Maverick

The sound of Tom Cruise in my living room when I called down from the top of the stairs. He flew planes while I held my tummy. (13)

Helen, the military nurse, compared notes with me on back injuries. I watched ceilings unable to move. 36 hours awake and the third ceiling came into view. (14)

The nurse with short hair or maybe a pony tail brought the rubber mask. While she explored, my laugh fractured around the room, spiralling over my head. 

How funny that today I spoke with someone about roller skating as a child, fearless freedom of movement unlike this moment when I couldn’t even walk. (15)

The clock up on the left, the little window to the right, the beige walls. The toilet door at the end of the bed about 5 miles away. And the toilet itself, so low down, too low down, as though it existed on a plane outside my reality, designed for some other species who could bend, who could bear weight, who could stand unsupported. I leaned up the wall near the bathroom window. The frosted glass obscured everything, just like the pain. (16)

I often wonder about Delize, her head round the door at 2am, her arm around my body, her hand holding mine. 

Today’s slab of cloud fits the heaviness of then. Spaced out, waiting, needing. One day I’ll sleep again. Surgeons don’t work on Sundays, they told me. (17)

{Poured tea over myself at 9pm. Diazapam took me out, eased me into tomorrow.}

Five hours of drugged up sleep and feeling heroic,  they wheeled me into a brand new room. It seemed bigger than it was. Johnny V messed about, washed his hands by the sink. New faces, new machines, a different clock to stare at.

It would be a long day, they advised me. They didn’t lie.

The woman with no face got me onto my side  and after the ice cube test I faded back into the room and watched the patterns of pain, without the feelings. 

Hours bled around nameless hands till teatime.

A radio to my right.

6pm became 8pm, 8pm became 8:20. At 8:30 with the theatre calling, the kind one apologised to me to the sound of my tears.

A grey ceiling rolled in, or was it white, green fabric everywhere, steel and tinkering. Curtained off from myself while they burrowed, until they showed me, until they lifted him up and out in pink and red perfection.  Lilies bloomed where my abdomen used to be. 

The gash of joy, the bloodied relief of our out-breath. The scent of him, the taste of his skin. (18)

Womb Shaped

If you study the shellac on your nails and lose yourself in its luminous magical lights, in the rainbow shot silver sparkle, it will take you back. 

Take you back to just before, in the hours, in the safety, in the warmth before the sense of separation came.

And there in the shimmerings is your father, walking home in the dark, your mother in the care of the midwives and the waiting. And he slept but she didn’t and later, hours later when the phone rang in the early light, the timeless spaces on your nails flash you to his side, to him sat on the edge of the bed with your grandparents who’d come to help. 

And his words spilled out in the chill January morning, we’ve got a little girl and they cried.

They hugged and they cried and your father fought his legs into his trousers and blurred across pavements to your mother’s side. She slept and you slept although you didn’t know it.

And the sparkles on your fingertips now are the snowflaked halos around the street lamps then and the warmth of the first cup of tea when your mother woke up. And your father said she was a king to how she was before, rested yet weak, strong in the release of primal blood. 

And the lights shine off your nails like sparks of magic bringing hope, like your eyes opening in the dark, your tiny newborn body still curled and warm, womb shaped.

Your father looked at the rows of incubators, directed towards yours. They all look the same, his tired voice drifting up, his breath on glass in the dim light. But yours was the face he came to know, yours was the life that filled up theirs.

Decades ago, and the shellac on your nails now seems to dance and sing, liberated, joyful like their arms, arms that held you tight, fluttering and glistening, arms that set you free. 

The brightness of your snowflakes, the moonlight in your eyes. And if you look into the shellac of your nails now you see and feel the wintering, the gratitude of the place and time where you came in.

Time Dilation #5

I suppose it was me and the clock, me and the concerned faces, me breathing and counting and getting nowhere. I suppose I don’t like being told that I can’t do something, so I try even harder for a while. A sense that to give up would be to fail.

Now I can feel it’s me talking from exhaustion (much like this morning, in this world now.) A sense of the pressure I put on myself, but then as now, sooner or later, I gave in, gave myself up to it all. 

I remember the nurse or maybe he was a consultant? (It wasn’t Johnny V, we never saw him again, with his slicked back black hair and pristine striped shirt) but someone apologised to me and my determination broke free from my eyes, rolled in spheres down my hot flushed cheeks. 

I guess the rest of the evening was spent in the theatre, but no aisle seat for me that time. I was centre stage, I was the whole ensemble, I was the diva under their lights and clamps and curtains. My abdomen sang wide, glorious and while they hurried, tinkered and sewed the gash, I loved him in my bloodied arms. 

Home.

