Category Archives: relationships

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Maverick

The sound of Tom Cruise in my living room when I called down from the top of the stairs. He flew planes while I held my tummy. (13)

Helen, the military nurse, compared notes with me on back injuries. I watched ceilings unable to move. 36 hours awake and the third ceiling came into view. (14)

The nurse with short hair or maybe a pony tail brought the rubber mask. While she explored, my laugh fractured around the room, spiralling over my head. 

How funny that today I spoke with someone about roller skating as a child, fearless freedom of movement unlike this moment when I couldn’t even walk. (15)

The clock up on the left, the little window to the right, the beige walls. The toilet door at the end of the bed about 5 miles away. And the toilet itself, so low down, too low down, as though it existed on a plane outside my reality, designed for some other species who could bend, who could bear weight, who could stand unsupported. I leaned up the wall near the bathroom window. The frosted glass obscured everything, just like the pain. (16)

I often wonder about Delize, her head round the door at 2am, her arm around my body, her hand holding mine. 

Today’s slab of cloud fits the heaviness of then. Spaced out, waiting, needing. One day I’ll sleep again. Surgeons don’t work on Sundays, they told me. (17)

{Poured tea over myself at 9pm. Diazapam took me out, eased me into tomorrow.}

Five hours of drugged up sleep and feeling heroic,  they wheeled me into a brand new room. It seemed bigger than it was. Johnny V messed about, washed his hands by the sink. New faces, new machines, a different clock to stare at.

It would be a long day, they advised me. They didn’t lie.

The woman with no face got me onto my side  and after the ice cube test I faded back into the room and watched the patterns of pain, without the feelings. 

Hours bled around nameless hands till teatime.

A radio to my right.

6pm became 8pm, 8pm became 8:20. At 8:30 with the theatre calling, the kind one apologised to me to the sound of my tears.

A grey ceiling rolled in, or was it white, green fabric everywhere, steel and tinkering. Curtained off from myself while they burrowed, until they showed me, until they lifted him up and out in pink and red perfection.  Lilies bloomed where my abdomen used to be. 

The gash of joy, the bloodied relief of our out-breath. The scent of him, the taste of his skin. (18)

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Lake Water Lapping

It doesn’t matter that the sun has slipped behind my view for a while or that the amber hyacinth glass has lost its bright light. And then returns, irrepressible as though it never went away.

How could it, how could the life force that keeps me here, have disappeared? The taste of my fingernails, just for a second and the bole of my May tree is hidden by the cacophony of daffs, just look at them. They don’t care. They know how to do this, singing out wild and abandoned, accepting the wilt to come. I suppose I do the same.

I pack boxes, I run fingers over ornaments, I caress the dust and breathe it in, greet it, welcome in its stories.

Sometimes just for a second, it’s as though I understand. I feel the ecstasy and terror simultaneously, as though looking at the sun bringing gold to my amber glass, as though, in this moment I am everyone.

I want to hold them. All of them and tell each of them it will be ok. It will get better. I know it will and my daffs dance on the windowsill and my hyacinth reaches up to the light.

Everything is golden. like honey. And a hive for the honeybees.

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Lemon & Honey Song

In my warm mug of hot lemon and honey, the specks of cinnamon and cayenne pepper float about, they collide with the chunk of ginger and bounce off to the sides. I watch them try to make sense of the swirling forces, giving themselves up to the motion and the heat. 

I think about the woman I brushed past at the hospital, the hug I couldn’t give her despite her need and my mind spins to the other woman who budged up so I could sit down, who changed seats to make room for me at the funeral directors and she held on tightly to her mug, the tea they’d made for her, the heat pushing through the ceramic, trying to reach her fingertips, trying to tell her she’ll be ok.

I hold my mug now, I can feel the pressure where its smoothness meets mine. I watch myself watching it, feeling it. 

We lock eyes, the woman on the end of their sofa, and both take a deep breath together. I pass her a weak smile and say ‘out breath’ out loud and we nod, we understand. I’ll never see her again.

I wonder if she’s thinking of me this morning. Or if the woman in the hospital remembers rushing past me, remembers the paleness of my face and how my eyes caught hers for a split second.

