the specks of cinnamon and cayenne pepper float about, they collide with the chunk of ginger and bounce off to the sides. I watch them try to make sense of the swirling forces, giving themselves up to the motion and the heat. 

I think about the woman I brushed past at the hospital, the hug I couldn’t give her despite her need and my mind spins to the other woman who budged up so I could sit down, who changed seats to make room for me at the funeral directors and she held on tightly to her mug, the tea they’d made for her, the heat pushing through the ceramic, trying to reach her fingertips, trying to tell her she’ll be ok.

I hold my mug now, I can feel the pressure where its smoothness meets mine. I watch myself watching it, feeling it. 

We lock eyes, the woman on the end of their sofa, and both take a deep breath together. I pass her a weak smile and say ‘out breath’ out loud and we nod, we understand. I’ll never see her again.

I wonder if she’s thinking of me this morning. Or if the woman in the hospital remembers rushing past me, remembers the paleness of my face and how my eyes caught hers for a split second.

I wonder what these women are doing now and if they’re sitting quiet in the still sparkle of the lounge, if they’re holding their mug close to them, watching the moments spin.

I’d better shower, better seep into the day, note the sensations as they move through me and feel the connections I can’t see.

The heat disperses into the morning, the kick of ginger wakes me. 

I am here.

This is now.

I drink up and go round again.

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Slow

The water seems kinder today or maybe I’m just more aware of it that’s all. I wash my arms with consciousness as though cleansing myself from within. It helps.

I wonder about the woman in the black dress . It looked black though its print was of tiny bright flowers, red maybe orange. She passed me on day one, eyes pooling, brimming, hand to nose and mouth as she rushed out. I couldn’t hug her but the feeling pulsed up through me. It would have startled her anyway if I’d reached out, she had enough to deal with. She spilled over as I just about kept it in.

That was last week.

I wonder about her this morning. Is she having a shower, does she have time for a bath, is she thinking in the water like I am? Is she held in its amniotic fluid, giving her strength for another day.

Maybe she has a quick wash, doesn’t bother with make-up, or maybe she needs it as a shield against the world. 

Does she feel the tightness in her chest, her tummy flip as she sanitises her hands and pushes through the heavy doors? Has she forgotten she’s even got a body, is she churning in her head, like me. 

The water is kinder today, present, healing, it tells me to slow down as it drips off my skin. Little spheres of surface tension, swirling rainbows dance inside. I send them out to the woman in the black dress, I hope she’s still  holding up, like me.

I must try to remember I have a body.

I breathe out.

It’s day eleven, (maybe twelve.)

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Changes

Now there’s a tree watching over the bed, birds scrabbling for food, people darting in and out the Costas just off to the right and if they looked up from their latte they’d see me in the window looking out.

I didn’t like yesterday’s room though, felt too far tucked away, almost a sense of punishment, of neglect.  Broken thinking on my part, of course. Tiredness doesn’t help.

Of course the care was on point and Senior Sister Gemma enfolded me with her reassuring London tones, her voice and her words and her ways. She called me darlin’ and we joked about the room upgrade. She should have been pulling pints but she was pushing beds instead and I was grateful .

And when the upgrade came, when trees were administered, when the relief of natural light came into view, I relaxed (a little.)

A ward with a window over green and the bole of the tree stands guard, steady, constant, dependable bark that’s been there a hundred years watching people change.

I feel like I’ve been there a hundred years but it’s only day seven or is it eight?

Maybe that’s why the previous room took me down, floored me with an echo of late pregnancy, of no privacy, of people poking and me hanging on. Propped up, out of time with a job to do, concerned faces, waiting, willing. Praying. 

I think that’s it, the silent magnolia walls, the speckled ceiling, just a little too high for my liking and a view, (if you can call it that,) over the scrag end of the buildings. 

Still, that’s not now. 

I’d better get up, I’ve got a job to do. I hope Gemma’s on today. I like her long black pony tail. When she walks, it swings like a metronome on her back, keeping me steady with her rhythm.

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Limbo

Is it day six or seven, I’m not sure? Not that it matters. Time has rolled in on itself. There aren’t hours, there are interruptions, people doing things, bringing things, taking, giving, adding observations to their charts. There’s no natural light, everything’s in suspension.

I walk the corridor in my mind, through the big old doors, nod to the receptionist, past the childrens’ drawings of a lion. The lion smiles, you know, the way they do? Secure in their strength, protected by a massive mane of gold. I think he waves a paw at me, not sure. And up the slight incline almost like a ramp boarding a ship to somewhere else, a sense of entering a different world.

The artwork on either side demands attention but I rush past, abstractions blur, birds and flowers shrug at me. They don’t care, they’ll be there on the way out, suspended in gouache, captured moments that mean the world to someone. 

My feet keep walking, step after step, soles squeak on their lino, sometimes heels click, depending on which shoes I’m wearing. It doesn’t matter either way so long as I keep going. Past the towering stacks of SHEETS and BLANKETS covered in thin plastic. They’re organised in here. I’m back in the machine, cogs turn, people sometimes smile, sometimes avoid your eye. Everyone churning, focused. 

I walk the corridor in my mind. It’s 06:08.  I’ll walk it for real again soon. I’ll say hello to Leo as I go past, Maybe I’ll imagine that I’m a lion too. 

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Stranded

Seconds tick down at crossings, marking time and if you take the time to look after a stranger’s baby while their mother collects some food, then take a moment, the only moment that you have, to hold the infant in your eyes, to wish him love and health.

Take a breath amongst the hubbub and the clamouring to pray his life goes well, that circumstances hold him and that years from now he’s not spotted sitting in a doorway with a tin can of cash by his cold feet, irrelevant to passersby who jostle for position, who want the next Must Have. 

And while seconds tick down at crossings you try not to fall into the cracks between the paving stones, the concrete where your mother’s feet brushed years ago, her cashmere cardi fluttering in quieter streets. And if you fell would some hand reach down to pull you up, would someone come to save you? Would a stranger wipe smeared blood and debris from your cheeks? Would they hold you?

And your mother’s feet blur into your own. You don’t fall down while the seconds tick to nothing and as diesel fumes mingle with chips and grease, the baby waggles his feet in the pushchair, sucking on the saccharin of a sweet Fruit-Shoot. His mother returns and thanks you. His life is good. You pray it always will be.

Under the trees where you shield from rain, a raggle-taggle group set up their tables, you leave before their purpose becomes clear. Your chips are warm in the cold, a fleeting comfort while your mother echoes around you, her pearls glinting from a younger sun that tries to push through now, that tries to warm you. 

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Carry Me Back

Look it’s fine, I just need sleep that’s all. It’s hot and I must stop dancing but part of me doesn’t care. Part of me gave up years ago and now there seems to be a final peeling, a revealing of what lies underneath, like scraping back the layers of muck on an old canvas to find the artist’s original intention.

And here it is, the painting in me now, bare foot and tired, swirling in imaginary skirts, beaming into the eyes I cannot see, shaking the memory of long hair towards my kitchen splash-back.

And through the old tiles he grins back, watches me dance as though we were born to be in this place, through the years of separated moments until this one. These seconds in a decaying universe where we come together and I spin like my cells depend on it, and they do.

The music spirals around me, I mirror the beat with my incessant rhythm, capricious, unleashed and released in my kitchen, in the tiles where he smiles back. And he watches. And I dance.