Time Dilation #4

I seem stuck, a little laden down, a little numb. And while today’s radiator warms my back to the sound of clocks and snoring, my younger hands lose their grip and tea comes tumbling, scalding, soaking into their hospital robe and I crumple.

Soon, cursor flashing, clock ticking. Tomorrow, younger, stronger.

Still stuck.

Worried the words will find me in a heap on their sterile floor but I keep going, like then, like now. Keep going and I slept half on diazepam, half on exhaustion like a dribbling drunk in their faux leather chair.

With prayer around me. 

Time Dilation #3

This familiarity in sitting, waiting, a sense that I can’t give up. And if it were a Saturday I’d have cried at the woman between my legs, at her optimism for the day but not later. Later, no change and I sank back into the endless bed. Her trundled trolley of glinting things tidied away hope and wheeled it out the door.

Only the armchair held me, knew me, when I called out for help. I do wonder how her life worked out, the woman with the strange name who took my weight over the toilet. I still think about her, even now and the meds they locked away from me till morning.

Time Dilation #2

Wait for it to focus, wait and then there she is, the woman between my legs. I see her face, her reassuring smile.

My voice fractures into a thousand shards, little spinning me, little jagged me. Here a glimpse, there a glimpse, fingers inching closer.

I keep an eye on the table to the right, watch the line where the wall meets the ceiling. I don’t trust them, don’t trust lines but then again, I don’t care. Not now.

My laughter shatters the room. I trust her. 

I fade in and out.

Time Dilation #1

Morning started in the thin pink ethnic t-shirt that took me under the tree I’ll pass by later. I’m sure the bole of it remembers me, it showed me how to bend into the nature. I said I’d do whatever it takes and I did.

Now I come to think of it, it was the pale green embroidered t-shirt, did I change in the morning, now I’m not sure? Either way trees came and went. They wheeled me inside.

Later. Round about now a new ceiling watched me sleep despite the spasms.

Pillows subsumed me.

Power Pack

You know when you can hear your mother inside you saying that you have to rest? But you know and she knows that you can’t, not now. Well, not just yet.

And your mother’s face is around you with that look, that understanding that you can’t stop. And she swallows hard, keeps it all in, and like her, you do just the same.

And she sits alongside you in the silent dawning kitchen, she makes the tea for you while you let yourself feel feelings for a while.

She wears that old green dressing gown that kept her warm and she shuffles with her life-lived feet. She knows. And under her dressing gown, her body that made you, is reminding you that you can do this, that you have the strength.

You lean into the worktop, the oak takes your weight. It’s quiet in here, apart from your sniffing and the soft sounds of your mother busying herself around you. 

She walks alongside you keeping you up.

She passes the tea cup to you. She knows everything you feel.

You drink up, wipe your eyes.

Do it all again, she whispers.

You can stop soon. just not today. Your mother on the inside, charging you up. again.

Slow

The water seems kinder today or maybe I’m just more aware of it that’s all. I wash my arms with consciousness as though cleansing myself from within. It helps.

I wonder about the woman in the black dress . It looked black though its print was of tiny bright flowers, red maybe orange. She passed me on day one, eyes pooling, brimming, hand to nose and mouth as she rushed out. I couldn’t hug her but the feeling pulsed up through me. It would have startled her anyway if I’d reached out, she had enough to deal with. She spilled over as I just about kept it in.

That was last week.

I wonder about her this morning. Is she having a shower, does she have time for a bath, is she thinking in the water like I am? Is she held in its amniotic fluid, giving her strength for another day.

Maybe she has a quick wash, doesn’t bother with make-up, or maybe she needs it as a shield against the world. 

Does she feel the tightness in her chest, her tummy flip as she sanitises her hands and pushes through the heavy doors? Has she forgotten she’s even got a body, is she churning in her head, like me. 

The water is kinder today, present, healing, it tells me to slow down as it drips off my skin. Little spheres of surface tension, swirling rainbows dance inside. I send them out to the woman in the black dress, I hope she’s still  holding up, like me.

I must try to remember I have a body.

I breathe out.

It’s day eleven, (maybe twelve.)

Can I Help?

You know how this goes.

Flashing cursor. And there it is again as you pause. Just pause.

And people complain about technology, how it isolates you from the real world. Well, yes. Yes, You’d rather be sat in a coffee shop spilling out all over the place, emptying your thoughts and feelings to someone else and imagine if they took your hand, took your hand like the nurse did on the first night. Just imagine that. That real world physical contact. Imagine if they held you as you let out how it feels. 

Still, you’ve got here.

Here, tapping in the quiet morning, knowing that someone will read this, that you can send this out into the world. That somebody, somewhere will hear you, somehow. That they will hold you in this binary coffee shop in the palm of your hand.

You get an imaginary green tea (double cupped) and carry on.

It’s ok.