I wonder what these women are doing now and if they’re sitting quiet in the still sparkle of the lounge, if they’re holding their mug close to them, watching the moments spin.

I’d better shower, better seep into the day, note the sensations as they move through me and feel the connections I can’t see.

The heat disperses into the morning, the kick of ginger wakes me. 

I am here.

This is now.

I drink up and go round again.

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Time Dilation #3

This familiarity in sitting, waiting, a sense that I can’t give up. And if it were a Saturday I’d have cried at the woman between my legs, at her optimism for the day but not later. Later, no change and I sank back into the endless bed. Her trundled trolley of glinting things tidied away hope and wheeled it out the door.

Only the armchair held me, knew me, when I called out for help. I do wonder how her life worked out, the woman with the strange name who took my weight over the toilet. I still think about her, even now and the meds they locked away from me till morning.

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Power Pack

You know when you can hear your mother inside you saying that you have to rest? But you know and she knows that you can’t, not now. Well, not just yet.

And your mother’s face is around you with that look, that understanding that you can’t stop. And she swallows hard, keeps it all in, and like her, you do just the same.

And she sits alongside you in the silent dawning kitchen, she makes the tea for you while you let yourself feel feelings for a while.

She wears that old green dressing gown that kept her warm and she shuffles with her life-lived feet. She knows. And under her dressing gown, her body that made you, is reminding you that you can do this, that you have the strength.

You lean into the worktop, the oak takes your weight. It’s quiet in here, apart from your sniffing and the soft sounds of your mother busying herself around you. 

She walks alongside you keeping you up.

She passes the tea cup to you. She knows everything you feel.

You drink up, wipe your eyes.

Do it all again, she whispers.

You can stop soon. just not today. Your mother on the inside, charging you up. again.

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Slow

The water seems kinder today or maybe I’m just more aware of it that’s all. I wash my arms with consciousness as though cleansing myself from within. It helps.

I wonder about the woman in the black dress . It looked black though its print was of tiny bright flowers, red maybe orange. She passed me on day one, eyes pooling, brimming, hand to nose and mouth as she rushed out. I couldn’t hug her but the feeling pulsed up through me. It would have startled her anyway if I’d reached out, she had enough to deal with. She spilled over as I just about kept it in.

That was last week.

I wonder about her this morning. Is she having a shower, does she have time for a bath, is she thinking in the water like I am? Is she held in its amniotic fluid, giving her strength for another day.

Maybe she has a quick wash, doesn’t bother with make-up, or maybe she needs it as a shield against the world. 

Does she feel the tightness in her chest, her tummy flip as she sanitises her hands and pushes through the heavy doors? Has she forgotten she’s even got a body, is she churning in her head, like me. 

The water is kinder today, present, healing, it tells me to slow down as it drips off my skin. Little spheres of surface tension, swirling rainbows dance inside. I send them out to the woman in the black dress, I hope she’s still  holding up, like me.

I must try to remember I have a body.

I breathe out.

It’s day eleven, (maybe twelve.)

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Can I Help?

You know how this goes.

Flashing cursor. And there it is again as you pause. Just pause.

And people complain about technology, how it isolates you from the real world. Well, yes. Yes, You’d rather be sat in a coffee shop spilling out all over the place, emptying your thoughts and feelings to someone else and imagine if they took your hand, took your hand like the nurse did on the first night. Just imagine that. That real world physical contact. Imagine if they held you as you let out how it feels. 

Still, you’ve got here.

Here, tapping in the quiet morning, knowing that someone will read this, that you can send this out into the world. That somebody, somewhere will hear you, somehow. That they will hold you in this binary coffee shop in the palm of your hand.

You get an imaginary green tea (double cupped) and carry on.

It’s ok. 

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Changes

Now there’s a tree watching over the bed, birds scrabbling for food, people darting in and out the Costas just off to the right and if they looked up from their latte they’d see me in the window looking out.

I didn’t like yesterday’s room though, felt too far tucked away, almost a sense of punishment, of neglect.  Broken thinking on my part, of course. Tiredness doesn’t help.

