Fieldwork

She found the small black marbles again, not that she’d lost them of course. They lived, making occasional ripples, in a secret jar she kept away from most people.

It was time to open the jar. She placed them on the floor in front of her but couldn’t decide what material would constitute the floor. Was it concrete, was it slate? Most likely stone and she sat there for an indeterminate amount of time rolling the marbles around her palm.

Despite their smallness they were heavy, dense, maybe made of osmium, some were tungsten, some were onyx but most hurt her hand with their insistent mass.

She studied them, placed them on the glass sheet in front of her and leaned over. If she was quiet and still she could almost make out her reflection, some distortion, something hinted at, a ripple in time then dispersed. 

The marbles were moved by her hands, arranged in rows though she knew they wouldn’t stay. 

Sometimes they clattered into each other and ricocheted off at sharp angles feeling the force of the ones with which they’d collided.

She tried again. Lining them up in order of size, then in mass. And if they stayed in a pattern she’d be fine. She noted there was no weather, no movement of air, just the tiny black spheres feeling no friction, moving of their own accord on the dark glass in front of her.

She wondered if they had any sense of their movement and if they did, would they care? She tried to imagine how they might feel, rotating on their planes and never understanding the formula of their volume. Why would they roll with no awareness of their form, how could they just be marbles, insentient, presenting themselves to her over and over and over again.

And again.

Discrete excitations, forming patterns in her field. Around and around, crashing and clashing, firing into each other as if to say, 

‘Look at us, watch us,’ and although she didn’t want to order them on the glass and although she knew they’d refuse her actions, that they’d make their own way, she did try. 

She tried to understand them, to control them. 

She wanted to make sense of them all if she could.

Like she did, like she does, like she will try again. 

Black marbles in her hands, heavy, chaotic, despite her attempts. Around and around again. She kneeled before them, helpless, committed to their action, trying.

On repeat, kneeling down in her layers of grey skirts, soft, bundled up against the hard coldness of the stone. Her skirts, in contrast to tiny dense black marbles every time. Vibrations in a field, patterns connected through space and time. 

And she played with marbles again; it was some kind of mid February fluctuation.

Power Pack

You know when you can hear your mother inside you saying that you have to rest? But you know and she knows that you can’t, not now. Well, not just yet.

And your mother’s face is around you with that look, that understanding that you can’t stop. And she swallows hard, keeps it all in, and like her, you do just the same.

And she sits alongside you in the silent dawning kitchen, she makes the tea for you while you let yourself feel feelings for a while.

She wears that old green dressing gown that kept her warm and she shuffles with her life-lived feet. She knows. And under her dressing gown, her body that made you, is reminding you that you can do this, that you have the strength.

You lean into the worktop, the oak takes your weight. It’s quiet in here, apart from your sniffing and the soft sounds of your mother busying herself around you. 

She walks alongside you keeping you up.

She passes the tea cup to you. She knows everything you feel.

You drink up, wipe your eyes.

Do it all again, she whispers.

You can stop soon. just not today. Your mother on the inside, charging you up. again.

Limbo

Is it day six or seven, I’m not sure? Not that it matters. Time has rolled in on itself. There aren’t hours, there are interruptions, people doing things, bringing things, taking, giving, adding observations to their charts. There’s no natural light, everything’s in suspension.

I walk the corridor in my mind, through the big old doors, nod to the receptionist, past the childrens’ drawings of a lion. The lion smiles, you know, the way they do? Secure in their strength, protected by a massive mane of gold. I think he waves a paw at me, not sure. And up the slight incline almost like a ramp boarding a ship to somewhere else, a sense of entering a different world.

The artwork on either side demands attention but I rush past, abstractions blur, birds and flowers shrug at me. They don’t care, they’ll be there on the way out, suspended in gouache, captured moments that mean the world to someone. 

My feet keep walking, step after step, soles squeak on their lino, sometimes heels click, depending on which shoes I’m wearing. It doesn’t matter either way so long as I keep going. Past the towering stacks of SHEETS and BLANKETS covered in thin plastic. They’re organised in here. I’m back in the machine, cogs turn, people sometimes smile, sometimes avoid your eye. Everyone churning, focused. 

I walk the corridor in my mind. It’s 06:08.  I’ll walk it for real again soon. I’ll say hello to Leo as I go past, Maybe I’ll imagine that I’m a lion too.