Of course the care was on point and Senior Sister Gemma enfolded me with her reassuring London tones, her voice and her words and her ways. She called me darlin’ and we joked about the room upgrade. She should have been pulling pints but she was pushing beds instead and I was grateful .

And when the upgrade came, when trees were administered, when the relief of natural light came into view, I relaxed (a little.)

A ward with a window over green and the bole of the tree stands guard, steady, constant, dependable bark that’s been there a hundred years watching people change.

I feel like I’ve been there a hundred years but it’s only day seven or is it eight?

Maybe that’s why the previous room took me down, floored me with an echo of late pregnancy, of no privacy, of people poking and me hanging on. Propped up, out of time with a job to do, concerned faces, waiting, willing. Praying. 

I think that’s it, the silent magnolia walls, the speckled ceiling, just a little too high for my liking and a view, (if you can call it that,) over the scrag end of the buildings. 

Still, that’s not now. 

I’d better get up, I’ve got a job to do. I hope Gemma’s on today. I like her long black pony tail. When she walks, it swings like a metronome on her back, keeping me steady with her rhythm.

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Limbo

Is it day six or seven, I’m not sure? Not that it matters. Time has rolled in on itself. There aren’t hours, there are interruptions, people doing things, bringing things, taking, giving, adding observations to their charts. There’s no natural light, everything’s in suspension.

I walk the corridor in my mind, through the big old doors, nod to the receptionist, past the childrens’ drawings of a lion. The lion smiles, you know, the way they do? Secure in their strength, protected by a massive mane of gold. I think he waves a paw at me, not sure. And up the slight incline almost like a ramp boarding a ship to somewhere else, a sense of entering a different world.

The artwork on either side demands attention but I rush past, abstractions blur, birds and flowers shrug at me. They don’t care, they’ll be there on the way out, suspended in gouache, captured moments that mean the world to someone. 

My feet keep walking, step after step, soles squeak on their lino, sometimes heels click, depending on which shoes I’m wearing. It doesn’t matter either way so long as I keep going. Past the towering stacks of SHEETS and BLANKETS covered in thin plastic. They’re organised in here. I’m back in the machine, cogs turn, people sometimes smile, sometimes avoid your eye. Everyone churning, focused. 

I walk the corridor in my mind. It’s 06:08.  I’ll walk it for real again soon. I’ll say hello to Leo as I go past, Maybe I’ll imagine that I’m a lion too. 

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The Lady from Upstairs

Do you know how much I hate the relative’s room? I know hate is a strong word, maybe I resent it, is that better? Of course, I’m so grateful for it too, its functional furniture, its token flowers on the windowsill as if to say don’t worry, things will bloom again.

Do you know how much I feel for The Lady from Upstairs? She visits us twice a day, in her clouds of dementia, has a little walk with the nurse who tells her she can’t go any further. That’s the men’s ward, she repeats but The Lady from Upstairs doesn’t care, she protests, she says hello regardless and we wave back until she turns around to go again. She’s on repeat – as am I.

It makes me sad, it makes me grateful, it rams home our essential life affirming interconnectedness and all I want to do is bundle her up in my arms and hug her until all the things she struggles with will seep away, until she’s a young lithe girl again, giddy, in fresh love and her mind is as crystal clear as her young eyes. 

I turn away, I look towards the bed I sit by. I want to do the same for all the patients. I want to make us all ok, but I can’t. 

And on the way in for the nth time this week, up the endless polished corridors, I passed the brand new parents, the father clutching a warm thing to his chest, he murmurs ‘it’s ok young one,’ as as I go past, although I know he’s not talking to me. And as I reach the place where I turn off, where I brace yet again, an elderly man pushes his wife in a wheelchair, and I feel the invisible threads between us all. The elderly woman and baby swap places, meld into each other and I can’t tell where either begin or end.

This morning I took time out in the relative’s room, I looked out past the sprig of freesias to the claustrophobic slabs of brick. I know this place. I’ve got form.

I throw my damp tissues into the bin and head back to the ward. The Lady from Upstairs will be back to see us soon. I hope she feels happy in her world, somehow, in some way.

Why is everything so blue in here? I guess it’s designed to bring calm but it doesn’t really work. I don’t like blue concertina curtains. They unnerve me.